Happy Women’s History Month!

Every March, Women’s History Month invites us to pause and look at the people that built our communities. Some of the stories are well‑known—names etched into monuments or printed in textbooks. But many others, often those of women, live quietly in the margins: teachers who shaped generations, activists who pushed for justice, artists who reimagined the world, caregivers who held neighborhoods together. These women influenced Cambridge in a myriad of ways, yet for centuries their contributions were scattered, forgotten, or never recorded at all.

The Cambridge Women’s Heritage Project (CWHP) was created to change that. It is, at its heart, a restoration project—not of buildings, but of remembrance. This effort seeks to bring women’s contributions into focus, ensuring that they are included in city’s rich history.

Dr. Ruth Marguerite Easterling
Pathologist, first African American woman admitted to Tufts Medical School

The project began in 1996, sparked by a community effort to honor writer May Sarton with a memorial at the Cambridge Public Library. What started as a single tribute quickly revealed a larger truth: Cambridge history was rich with women whose stories deserved recognition. That realization grew into a city‑supported initiative to document women’s lives from Cambridge’s founding in 1630 to the present day.

Today, the CWHP is a living, evolving archive. Volunteers, historians, and community members work together to research and write biographies of Cambridge women and women’s organizations. Some entries are detailed portraits; others are fragments waiting to be expanded. To date, more than 900 women and groups have been nominated, and the project continues to grow as new stories surface.

Flyer for Bread and Roses Restaurant
Gourmet vegetarian restaurant and center for feminism (1974-1978)

The work is meticulous and often challenging. Many women left few written records, and their contributions were not always preserved in traditional archives. The CWHP addresses this by gathering information from published sources, obituaries, local history collections, and community submissions. Each entry is carefully edited, fact‑checked, and organized so that future researchers, students, and residents can explore the city’s history through a more inclusive lens.

But the project is more than a database. It is also a catalyst for public engagement. Over the years, the CWHP has hosted International Women’s Day celebrations, walking tours, lectures, and other programs that bring women’s history into the public square. It invites the community to participate—by nominating women, sharing photographs, offering corrections, or volunteering to help with research.

Helen Wendler Markham (born Helen Wendler Deane)
Biologist, histochemist, humanitarian

The CWHP was created as a joint project of the Cambridge Commission on the Status of Women and the Cambridge Historical Commission and relies on volunteers from the community to keep growing. The mission is both simple and profound: to celebrate the women of Cambridge, to preserve their stories, and to ensure that future generations can see themselves reflected in the city’s past.

During Women’s History Month, the project feels especially resonant. It reminds us that history is not fixed; it is something we build, revise, and enrich. We invite you to follow us on social media as we highlight a selection of these individuals and organizations where the stories of women—long overlooked—are finally being given the visibility and honor they deserve.

Visit the Cambridge Women’s Heritage Project database:
https://cwhp.cambridgema.gov/

Follow the Cambridge Historical Commission on social media:
Instagram: https://www.instagram.com/cambridgehistoricalcommission/
WordPress blog: https://cambridgehistoricalcommission.blog/

Ada Louise Comstock: A Lasting Legacy in Women’s Education

Ada Louise Comstock, c.1897. Harvard University Archives.

Ada Louise Comstock (1876-1973) was born in the prairie city of Moorhead, Minnesota, and from a young age, excelled in education. She graduated from her local high school at 15 and the next year began undergraduate studies at the University of Minnesota. After two years, she transferred to Smith College, a women’s college in Northampton, Massachusetts, graduating in 1897. After, she went to Columbia University for graduate work in English, History, and Education, and earned a master’s degree in 1899. She returned to the University of Minnesota to work as an instructor and was appointed the school’s first dean of women in 1907. In that role, she was instrumental in improving the quality of life for the women of the college, arguing persistently that a college was responsible for one’s physical and intellectual well-being, something she believed had not been offered equally to the men and women at the university. From 1921 to 1923, she served as president of the Association of Collegiate Alumnae, now known as the American Association of University Women, and became known nationally as a pioneer in women’s education.

Ada Louise Comstock at her 25th reunion at Smith College in 1922.
Faculty Biographical Files, Ada Comstock Papers

On October 20, 1923, Comstock was inaugurated as president of Radcliffe College. She led the school for 20 years, strengthening its academic programs and in 1943 persuading Harvard to accept classroom co-education. Prior to this, Radcliffe had been paying Harvard professors to repeat their lectures for women. President Comstock launched a nationwide admissions program for Radcliffe, improved student housing, constructed new classroom and dormitory buildings, and expanded the graduate program. She retired as president of the college in 1943 but continued to promote the Graduate Program and advocate for improvements in and expansion of women’s educational opportunities. After her retirement, Radcliffe named a new dormitory in her honor and called her “the chief architect of the greatness of this college.”

Ada Comstock during her time as President at Radcliffe College. Harvard University Archives.

Radcliffe’s Comstock Hall was built in 1957 as the final wing of Moors Hall, at the northern edge of Radcliffe Quad. The school hired Maginnis, Walsh and Kennedy, the successor of Maginnis and Walsh who specialized in Neo-Gothic architecture and had designed many churches in Cambridge and the eastern United States. For Comstock Hall, the architect Eugene F. Kennedy Jr. employed Georgian Revival and Classical detailing to complement the Quad’s existing character. Radcliffe would soon after embrace Modernism with the Hilles Library, Currier House dormitories, and Faculty Housing on Linnaean Street, which complete Radcliffe Yard.

Comstock Hall, 1970. CHC Archives.

In addition to her roles in women’s education, Comstock served in many capacities with governmental and institutional groups. In 1929 she was the only woman named by President Herbert Hoover to the eleven-member Wickersham Commission, which was tasked with surveying the U.S. criminal justice system under Prohibition and making public policy recommendations. She also served as president of the American Academy of Arts and Sciences and on the National Committee for Planned Parenthood.

The Wickersham Commission in 1929. Ada Comstock, the only woman on the commission, is seated in the front row. To her left is Roscoe Pound, then Dean of Harvard Law School. President Hoover is in the first row, center right.

A week after her retirement from Radcliffe in 1943, Comstock married Yale professor emeritus Wallace Notestein. The two had met in Minnesota decades before, but Comstock had focused on her academic career, as her father wished; neither had married in the intervening years. They never had children. Wallace Notestein died in 1969. Ada Comstock died four years later at her home in New Haven, Connecticut, at the age of 97.

Undated image of Ada L. Comstock,
Harris & Ewing, photographer, Library of Congress Catalog.

Ada Comstock continues to be honored for her dedication to expanding and improving women’s education. She is also remembered in numerous buildings on college and university campuses, including Comstock Hall at the University of Minnesota; Comstock House, aresidence hall at Smith College; and the featured Comstock Hall in Radcliffe Quad, which is now a part of Pforzheimer House, one of Harvard’s twelve undergraduate residential houses. Her childhood home in Moorhead, Minnesota, is maintained by the Minnesota Historical Society.

Katharine Weems: Sculptor

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Katharine Lane Weems, circa 1915 / unidentified photographer.

Sculptor Katharine Lane Weems was born into a wealthy Bostonian family on February 22, 1899. After studying art at the School of the Museum of Fine Arts from 1918 to 1922, Weems became one of the most highly-recognized animal sculptors of her era.

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Katharine Weems with ‘Dolphins of the Sea’, ca. 1975 / unidentified photographer.

Her observations of animals, as seen through her meticulous sketches, underscore her dedication to representing an animal’s biological makeup. In doing so, she conveyed their physicality in stunning reality.

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Sketchbook, 1913-1915

Weems’s work can be viewed throughout the Boston area, from the Lotta Crabtree Fountain on the Charles River Esplanade to the Dolphins of the Sea at the New England Aquarium. She donated a collection of 30 bronze animal sculptures to Boston’s Museum of Science, demonstrating the connections between sciences and the arts.

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Elephant frieze on the biology lab at Harvard, not before 1933 / Paul J. Weber, photographer.

Her largest project was a commission for the Biological Laboratories at Harvard University, now the Harvard University Department of Molecular and Cellular Biology (MCB). The project included carved bronze doors at the lab entrance, a series of wildlife friezes, and two large bronze rhinoceros scultpures standing guard on either side of the doors of the lab.

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Katharine Lane Weems at work on ‘Rhinoceros’, circa 1935 / unidentified photographer.

Named Bessie and Victoria, these rhinoceros sculptures were modeled after two female rhinoceri Weems studied at the Bronx Zoo. Both are composed of bronze and weigh 3 tons each. After years of work, Bessie and Victoria were unveiled on May 12, 1937. Despite this great accomplishment, Weems’s work was given little local fanfare.

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Katharine Weems being introduced at the unveiling ceremony for her rhino sculptures at Harvard, 1937 May 12 / Harvard Film Service, photographer.

Weems continued to sculpt and create art throughout her long life. She later married her longtime friend Fontaine Carrington “Canny” Weems in 1947. Katharine Lane Weems died in Rockport Massachusetts on February 11, 1989.

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Katharine Ward Lane Weems seated with a dog, circa 1935 / unidentified photographer.


Images and captions come from the collection Katharine Lane Weems papers, 1865-1989. Archives of American Art, Smithsonian Institution.