Modern Monday: Harvard Science Center

The Harvard Undergraduate Science Center at 1 Oxford Street, is a pre-cast concrete behemoth designed by Josep Lluís Sert (1902-1983) the Dean of the Harvard Graduate School of Design at the time.

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Staff photo of Harvard Science Center (1 Oxford Street) April 2019.

 

Designed in 1970 and completed just two years later, the Brutalist structure integrates its siting along the three major streets in which it is framed: Kirkland, Oxford and Cambridge Streets and is a visual link between Harvard Yard and the North Yard. The design terraces upward from the pedestrian mall overpass at Cambridge Street to limit the massing and shifts the bulk of the structure back (north) with just a more pedestrian-scaled section fronting the mall. A central spine runs down the building which visually serves as an upwards staircase and terminates at a nine-story tower.Science Center Model_Radcliffe Archives_1970Science Center Model aerial_Radcliffe Archives_1970

Science Center under construction_Harvard Archives 1971
Approximately two-fifths of the cost of the $25 Million building centered around the two un-adorned concrete towers on the western and eastern walls of the Science Center. The non-descript boxes are water-cooling towers intended to service not only the Center itself, but all buildings in the North Yard. The towers are connected by a massive pump room in the basement. The tarantula-like steel girders seemingly creep over the lecture hall area and serve to support the roof of the auditorium.

 

 

 


It is believed that Sert took inspiration for the design from his former mentor, Le Corbusier, who designed the Carpenter Center for the Visual Arts at Harvard just ten years prior. The Science Center was influenced by an unbuilt project, The Palace of the Soviets, designed for Russia by Le Corbusier in 1931 and worked on by Sert as a young architect. The current Science Center borrows the steel girder and cable vocabulary from the unbuilt Palace of the Soviets along with the use of pre-cast concrete panels to somewhat pay homage to his mentor. Sert loved the use of concrete as an “honest and muscular material that could be molded into any shape” and liked to set splashes of bright color against its textured grey – “like a parade of elephants and parrots”.

 


Harvard later outgrew the Science Center and hired firm Leers-Weinzapfel Associates Architects in 2004 to expand the science village. Three vertical additions of minimal steel-framed glass volumes contrast in materiality from the concrete panel main structure yet echo elements of the initial design. The verticality of the glass panes creates a visual rhythm with the vertical grooves in the older precast concrete panels. At the interior, splashes of color and light flood the spaces and the newly dedicated museum space is visually connected to a light-filled terrace.

 

Katharine Weems: Sculptor

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Katharine Lane Weems, circa 1915 / unidentified photographer.

Sculptor Katharine Lane Weems was born into a wealthy Bostonian family on February 22, 1899. After studying art at the School of the Museum of Fine Arts from 1918 to 1922, Weems became one of the most highly-recognized animal sculptors of her era.

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Katharine Weems with ‘Dolphins of the Sea’, ca. 1975 / unidentified photographer.

Her observations of animals, as seen through her meticulous sketches, underscore her dedication to representing an animal’s biological makeup. In doing so, she conveyed their physicality in stunning reality.

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Sketchbook, 1913-1915

Weems’s work can be viewed throughout the Boston area, from the Lotta Crabtree Fountain on the Charles River Esplanade to the Dolphins of the Sea at the New England Aquarium. She donated a collection of 30 bronze animal sculptures to Boston’s Museum of Science, demonstrating the connections between sciences and the arts.

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Elephant frieze on the biology lab at Harvard, not before 1933 / Paul J. Weber, photographer.

Her largest project was a commission for the Biological Laboratories at Harvard University, now the Harvard University Department of Molecular and Cellular Biology (MCB). The project included carved bronze doors at the lab entrance, a series of wildlife friezes, and two large bronze rhinoceros scultpures standing guard on either side of the doors of the lab.

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Katharine Lane Weems at work on ‘Rhinoceros’, circa 1935 / unidentified photographer.

Named Bessie and Victoria, these rhinoceros sculptures were modeled after two female rhinoceri Weems studied at the Bronx Zoo. Both are composed of bronze and weigh 3 tons each. After years of work, Bessie and Victoria were unveiled on May 12, 1937. Despite this great accomplishment, Weems’s work was given little local fanfare.

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Katharine Weems being introduced at the unveiling ceremony for her rhino sculptures at Harvard, 1937 May 12 / Harvard Film Service, photographer.

Weems continued to sculpt and create art throughout her long life. She later married her longtime friend Fontaine Carrington “Canny” Weems in 1947. Katharine Lane Weems died in Rockport Massachusetts on February 11, 1989.

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Katharine Ward Lane Weems seated with a dog, circa 1935 / unidentified photographer.

Images and captions come from the collection Katharine Lane Weems papers, 1865-1989. Archives of American Art, Smithsonian Institution.

Modern Monday: William James Hall

Today’s #ModernMonday post is highlighting William James Hall, built in 1964 and designed by famed architect Minoru Yamasaki. Harvard University hired Yamasaki to design a new building to house the new Behavioral Science Department, including: offices, laboratories, animal quarters, classrooms and a library for the growing department. The new building was constructed largely of precast concrete panels, set inside slender columns which were poured in place concrete. The building features an observation deck at the top floor which is screened from the street to allow researchers to study passersby on the street below without them knowing.

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Image courtesy of Radcliffe Archives.

The 15-story structure was designed in the New-Formalism style which Yamasaki perfected. He is known today as being one of the two masters (Edward Durell Stone being the other) of the architectural style, which typically exemplified symmetrical facades, columnar arched supports and smooth-finished and un-adorned wall materials, commonly in a white color. Yamasaki is likely most well-known for his 1970 design of the World Trade Center towers in Manhattan. Yamasaki also designed Harvard’s Engineering Science Lab at 40 Oxford Street in 1962.

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Photograph of Model by Sebastian Korab.

The $5.8 million dollar building was named for William James, a philosopher, whose pioneer work was undertaken at Harvard. Initially trained in painting, James abandoned the arts and enrolled in Harvard in 1861 to study chemistry and anatomy. In 1875 James taught one of the university’s first courses in psychology, “The Relations between Physiology and Psychology,” for which he established the first experimental psychology demonstration laboratory. In 1890 James published a highly influential, two-volume synthesis and summary of psychology, Principles of Psychology. The books were widely read in North America and Europe, gaining attention and praise from Sigmund Freud and Carl Jung in Vienna. James then moved away from experimental psychology to produce more philosophical works (he is credited as one of the founders of the school of American Pragmatism), although he continued to teach psychology until he retired from Harvard in 1907.

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William James (1842-1910), image courtesy of Harvard University Department of Psychology.

 

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Staff photo, 2018.

Building and Structure Documentation Collection: Wolcott Gibbs Memorial Laboratory

Today, we are highlighting a building from our Building and Structure Documentation Collection. This collection documents buildings and structures in Cambridge that were either demolished or significantly altered. In this case, the materials were compiled as a condition of approval by the Cambridge Planning Board for a proposed replacement project.

Wolcott Gibbs Memorial Laboratory - Exterior
Close-up view of south facade of Gibbs Memorial Laboratory, Naito Chemistry Complex is under construction at the left of the photograph, 1999-2000.

For each building or structure, the corresponding box often includes an architectural description of the building or buildings, a narrative history, and archival photographs, negatives, photograph key(s), and/or electronic copies of the files and photographs. Today we are featuring the documentation of the Wolcott Gibbs Memorial Laboratory.

Wolcott Gibbs circa 1895 (copy)
Copy photograph of Wolcott Gibbs circa 1895. Original in Harvard University Archives.

The Wolcott Gibbs Memorial Laboratory, named to honor Harvard University Rumford professor Oliver Wolcott Gibbs, was originally constructed in 1913 to address issues of limited laboratory space at Harvard.

Wolcott Gibbs Memorial Laboratory - 1913 Exterior (copy)

View northwest, perspective view of Wolcott Gibbs Memorial Laboratory in 1913. Original in Harvard University Archives.

Located at the head of Frisbie Place, the building was designed by architect and 1876 Harvard graduate Alexander Wadsworth Longfellow Jr., nephew of Henry Wadsworth Longfellow, for research in physical and inorganic chemistry.

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View into cold storage room and laboratory, second floor, Gibbs Memorial Laboratory, 1999-2000. This room was not part of the original building plan.
Wolcott Gibbs Memorial Laboratory - Basement interior
View west from east side entrance into Gibbs Memorial Laboratory basement, 1999-2000. Note autoclave in center of photograph.

 

The laboratory cost $85,000 to build. During its construction in 1912, the Harvard Crimson noted that “The Wolcott Gibbs Laboratory will be unique in this country, and in fact will be the foremost institution of its kind in the world. The proposed group of buildings, which will cost a million dollars, would give the University an unrivaled place in the field of chemical science.”

Wolcott Gibbs Memorial Laboratory - Vestibule
View of vestibule from front hall, first floor of Gibbs Memorial Laboratory, 1999-2000. Note the six light transom set above the doors. An arch at the top frames the individual lights and mullions delimit them. The frame around each light resembles a pier arch.

The building was constructed with a high degree of integrity of design including elements derived from classical, Roman, medieval, late Gothic and Corinthian architecture. In the 1960s, the laboratory was remodeled for inclusion of biochemistry laboratories, and in the early 2000s, the building was demolished.

Look for more building and structure documentation in future posts!