Washtub Square

Washtub Square before 1894.  Image: History Cambridge

Do you know where this picture was taken? It is at the intersection of Craigie and Brattle Streets, where the circular fountain in the center of the picture was placed in 1889. The house in the background is 27 Craigie St, built in 1854. After the installation of the fountain, the intersection was often referred to as “Washtub Square.” It appears to have gotten that sobriquet the same year it was erected:

The Cambridge Chronicle November 9, 1889

The nickname may have derived from its shape, which resembled a washtub, or it may have been because it was planted smack in the middle of the busy intersection, causing a jumble of traffic jams – as though caught in a “washtub.” More on that below.

How did this come about? In 1889, Mary Edgcumbe Blatchford (1838-1931) of 156 Brattle St got permission from the City Committee on Water Supply and Drainage to erect what she called a “fountain” to commemorate her friend Abby Williams May who had died in 1888.

Mary E. Blatchford was born in New York City in 1838 to New York lawyer Hedgecumbe (frequently misspelled Edgecombe) Heath Blatchford and Mary Ann Hubbard, who hailed from Boston. Daughter Mary grew up in New York and was sent to Switzerland for her education. Her father died in 1853, and by 1860 she and her mother had moved to Craigie Street in Cambridge. (A note of interest is that she was a cousin of Mable Hubbard, who married Alexander Graham Bell.)

Blatchford was an author of children’s books including the two pictured below. More importantly, she was deeply interested in education. It was that interest that drew her to the circle of Miss Abby W. May (1829-1888). 

Cover of The Story of Little Jane and Me by Mary G. Blatchford (1898). Image via Internet Archive
Cover of Polly and the Aunt by Mary E. Blatchford (1906). Image via Internet Archive

Abigail Williams May was born and raised in Boston, the daughter of Samuel May and Mary May Goddard. Her father was a hardware merchant active in a variety of social causes including the anti-slavery and temperance movements.

Portrait of Abby W. May (1829-1888). Image via Boston Women’s Heritage Trail
Portrait of Abby W. May (1829-1888). Image via FindAGrave added by user Jen Snoots

In Abby’s case, the apple didn’t fall far from the tree. She was also a social reformer, suffragist, and advocate for women’s education. Her list of accomplishments is lengthy: founder of the Horticultural School for Women, Vice-president of the New England Women’s Club, President of the Massachusetts School Suffrage Association, and Vice-president of the Association for the Advancement of Women. She worked to form the Sanitary Commission during the Civil War and later became a trustee of the Tuskegee Institute. In 1874 she was appointed to the Massachusetts State Board of Education. (Another interesting tidbit: her first cousin was author Louisa May Alcott.)

A year after Abby May’s death in 1888, Mary Blatchford commissioned an architect to design a memorial to her. At the time, Blatchford was living with her sister and brother-in-law Samuel H. Scudder at 156 Brattle Street, corner of Lowell and Brattle. She later purchased the house in 1903.

156 Brattle Street photographed by B. Orr, 1968. Cambridge Historical Commission

Blatchford submitted a formal request to the Cambridge Committee on Water Supply and Drainage for permission to erect the fountain:

The Cambridge Chronicle April 6, 1889

As described in The Cambridge Tribune of November 2, 1889, the fountain consisted of “two granite blocks 9 x 9, each being 2 ½ feet thick. The bottom one is solid and the upper is hollowed, forming a basin.  The following inscription encircles the basin; ‘Abigail Williams May, born April 21, 1829, died Nov. 30, 1888,’ the fountain being erected in honor of the deceased. Two sprays of wheat are cut in the space beneath the names in the inscription.  It is said that the fountain stands rather high, but this objection may be offset by grading.”

Although Blatchford referred to it as a fountain, it was primarily a watering trough for horses with an accessory water fountain for humans. This was not unusual. Watering troughs were common, and many included drinking fountains. The costs were frequently paid by private citizens. They could be found in Harvard, Lechmere, and Porter squares, and major street junctions throughout the city: Cambridge and Bridge St, Main and Broadway, and Broadway and Hampshire, to name just a few.

A horse drinks from the fountain in Washtub Square while a horsecar bound for Bowdoin Square in Boston passes by. Photo ca. 1889.

(An article in the August 14, 1909 edition of The Cambridge Chronicle titled “Thirsty Horses Can Now Drink” reminds us of the need for a horse trough in Central Square: “…During the recent hot spell, the need of a watering place for horses in the square became very apparent, for hundreds [bold added] of them pass this point daily en route to Somerville, Brighton, and to different sections of the city…”) For more on the number of horses in Cambridge, see our blog Clip Clop: Urban Life with 4,000 Horses.

On the map below you can barely make out the circle in the middle of the Craigie/Brattle St intersection that indicated the location of the fountain.

Detail: Atlas of the City of Cambridge, Massachusetts (Philadelphia : G.W. Bromley & Co., 1916)

Ms. Blatchford’s fountain was well received. The April 6, 1889 edition of The Cambridge Press declared “… Possibly no prettier tribute could be paid to the memory of a departed friend than to erect a structure in granite from which man and beast may quench their thirst on a hot summer’s day…It will not only be ornamental in a conspicuous place, but it will be decidedly useful.” Cambridge Aldermen agreed:

The Cambridge Chronicle May 24, 1890

Others, however, felt it was practical, but rather plain-looking:

The Cambridge Tribune May 17, 1890

On a related note, a writer for the Tribune made a connection with a similar water source: “Speaking of fountains, the pigeons, the robins, and especially the dogs (who have been overlooked in the Craigie Street watering trough in “Wash-tub square,” as it has been facetiously called by Cambridgeport people), take great delight this hot weather in this little fountain in the yard of the Ross house.” (The Cambridge Tribune) August 5, 1893. Be sure to stay tuned for more on the Ross house fountain in a later post.

In 1922 the city abandoned the water trough and instead planted flowers in the basin. But by 1923, with the increase in automobile traffic, the structure was deemed a traffic hazard. The City Council voted to have it removed. So, in January of 1925, 36 years after its inception, it was demolished. Miss Blatchford, now age 87 and still in residence at 156 Brattle Street, generously agreed. Even without the fountain, the intersection continued to be referred to as Washtub Square.

The Cambridge Chronicle January 28, 1927
Washtub square in 2026. Image: Kathleen Fox

Mary E. Blatchford passed away in 1931, outliving her friend by 43 years. She is buried in lot #4260 Myrtle Path, Mt. Auburn Cemetery. Abby Williams May is buried in Forest Hills Cemetery.

Today’s post was written by Kathleen M. Fox


Sources

“Abby W. May.” Boston Women’s Heritage Trail. https://www.bwht.org/about/biographies/abby-may/.

“Abby W. May” by Elisa Rolle. https://www.elisarolle.com/queerplaces/a-b-ce/Abby%20W.%20May.html.

Ancestry.com

Building Old Cambridge: Architecture and Development by Susan E. Maycock and Charles M. Sullivan (2016). MIT Press.

Cambridge Historical Commission research and subject files.

Cambridge Public Library’s Historic Cambridge Newspaper Collection.

Newspapers.com.

Open Archives 2026

Come meet the archivists, historians, and organizations preserving Cambridge’s history. Explore collections, discover stories, and chat with the people who help keep our local history alive!

Joan Lorentz Park
September 12, 2026
Free & open to all ages!

See you there!

For more information, see our Open Archives webpage: https://www.cambridgema.gov/historic/researchaids/openarchives

Helen Meriwether Thomas (1905-1997)

Today marks the 121st birthday of Helen M. Thomas!

Portrait of Helen Meriwether Lewis (1923). Image courtesy Schlesinger Library, Harvard Radcliffe Institute.

Born Helen Meriwether Lewis on August 21, 1905 in New York, she began her early education in the city and continued her high school years at St. Catherine’s School in Richmond, VA. Helen earned her AB from Radcliffe College in 1928 in government, but her interest in astronomy was inspired by undergraduate work at the Harvard College Observatory (HCO), where she assisted Professor Willem Luyten in identifying white dwarf stars.

Entry for Helen Meriwether Lewis, The Year Book of 1928, Radcliffe College. Image courtesy Schlesinger Library, Harvard Radcliffe Institute.

Helen married Frederick M. Thomas shortly after her graduation and they had one son. The marriage ended and Helen found employment in many organizations. She worked for three years as secretary to Leon Campbell, head of the American Association of Variable Star Observers (AAVSO), then affiliated with the HCO. She joined the Observatory staff under the remarkable astronomer Cecelia Payne-Goposchkin. During the late 1930s, Helen began work towards a PhD in the History of Science under supervision of Harvard professor George Sarton, preparing a thesis on the history of variable star observations from the 2nd century B.C. to the 19th century A.D. At the beginning of World War II, her graduate work was interrupted by war work, and her degree was not awarded until 1948.

Group portrait of Helen Lewis Thomas and her staff at MIT Research Laboratory of Electronics (1968). Image courtesy Schlesinger Library, Harvard Radcliffe Institute.

Helen was “drafted” first into the Harvard Radio Research Laboratory and, shortly after, into the MIT Radiation Laboratory, where she worked with science historian Henry Guerlac, preparing a history of the laboratory. In 1947 she was named a senior engineer at Raytheon Manufacturing Co, where she remained until 1954, working on guidance systems.

Exterior view of apartment building at 55 Langdon St, Cambridge. Image via Google Street View (June 2018).

Helen lived for a time at 55 Langdon Street in Cambridge. She returned to MIT as an editor and head of publications at the MIT Research Laboratory of Electronics until her retirement in 1971.

Entry for “Closest Prediction” in the 1987 Guinness Book of World Records, edited by Alan Russell.

In 1986, she was awarded a $50K prize by Trans World Airlines (TWA) for accurately predicting, thirty years before, the range, cruising speed, passenger capacity, and use of jet engines by commercial airlines (earning a listing in the Guinness Book of World Records). She died shortly before her ninety-second birthday, and a memorial service was held at Christ Church, Cambridge.

To learn the stories of more trailblazing women like Helen Meriwether Thomas, visit the Cambridge Women’s Heritage Project database: https://cwhp.cambridgema.gov/

Corinne Woodson Alleyne

Today would mark the 119th birthday of Cantabrigian Corinne Woodson Alleyne. Alleyne, born Corinne Helen Woodson on July 21, 1907 in Cambridge, was a registered nurse, oral historian, videographer, and documentary filmmaker. For the first several years of her life, Corinne lived with her father Albert, who worked as a hotel waiter, her mother Emma, and her siblings in Cambridge. The family boarded at 16 Hubbard Avenue, one in a set of ten three-story brick rowhouses constructed by the New England Brick Company in 1872.

Detail of City of Cambridge, Mass : 1877 Map. Boston: Franklin View Co., 1877 via Digital Commonwealth, showing building that once stood at 16-34 Hubbard Ave

Mrs. Alleyne was licensed as a nurse in 1930, but was denied work for 12 years because she was African American. She was finally hired during WWII when there was a shortage of nurses. Through her long career, she worked as a nurse in Boston hospitals, as a private nurse, and as a Boston Public Health Commission nursing supervisor. In 1954, she was elected Chairwoman of the Massachusetts Nurses Association private duty nurse section.

“Corinne Alleyne, a video producer, oral historian and former nurse, works at a video editing machine at Continental Cablevision (photo by Cheryl A. Miller)” The Cambridge Chronicle, 9/27/1990

In her retirement, Mrs. Alleyne became an oral historian, videographer and documentary filmmaker, recording histories of Boston senior citizens. In 1986, Alleyne, Kathleen Walcott and E. Denise Simmons organized an exhibit for Black History Month titled “Cambridge Black History: The Invisible Years”. In a Boston Globe article about the exhibit, Alleyne said, “We want to build awareness in young peoples’ minds of their culture. History will die if not collected.” In 1998, she was honored by Mayor Menino and the City of Boston with a lifetime achievement award. She died in September 2000 at the age of 93. We thank Corinne Woodson Alleyne and recognize her work to collect, preserve, and share her community’s history.

To learn more about trailblazing women like Corinne Woodson Alleyne, visit the Cambridge Women’s Heritage Project database: https://cwhp.cambridgema.gov/

Barbara Ward Armstrong at the ICA

Barbara Ward Armstrong (1940–2013) was a gifted visual and performing artist who was born and raised in Cambridge. She was an accomplished musician, dancer, and seamstress who fashioned many of her own clothes and designed theatrical costumes. Barbara’s design and fabric artistry culminates in her richly textured African-inspired fabric sculptures, also known as soft sculptures, a medium she helped to define. These soft sculptures range from doll-size to life-size and are constructed entirely of dark-hued fabric and are adorned from head to toe in colorful fabrics, beads, and other artifacts representing all corners of the African Diaspora.

Barbara Ward Armstrong. Image courtesy Cambridge Black History Project

Although most of the sculptures are held in private collections, a family of four, called New Race II, was recently donated to the Cambridge Public Library and is currently on exhibit at the Institute of Contemporary Art (ICA) “Say It Loud” exhibition through August 2. “Say It Loud” is an historic collection of the works of thirty-nine artists affiliated with the African American Master Artists-in-Residence Program (AAMARP) at Northeastern University.

The Cambridge Black History Project is hosting a special tour of “Say It Loud” on July 23. There are a limited number of spaces available. Please contact the CBHP by July 18 at info@cambridgeblackhistoryproject.org for further details if you would like to join them on this special tour.

An Intrepid Lady of Brattle Street: Sara Chapman Bull

Beginning in 1879, until her death in 1911, Sara Chapman Bull lived in Cambridge, first at “Elmwood” (the Oliver-Gerry-Lowell House), and from 1889 until her death at 168 Brattle Street. A number of facts about her should pique our interest:

  • At age 20, she was married in a semi-secret ceremony in Norway to a 60-year-old renowned Norwegian concert violinist Ole Bull.
  • She was an early adherent and supporter of Swami Vivekananda, who introduced the Indian philosophy of Vedanta to the West. 
  • She initiated and funded the Cambridge Conferences, a series of seminars at her home which drew important secular and religious lecturers.
Sarah Thorp Bull and Family, ca. 1890 (3.01BC)
Left to right: Joseph Thorp, Jr., Sarah Thorp Bull, Annie Longfellow Thorp, unidentified woman, Olea Bull, Mrs. Amelia Chapman Thorp, (and seated) unidentified woman. Likely taken at 168 Brattle Street, Cambridge, Massachusetts. Image courtesy History Cambridge.

Sara Bull was born Sara Chapman Thorp in 1850 in Oxford, New York. Her parents later moved to Eau Claire, Wisconsin where her father, Joseph G. Thorp, became wealthy in the lumber business. The family moved to Madison in 1866 after Joseph was elected to the State Senate. Her mother, Amelia, was a formidable individual who played a prominent role in Madison society. Sara was raised in a conventional manner under the controlling eye of her mother. This somewhat sheltered upbringing changed dramatically when she was introduced to Ole Bull, an internationally renowned Norwegian violinist who came to Madison on an American concert tour.

Portrait of Ole Bull by Franz Hanfstaengl. Image courtesy Bergen Public Library Norway.

Despite strong objections from her father–but with the encouragement of her socially ambitious mother–Sara Thorp and Ole Bull became engaged in early 1870, she age 20, he 60. Sara and her mother then accepted Ole’s invitation to visit Norway where, in a private ceremony, they were married in June, 1870. In the fall of that year, a splendid formal wedding took place in Madison. A daughter, Olea, was born in March, 1871.

Sara Olea Bull Vaughan posed, 1893. Courtesy of National Park Service, Longfellow House-Washington’s Headquarters National Historic Site (1006/004.002.010).

For the next ten years Sara, when not at Madison, traveled with Ole to concerts throughout the United States and Europe, occasionally serving as his piano accompanist. After beginning his college career at the University of Wisconsin, Sara’s brother, Joseph G. Thorp, Jr., graduated from Harvard College in 1879. That same year, the Thorp parents, Sara, Ole, and Olea moved from Madison to Cambridge, where they rented Elmwood from James Russell Lowell. In 1880 Ole, aged 70, died in Norway with Sara at his side.

Elmwood, 33 Elmwood Avenue (built 1767). Photo ca. 1895–1900, showing the gardener’s cottage that was attached to main house. CHC collections.

Following her husband’s death, Sara continued to make her home in Cambridge and began a productive life of her own. She lived at Elmwood until 1889, when she and her family moved to a new house her father had built at 168 Brattle Street.

In 1883, Sara published Ole Bull: A Memoir. She also published a journal article supporting the claim that Norsemen discovered New England and raised funds for the statue of the Norseman presently standing at the western terminus of Commonwealth Avenue in Boston. Sara entered the Boston social scene and became close friends with such luminaries as Annie Fields, Celia Thaxter, Julia Ward Howe and Sarah Orne Jewett. Important connections were further cemented when her brother Joseph married Anne Allegra, youngest daughter of Henry Wadsworth Longfellow. 

Title page of Ole Bull: A Memoir (1910) by Sara Chapman Bull

Sara Bull likely met Swami Vivekananda, founder of the Vedanta philosophy, in Boston or Cambridge in 1892. This encounter initiated her extensive sponsorship and financial support of the Swami’s work, both in the United States and India, particularly Vedanta schools. She traveled a number of times to India to lend support to these and other schools—particularly for girls–that were being established there.

In 1896 Sara initiated, hired a director for, and financially sustained what she titled the Cambridge Conferences. These weekly “class lectures” ran from November through May for four years and were held at her house at 168 Brattle Street. This was a wide-ranging intellectual endeavor, its purpose being “to afford opportunity for the comparative study of Ethics, Philosophy, Sociology and Religion”.  A significant number of important philosophers and religious leaders of the day lectured at the Conferences.

Members of the Bull and Thorp family stand outside 168 Brattle Street, Sara Thorp Bull’s residence. Courtesy of National Park Service, Longfellow House-Washington’s Headquarters National Historic Site (1006/004.002.010).

Sara also encouraged and financially supported important efforts of Dr. J. C. Bose, an Indian scientist doing pioneering work on remote wireless, and Okakura Kakuso, an expert on Japanese art who carried out the first classification of Asian Art at the Boston Museum of Fine Arts. She met both these gentlemen in their home countries, and later opened her Cambridge home to them and promoted their work in this country.

When Sara Chapman Bull died in 1911, she was cremated at Mt. Auburn Cemetery and her ashes spread at Lysøen, Norway, the site of an island house she inherited from Ole Bull.

Bull villa in Lysøen, photographed 10 June 2005 by Sean Hayford O’Leary. Image obtained via Wikimedia Commons under the Creative Commons Attribution 2.0 Generic license.

Today’s post was written by Cambridge resident Ted Hansen, a community volunteer and former President of the Cambridge Historical Society (now History Cambridge).

Black History Month Feature: Roosevelt Weaver

Today we’re highlighting Roosevelt Weaver, an educator, activist, and voice for the people.

Roosevelt R. Weaver was born in Macon, Georgia in 1936. He obtained his degree in sociology after receiving a scholarship from Yankton College in South Dakota. During his time in undergrad, Weaver was a star athlete, earning accolades in track, football, and boxing. Following graduation, Weaver taught in the Atlanta public school system and served in the Peace Corps as well as the US Marines active reserves. While a Peace Corps volunteer from 1962-65, Weaver coached the Senegalese Olympic track team.

The Cambridge Chronicle, 18 May 1967

Weaver became the first Program Director at the Cambridge Community Center in 1965. Weaver was surprised to encounter in Cambridge the same racism he faced in southern states when he was refused multiple apartment rentals based on his ethnic background. Weaver resigned his position at the community center in 1967 to to become the Group Leader for Operation Crossroads Africa Inc.’s work in Cameroon. The project was designed to engage American and African college students through summer work projects. Weaver returned to Cambridge in 1968. He had earned his master’s degree in Urban Education from Simmons College and began pursuing his Doctor of Education degree at Harvard in 1969 while also teaching courses at Emerson College and Simmons.

Roosevelt Weaver photographed by Forman on April 8, 1970. Cambridge Photo Morgue Collection, Cambridge Historical Commission.

In 1970, following unrest and a sit-in at the Cambridge High and Latin School, administrators hired Weaver part time to head up a course titled “Black Experience.” What followed were several months of meetings, student discussions, and seminars focused on addressing racial tensions and demands of Black students who faced racism and objected to the white-centric coursework at CHL and Rindge Tech. That year, Weaver was chosen as an Outstanding Young Man of America and received an Alumnus of the Year award from his alma mater. Weaver served on numerous committees and boards, including the Cambridge Police Relations Council, tackling issues faced by the Black community in Cambridge. In 1971, he became the first black principal of Bernice A. Ray Elementary School in Hanover, NH. Weaver later moved to New Jersey to teach in the East Orange school system.

Wikipedia Highlights Black Cambridge

The Cambridge Black History Project in collaboration with the Cambridge Public Library invites you to come out and try your hand at editing and creating Wikipedia pages related to Cambridge Black History!

When: Wednesday, February 25th from 5:30pm-8:30pm
Where: Central Square Branch of the Cambridge Public Library (45 Pearl Street).

This event is free but registration is required. Please click HERE for more information and to register for the event. Once at the registration page click the blue “Begin Registration” button.

Barbara Ward Armstrong, a Cantabrigian and innovative artist whose life-sized African-inspired multi-textured fabric sculptures, called “soft sculptures,” redefined 20th century artforms.

All levels of experience are welcome! Join in on the fun and excitement of looking up information on Black Cantabrigians and beyond as we move to create Wikipedia pages that will highlight some local individuals. We will be adding to information on existing pages, creating new pages, finding reliable sources for others to use, and copyediting and formatting pages. The Central Square Branch offers resources from its Archives and Special Collections as well as its Black Voices Collections.

We are looking forward to seeing you on Wednesday, February 25 from 5:30pm – 8:30pm. 

Access information:

  • The library’s accessible entrance is available from Martin Luther King, Jr. Plaza
  • Public transit: the library located 1 block from the Central MBTA Red Line station
  • Street parking (metered) is available near the library.
  • Garage parking (paid) is available in the Green Street Garage.

2026 Preservation Awards: Call for Nominations

Each year, the Cambridge Historical Commission honors projects that have made outstanding contributions to the preservation of the city’s historic character and built environment. The 2026 Preservation Awards will recognize individuals and organizations for projects completed within the last year. The awards will be announced and presented at a ceremony in late May or early June 2026.

2025 Preservation Award winner St. Augustine’s African Orthodox Church, 137 Allston Street (1886). Using Community Preservation Act funds paired with fundraising efforts, the congregation was able to secure a beautiful restoration of this important building, allowing this church to take on a new and vibrant life in Cambridgeport.

Seven project categories are eligible for Preservation Awards: restoration, rehabilitation, adaptive use, neighborhood conservation, landscape preservation, archaeology, and education. The award-winning projects will be selected based on the following:

  • historical and architectural significance of the preserved property;
  • exceptional quality of the project;
  • extent to which the project contributed to the preservation of the property; and
  • impact of the project on the preservation of the city’s historic resources.
2025 Preservation Award winner 5-7 Irving Terrace (1888). Five condominium owners enthusiastically restored original clapboards, shingles, and woodwork, bringing the building back to like-new condition.

To nominate a project, including your own, please submit a completed nomination form and supporting documentation by Noon on Friday, March 13, 2026 to:

Cambridge Historical Commission
831 Massachusetts Avenue
Cambridge, MA 02139

Or electronically to: histcomm@cambridgema.gov

All submitted materials become the property of the Cambridge Historical Commission and will not be returned.

For more information on the Cambridge Preservation Awards, or if you have questions regarding the nomination form, please contact the Commission.

Telephone: 617 349 4683 | Email: histcomm@cambridgema.gov

URL:  https://www.cambridgema.gov/historic/aboutchc/preservationawards

Frances V. Antupit (1934-2025)

We at the CHC were saddened to hear of the passing of a Cambridge icon, Frances Antupit, long-time proprietor of the landmark establishment Koby-Antupit Photography Studios. In her studio, Frances photographed architects, politicians, scientists, and activists, as well as local students, couples, and children.

Frances Antupit in the Boylston/JFK St studio, ca. 1960s. Koby-Antupit Portrait Collection, Cambridge Historical Commission

Frances V. Antupit was born October 5, 1934, and raised in West Hartford, CT. She graduated from the Rhode Island School of Design (RISD) in 1957. Although Frances took only one photography course, she and a friend would sneak into the school’s darkroom after hours to develop film and make prints. Looking back, Frances laughed at her work from that time–mostly odd compositions of doorways and objects–calling it the “Ashcan School of Photography.”

Paul Koby Studio business card. Koby-Antupit Portrait Collection, Cambridge Historical Commission

Frances soon moved to Boston, intending to pursue a graphic design career, but quickly discovered few positions available. She was interviewed by a Copley Square art director who noticed her eye for photography and suggested she apprentice to an established photographer. In the yellow pages, Frances found an ad for Paul Koby’s studio in Harvard Square. Koby initially dismissed her, but Frances soon convinced him of her abilities, and she began her training in lighting skills, darkroom techniques, and retouching.

View of Paul Koby Photography studio, above the Wursthaus in Harvard Square. Cambridge Historical Commission

Koby left the Boston area in the 1970s. In 1978, despite no formal business training, Frances decided to purchase the business. Along with the studio, Antupit inherited a large collection of Koby’s negatives and prints.

Chris Jennings by Frances Antupit, 1991. Koby-Antupit Portrait Collection, Cambridge Historical Commission
Unknown couple by Francis Antupit, date unknown. Koby-Antupit Portrait Collection, Cambridge Historical Commission

In 1997, Cambridge Savings Bank bought the building that housed Antupit’s studio, and all tenants were given notice to vacate. Frances later opened a new studio but despite her reputation as a creative photographer, the new location proved difficult for returning customers and walk-ins alike. Antupit began afresh in neighboring Belmont before finally retiring. In 2006, Frances donated her collection of photography materials to the CHC. The Koby-Antupit Portrait Collection contains photographic materials taken by and relating to Frances and her work in the studio and material created by Koby.

Read the full obituary
See images from the Koby-Antupit Portrait Collection