Ada Louise Comstock: A Lasting Legacy in Women’s Education

Ada Louise Comstock, c.1897. Harvard University Archives.

Ada Louise Comstock (1876-1973) was born in the prairie city of Moorhead, Minnesota, and from a young age, excelled in education. She graduated from her local high school at 15 and the next year began undergraduate studies at the University of Minnesota. After two years, she transferred to Smith College, a women’s college in Northampton, Massachusetts, graduating in 1897. After, she went to Columbia University for graduate work in English, History, and Education, and earned a master’s degree in 1899. She returned to the University of Minnesota to work as an instructor and was appointed the school’s first dean of women in 1907. In that role, she was instrumental in improving the quality of life for the women of the college, arguing persistently that a college was responsible for one’s physical and intellectual well-being, something she believed had not been offered equally to the men and women at the university. From 1921 to 1923, she served as president of the Association of Collegiate Alumnae, now known as the American Association of University Women, and became known nationally as a pioneer in women’s education.

Ada Louise Comstock at her 25th reunion at Smith College in 1922.
Faculty Biographical Files, Ada Comstock Papers

On October 20, 1923, Comstock was inaugurated as president of Radcliffe College. She led the school for 20 years, strengthening its academic programs and in 1943 persuading Harvard to accept classroom co-education. Prior to this, Radcliffe had been paying Harvard professors to repeat their lectures for women. President Comstock launched a nationwide admissions program for Radcliffe, improved student housing, constructed new classroom and dormitory buildings, and expanded the graduate program. She retired as president of the college in 1943 but continued to promote the Graduate Program and advocate for improvements in and expansion of women’s educational opportunities. After her retirement, Radcliffe named a new dormitory in her honor and called her “the chief architect of the greatness of this college.”

Ada Comstock during her time as President at Radcliffe College. Harvard University Archives.

Radcliffe’s Comstock Hall was built in 1957 as the final wing of Moors Hall, at the northern edge of Radcliffe Quad. The school hired Maginnis, Walsh and Kennedy, the successor of Maginnis and Walsh who specialized in Neo-Gothic architecture and had designed many churches in Cambridge and the eastern United States. For Comstock Hall, the architect Eugene F. Kennedy Jr. employed Georgian Revival and Classical detailing to complement the Quad’s existing character. Radcliffe would soon after embrace Modernism with the Hilles Library, Currier House dormitories, and Faculty Housing on Linnaean Street, which complete Radcliffe Yard.

Comstock Hall, 1970. CHC Archives.

In addition to her roles in women’s education, Comstock served in many capacities with governmental and institutional groups. In 1929 she was the only woman named by President Herbert Hoover to the eleven-member Wickersham Commission, which was tasked with surveying the U.S. criminal justice system under Prohibition and making public policy recommendations. She also served as president of the American Academy of Arts and Sciences and on the National Committee for Planned Parenthood.

The Wickersham Commission in 1929. Ada Comstock, the only woman on the commission, is seated in the front row. To her left is Roscoe Pound, then Dean of Harvard Law School. President Hoover is in the first row, center right.

A week after her retirement from Radcliffe in 1943, Comstock married Yale professor emeritus Wallace Notestein. The two had met in Minnesota decades before, but Comstock had focused on her academic career, as her father wished; neither had married in the intervening years. They never had children. Wallace Notestein died in 1969. Ada Comstock died four years later at her home in New Haven, Connecticut, at the age of 97.

Undated image of Ada L. Comstock,
Harris & Ewing, photographer, Library of Congress Catalog.

Ada Comstock continues to be honored for her dedication to expanding and improving women’s education. She is also remembered in numerous buildings on college and university campuses, including Comstock Hall at the University of Minnesota; Comstock House, aresidence hall at Smith College; and the featured Comstock Hall in Radcliffe Quad, which is now a part of Pforzheimer House, one of Harvard’s twelve undergraduate residential houses. Her childhood home in Moorhead, Minnesota, is maintained by the Minnesota Historical Society.

Charles Follen McKim and the Radcliffe Gymnasium

Happy Birthday to Charles Follen McKim, who was born on August 24, 1847, in rural Pennsylvania to James M. McKim, a Presbyterian minister and fervent abolitionist, and Sarah Speakman McKim, a Quaker. After attending public schools in New Jersey and Philadelphia for three years, McKim entered Harvard’s Scientific School in 1866, dropping out within a year. Soon after he entered the École des Beaux Arts where he studied architecture and design for three years, from 1867 to 1870, becoming enamored of the Classical architecture of Europe. On his return to America, McKim began working in the architectural office of Gambrill and Richardson in New York City. Here McKim was shaped by the architectural giant Henry Hobson Richardson for two years before opening his own office in New York. His friend William Rutherford Mead soon joined him; they were joined by Stanford White in 1879 to form McKim, Mead & White.

Charles Follen McKim, photo dated 1890. Library of Congress collections

The firm got its start designing large summer estates in Newport and the Berkshires for wealthy families and gained national recognition for their designs. McKim became known as an exponent of Beaux-Arts architecture applied to styles of the American Renaissance, employing Classical and Colonial motifs inspired by both his studies in Europe and excursions in New England. One of his most iconic designs is the Boston Public Library’s McKim Building (1895) on Boylston Street that drew heavily from the Sainte-Geneviève Library in Paris, where McKim likely spent much time studying architecture.

Although McKim only spent one year at Harvard, he was always considered a “Harvard Man.” Almost all buildings at Harvard during the 19th-century were underwritten by donors who selected their own architects with limited input from the Harvard president; two such McKim projects were the School of Architecture Building, Robinson Hall (1900), and the Harvard Union (1901). President Charles Eliot hired McKim to design his most important commission at Harvard, Johnson Gate. He was later commissioned to design many memorial gates and walls enclosing Harvard Yard. McKim selected coarse rejects and glazed headers from a local brickyard to emulate colonial-era masonry, directly contradicting the contemporary preference for perfectly finished, evenly toned brick surfaces. Almost every brick building Harvard put up thereafter, right through the 1980s, used these bricks, which the New England Brick Co. marketed nationally as Harvard Brick (Building Old Cambridge, pp. 774-775).

1904 image of Harriet Hemenway Gymnasium, Detroit Publishing Co. photograph

Before McKim was hired to design any Harvard buildings, he had been commissioned by Radcliffe College, a women’s college, to design a gymnasium for their new Radcliffe Yard between Brattle and Garden streets. Harriet Hemenway, the founder of the Massachusetts Audubon Society, donated roughly $50,000 to Radcliffe for the project, perhaps inspired by her husband’s gift to Harvard in 1878 for their all-men’s gymnasium (since demolished).

Detail of central pavilion of Radcliffe Gymnasium. Featured in BrickBuilder 1901.

The three-story brick building adjacent to Fay House opened in 1898 and presented a Colonial style of architecture desired by Radcliffe. The symmetrical gymnasium building features a slate roof topped by an ornate cupola. At the central bay, the main entrance is framed by a portico supported by four Tuscan columns with a balcony with balustrade above. At the third floor gable, a massive fanlight is framed by a brick arch with Georgia marble accents.

The interior featured a basement level swimming pool and practical and utilitarian spaces such as locker rooms, bathrooms and a director’s office on the ground floor.

Gymnasium basement pool unfilled, ca. 1910. Image courtesy of Radcliffe Archives.

The gymnasium proper on the second floor features maple flooring with a suspended running track that frames the boundary of the room and is accessible by two flights of winding iron stairs. The track is just six feet wide and measures twenty-one laps to the mile. Its suspension by trusses allowed for open space on the gymnasium floor below.

Gymnasium at second floor, ca. 1910. Image courtesy of Radcliffe Archives.
Gymnasium at second floor on elevated track, ca. 1910. Image courtesy of Radcliffe Archives.

The Radcliffe Gymnasium was renovated in 2005 by the Radcliffe Institute, which hired Bruner/Cott to preserve many interior features for its new use as an auditorium space. The basement area, formerly the swimming pool, was converted into a climate-controlled archives storage facility. Elegant marble, salvaged from the swimming pool, has been reused as terrazzo flooring, signage, and exterior paving. Radcliffe received a Cambridge Historical Commission Historic Preservation Award in 2007 for the work. In 2013, the building was renamed the Knafel Center in honor of Sidney R. Knafel and in recognition of the center’s increasing role in the promotion of intellectual exchange across Harvard and with the public.

Gymnasium interior after renovation by Bruner/Cott.
Gymnasium interior from elevated track after renovation by Bruner/Cott.

Torn Down Tuesday: Willard Phillips House and Barn, 58 Linnaean Street

The Willard Phillips House formerly at 58 Linnaean Street was constructed in 1841 in the then fashionable Gothic Revival architectural style. Willard Phillips was born in 1784 in Bridgewater, MA and graduated Harvard University in 1810. After graduating, Phillips studied law and by 1826, was a member of the legislature and during this time, he was an editor of multiple law review journals which were distributed all over the country. By 1839, he was made judge of probate for Suffolk County and built his home shortly after in Cambridge. He retired from legal practice in 1845 to become the president of the New England Mutual Life Insurance Company, where he remained until 1865 when he retired.

Circa 1930 image of the Willard Phillips House (58 Linnaean Street) courtesy of HOLLIS Images.

After his death, the property remained in the Phillips family who rented the home to Professor John Trowbridge, who was the Director of the Jefferson Physical Laboratory at Harvard. By 1900, 58 Linnaean Street, land which extended from Linnaean Street to Shepard Street and all buildings thereon were conveyed to Radcliffe College, who also purchased the land of Dr. Bemis next door to develop what is known now as the Radcliffe Quad.

The Phillips House became known as the Trowbridge House, a dormitory for students at Radcliffe while the larger brick dormitories along Shepard Street were being constructed. As the Radcliffe Quad developed into the 1920s, open space became a challenge, and many wood-frame dwellings and outbuildings were demolished or moved. The Phillips House eventually was razed in 1951 for Holmes Hall, a wing of Moors Hall.

Detail of Phillips House and barn at rear, undated photo in CHC Archives.

The original Gothic style barn as part of the Phillips estate was moved in 1926 to the rear of 61 Garden Street and redesigned by Mary Almy, a Radcliffe Graduate and principal architect of the firm of Howe, Manning & Almy which was started in 1900 by Lois Lilley Howe. Radcliffe hired the firm to convert the former barn structure into a field house for athletics on the Radcliffe Quad.

Photograph of Phillips Estate barn at second location behind 61 Garden Street. Image part of MIT Special Collections. Circa 1926.
Photograph of Phillips Estate barn at second location behind 61 Garden Street. Image part of MIT Special Collections. Circa 1926.
Location of former Phillips estate barn after renovation to Radcliffe Field House behind 61 Garden Street (Edmands House, dormitory). 1950s Sanborn Map.

The Field House was redesigned in the Colonial Revival style and was nearly indistinguishable from the former barn besides the bargeboards at the side gable of the roof which were retained to showcase the history of the structure.

1968 Photo of Radcliffe Field House taken by CHC.

Plans and documents which are in the Howe, Manning & Almy Special Collection at the MIT Special Archives showcase the drawings and floor plans of the space even down to the large wooden beam at the mantle on the interior which reads “In Memory of Rosamond Claire Esty 1925”. Ms. Esty, 22, was a recent Radcliffe graduate who was swept from a ledge in Rockport by rogue waves in and despite her brothers attempts to save her, died in the surf.

1930s interior of Radcliffe Field House and carved wooden mantle reading “In Memory of Rosamond Claire Esty 1925”.

The Field House was a success and saw heavy use until the 1960s when the building became known by the College as a “necking hangout”. Radcliffe allowed its female students to study in the Field House with a male companion until midnight by requiring students to sign out a key held at nearby Holmes Hall; this made the Field House the only building at Radcliffe legally available to Radcliffe students and their dates every night. Articles explained that the key was often signed out under assumed names and would go missing and unauthorized duplicates later would proliferate through the Quad.

Radcliffe and Harvard Students posing at recently completed Radcliffe Field House, ca. 1930. Image courtesy of HOLLIS Images.

The Field House was razed by 1970 for the construction of the Currier House.

Modern Monday: Loeb Drama Center, 64 Brattle Street

Exterior of Loeb Drama Center_Radcliffe College Archives

Completed in 1960, the Loeb Drama Center at 64 Brattle Street stands as one of Cambridge’s greatest examples of Modern Architecture. The structure is human-scaled, made of regional materials and is a sensitive addition to its residential and commercial neighbors along Brattle Street. The scale of the building was reduced to blend in with adjacent heights and the use of New England waterstruck brick is a nod to the Harvard and Radcliffe buildings nearby. Exposed concrete serves as a sort of frame to the delicate ornamental grille which provides a lace-like effect, enhanced further at night when the light from inside the building shines through.

Exterior View of Loeb Drama Center_night_Radcliffe College ArchivesExterior View: Harvard - Loeb Drama Center, 29 Brattle Street

Architect Hugh Stubbins wanted the theater to be architecturally exciting, while still serving as a backdrop to the purpose of the building, the arts. Stubbins was quoted as saying, “the auditorium should please the imagination in such a way as to release it, not captivate it” and later went on to reference examples of recent museums and art galleries erected by architects to overshadow the art within them.

Interior View of Loeb Drama Center_Radcliffe College ArchivesView of Loeb Drama Center setbuilding_Radcliffe College Archives

The building opens right off the sidewalk of Brattle Street by the way of deep setbacks off the first floor, forming a porch-like or arcade feeling. The sides of the building open to a garden court on one side and a spacious terrace on the other. The travertine flooring in the lobby extends gracefully to the brick-paved courtyard, contained by a red brick serpentine wall.

Exterior courtyard Loeb Drama Center_Radcliffe College ArchivesExterior View of Loeb Drama Center (2)_Radcliffe College Archives

The theater was unveiled as a mechanical marvel as the first fully-automatic and flexible theatre in the United States. The audience’s position in relation to the stage, along with the position and shape of the stage itself could be altered between three main configurations: theater-in-the-round, proscenium, and arena seating, all possibly during the same performance. Yale’s noted stage technician and theater design engineer, George C. Izenour worked with Stubbins to integrate lighting, rigging and staging into an automated and hydraulic lift system, which could be altered and staged by just two people in mere minutes.

The Loeb Drama Center is now home to The American Repertory Theater (A.R.T.) at Harvard University, which collaborates with artists around the world to develop and create work in new ways. To learn more about A.R.T. and their upcoming shows and events, check out their website at: https://americanrepertorytheater.org/

1960 color photo_CHC_LOEB
Color slide courtesy of CHC Staff.

Historic photos courtesy of Radcliffe College Archives and CHC slides.