Architect Spotlight: Happy Birthday Benjamin Thompson

Today marks the birthday of a locally influential architect, Benjamin Thompson (1918-2002) who was a founding member of The Architects Collaborative (TAC). In operation from 1945 to 1995, TAC was an architectural firm of eight architects who specialized in post-war modernism design. Thompson left TAC in 1966 due to creative differences and he established Benjamin Thompson and Associates (BTA) a year later. He also embarked on an interior design company, Design Research (D/R), which he owned from 1953 to 1970 when it then changed ownership. Thompson’s original store was located at 57 Brattle Street.

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Thompson, Benjamin. “Let’s Make it Real.” Architectural Record. January 1966.

To celebrate Thompson’s birthday, we want to highlight one of his many projects. We’ve chosen his renovation work on a historic building here in Cambridge since it marks his efforts to combine his modernist sentiments with a conscious effort to retain older architectural design. The choice was further bolstered by Thompson’s personal connection with his client, Harvard University. Thompson was an instructor for the Harvard Graduate School of Design and from 1964 to 1968 he presided as Chair of the Architectural Department. Furthermore, the CHC possesses the Benjamin Thompson Associates Collection (CHC051), which contains booklets, images, and other formats concerning the work of the architecture firm and Thompson’s designs.

So what is the building? Boylston Hall, located at the southwest side of the Harvard Yard. But before we get into Thompson’s renovation, we’d like to give some historical background of the building.

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CHC digital image. Ca. 1870

Boylston Hall was designed and built by Paul Schulze (1828-1897) in 1858. Schulze was a German immigrant who moved to America in 1849. He had previously planned and constructed Appleton Chapel (built 1858) for Harvard University and the success of that venture motivated members of the Harvard faculty to advocate for his continued employment. One spokesperson was Erving Professor Josiah P. Cooke, Jr. who wrote a letter of encouragement to Harvard’s President Rev. James Walker. As part of the Chemistry Department, Cooke’s letter explained how his department was being inadequately serviced in the University Hall.

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Items from CHC051 collection. Featuring Boylston Hall and Design Research building

For some time, the Chemistry Department was held in University Hall’s basement. Conversations had begun the spring and summer of 1856 to search for alternative accommodations and it was decided that a purpose-built chemistry laboratory facility was the solution. It would be the first building of its kind in America whose construction was specifically dedicated to chemistry. Schulze completed and submitted his description of Boylston Hall on January 15, 1857.

Boylston Hall received financial patronage from Ward Nicholas Boylston (1747-1828) who posthumously donated a large sum to the University under the agreement that the new construction would adhere to his stipulations. Boylston required that the building would house an Anatomical Museum, a Mineralogical Cabinet, a Cabinet of Apparatus, lecture rooms, and a chemistry lab — the final component aligning smoothly with the University’s needs. To speed up the construction process, a subscription was raised to increase the building fund to $40,000.

Schulze, as part of Schulze & Schoen, constructed the 117’ x 70’ Boylston Hall. Designed in the Renaissance style, Boylston Hall has been labeled as part of the Boston Granite Style and this style became highly influential in Boston’s mercantile buildings and wharf structures, such as Mercantile Wharf, the Custom House Block, and Quincy Market. Boylston Hall has likewise been equated to Schulze’s contemporary and prolific Bostonian architect, Gridley J.F. Bryant, by architectural historians due to their similar material use.

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Items from CHC051 collection. Featuring Benjamin Thompson’s interior designs

Nonetheless, Boylston Hall exterior was of Rockport granite set in rough large blocks almost 2 feet thick. The building held curved windows with Italianate tracery and its entrance was centered. Contracted skilled workers included Ebenezer Johnson, master mason; Jonas Fitch, carpentry; Smith and Felton, ironwork; Thomas Haviland, plastering; and John Bates, painting and glazing. The interior was lined with brick and plaster and it was split into two stories of 17ft and 23ft tall. The first floor held the Public Laboratory, the library, the Anatomical Laboratory, and lecture and recitation rooms, which were connected by a central hall. The Anatomical Museum, the Mineralogical Cabinet, the Cabinet of Apparatus, and more lecture rooms were located on the second floor. At the time, the items in these exhibits were under the stewardship of Professor Jeffries Wyman but presently some are now housed at the Peabody Museum of Archaeology and Ethnology.

Boylston Hall was part of a Harvard trend where buildings were situated in relation to the Yard. The front facade faced inwardly instead of toward Massachusetts Avenue or even University Hall, which was once the center of a campus design plan. Douglas Shand-Tucci states in Harvard University: An Architectural Tour,  “Boylston Hall’s original role as one of the heralds of the New Yard” helped bolster this variant campus nucleus that countered the Old Yard” (151). It also became the site of great expansion to the Chemistry Department under the direction of Erving Professor Josiah P. Cooke, Jr., Professor Charles Loring Jackson, and Professor Henry Barker Hill.

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Notman & Son image. 1874

By 1870, the Chemistry Department required more space, and so a mansard roof, incorporating a new third story, was added to accommodate a new laboratory. Peabody and Stearns facilitated the extension and the work was completed in 1871. However, after another twenty years, in 1895 there were again remarks about the space being too cramped for the department’s growing needs. In 1902, a 85’ x 35’ laboratory was adjoined to the basement. According to a Harvard Crimson article, the addition included 8 double benches, 2 single benches, and 14 sinks. Boylston Hall served the Chemistry Department for another twenty years.

In 1929, the Hall was remodeled to house the Harvard-Yenching Institute, an independent public charitable trust founded in 1928 by the Charles M. Hall estate. Still active today, the institute is committed to advancing higher education in Asia in the humanities and social sciences. However, it is no longer headquartered in Boylston Hall; the Institute left in 1958 before another renovation.

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CHC survey image. 1976
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1959 Renovation. Interior views. Image from CHC Thompson collection
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1959 Renovation. Interior Elevation. Image from CHC Thompson collection.

The 1959 renovation to Boylston Hall has been lauded repeatedly. It was the work of the TAC with Benjamin Thompson as principal-in-charge. As mentioned earlier, Thompson was concerned with “adapting spaces to conserve the best qualities of traditional architecture,” as quoted from a booklet available in our CHC051 collection. Coined as “recycling” and cited as the first of its kind in the area, Thompson’s design took great pains to retain the original Boylston Hall. For instance, the new arrangement placed fixed glass sheets in the curved windows. This was intended to improve the visual appeal priorly inhibited by wooden mullions. The new version of glass set in bronze would offset the granite and impose fewer interruptions. Additionally, Bainbridge Bunting stated in Harvard : an architectural history that “the detailing of other new elements, such as the arched metal vestibule at the main entrance, enhances the sense of strength conveyed by the granite masonry” (51). However, the fixity of the windows would prove to be a problem in the future.

Nevertheless, Thompson’s main task for the renovation was to accommodate more office spaces. Over the course of the project, Boylston Hall went from 39,206 sq ft to 53,300 sq ft, allotting 40% more floor space. This was achieved by remodeling the interior by adding a mezzanine between the first and second floors and another floor, making 5 levels total. The project cost about $880,000. Additional interior images can be seen in the items of the CHC051 collection.

Years later, in 1992 upgrades were issued to the exterior granite and six years after, a major renovation occurred. The 1998 project cost $8.3 million and was completed by Robert Olson and Associates, who were tasked with updating Boylston Hall for its current inhabitants.

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Dan Reiff photo. CHC files

The space was now occupied by humanities departments as part of a larger strategic plan that made a Humanities Arc from Quincy Street to the Yard. Departments included Classics, Literature, Comparative Literature, Linguistics, and Romance Languages. Robert Olson and Associates addressed many of their particular concerns, including making the windows functional to improve air quality.

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Hollis image. Exterior. North Side [Ralph Lieberman photograph, 2012). Photographer: Ralph Lieberman, 2012. Image ID: olvsurrogate991681
hollis-interior view of lecture hall (2013)
Hollis image. Interior view of lecture hall (2013). Photographer: Ralph Lieberman, 2013. Image ID: olvsurrogate1032227
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Hollis image. Interior view of reading room (2013). Photographer: Ralph Lieberman, 2013. Image ID: olvsurrogate1032221

The firm also achieved brighter, more open corridors by installing glass partitions. One of the most notable themes of the renovation was the emphasis on social spaces. Boylston Hall now sported a mezzanine cafeteria (C’est Bon cafe), common spaces and meeting rooms (Ticknor Lounge), and a 144 seat stadium-style auditorium (Fong Auditorium).

On the first floor, two prior large classrooms were split into three more usable classroom sizes. Although the redesign was applauded by most, not everyone praised the changes. News articles quoted people remarking on inferior workmanship and the loss of office space– it seems Ebenezer Johnson and the other contracted skilled workers of the first build were greatly missed! Additionally, as we’ve moved to the twenty-first century, the glass partitions between classrooms have caused logistical problems with audiovisual equipment due to the presence of glare. Nonetheless, Boylston Hall’s exterior has retained most of its visual integrity. Today, the building still serves the Departments of Classics and Linguistics but also Women, Gender & Sexuality.


Sources:

  • Bunting, Bainbridge. Harvard: An Architectural History. Cambridge, Mass.: Belknap Press of Harvard University Press, 1985.
  • Cambridge Chronicle. 24 August 1895.
  • Eliot, Charles W. Harvard Memories. Cambridge, 1923.
  • Harvard Crimson. 25 September 1902.
  • Harvard University. “About: Boylston Hall.” https://rll.fas.harvard.edu/pages/boylston-hall
  • Harvard University Gazette. 12 March 1998.
  • Henry, Stephen G. “A Brand New Boylston.” Harvard Crimson. 30 October 1998.
  • Powell, Alvin. “Boylston Hall Gets a Facelift.” Harvard University Gazette. 17 September 1998.
  • Shand-Tucci, Douglas. Harvard University: An Architectural Tour (The Campus Guide). Princeton Architectural Press, 2001.
  • Thirty-Second Annual Report of the President of Harvard College to the Overseers, Exhibiting the State of the Institution for the Academical Year 1856-1857.Letter of Professor Cooke to Rev. James Walker. December 24, 1857.” Cambridge: Metcalf and Co, 1856.
  • Image from Thompson, Benjamin. “Let’s Make it Real.” Available in CHC051 Collection.

 

Torn Down Tuesday – Harvard Botanic Garden Greenhouse

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View of the greenhouse complex from within the garden, 1867.

From 1805 to 1948, Harvard University operated a botanic garden under the direction of its botany department.  In addition to its role in scientific research and education, the garden was open to the public and became a very popular park. Located on seven acres at the corner of Linnaean and Garden streets, the garden featured a greenhouse filled with exotic tropical plants. The structure was one of several buildings organized in a line on the northern, elevated portion of the site, including the professor’s residence, a herbarium, a library, and a lecture room.

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1886 Hopkins atlas showing the layout of the botanical garden buildings and walkway circulation. The greenhouse complex is circled in red.

The greenhouse was designed by Ithiel Town who also designed the professor’s residence (now located at 88 Garden Street).  Known for his Greek Revival designs, Town also developed a truss system for bridges, which is named after him. The dimensions of the greenhouse are not known. The structure consisted of a semicircular central block with a pitched roof and lower wings that also had pitched roofs. Cold frames were located along the southern foundation, and a toolshed/workshop was located at the north wall. Wooden shutters slid up and down on tracks. Two cisterns inside the greenhouse were filled with water from a nearby spring, and two wood- and coal-burning stoves heated the structure. The greenhouse featured a traveler’s tree of Madagascar (Ravenala madagascariensis), Indian bamboo (Bambusa bosa), an extensive collection of cacti and palm plants, and over 200 orchids.

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View of greenhouse to the right, along with library and herbarium situated on a terrace overlooking the botanical garden, 1867.

An article in a publication called The Century Illustrated Monthly from 1886 described the greenhouse complex:

“From the lecture room, you may pass directly into the conservatory, or what is pleasanter, you may walk out around the big hickory on the terrace and enter the rounded front of the central greenhouse, where an ambitious bamboo almost fills the doorway with masses of dark green drooping leaves … . There are several distinct compartments so as to suit the different requirements of the tropical and sub-tropical plants here brought together from all parts of the world. The 1400 species grown insure a goodly supply of blossoms at all seasons of the year, and hundreds of kinds not found in other greenhouses.”

The structure was razed in the late 1940s to make way for a new residential development for Harvard faculty and students, as well as returning military servicemen.

With the establishment of the Arnold Arboretum in Jamaica Plain in 1872, research on woody plants was moved to that location.  The herbarium collection continues to be maintained by Harvard at a facility at 22 Divinity Avenue. The former herbarium building, now known as Kittredge Hall, is the home of Harvard University Press.

Below are several illustrations of the greenhouse and plants in The Century Monthly Illustrated drawn by Roger Riordan, Harry Fenn, Francis Lathrop, and E. P. Hayden.

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Sources:

Ernest Ingersoll, “Harvard’s Botanic Garden and Its Botanists,” The Century Monthly Illustrated, 1886, pp.242-243.

Susan E. Maycock and Charles M. Sullivan, Building Old Cambridge, 2016.

Charles A. Hammond, “The Botanic Garden in Cambridge, Massachusetts, 1805-1834,” The Herbarist, Vol. 53, 1987, The Herb Society of America.

Historic Buildings: Lionel Hall and Mower Hall at Harvard

It is hard to name an architecture style more identifiable with Harvard than the Georgian style. The oldest extant buildings in Harvard Yard include Massachusetts Hall (1720), the Wadsworth House (1726) and Holden Chapel (1744), just some of a larger group of Georgian buildings constructed before the American Revolution. The Georgian style is eponymous for the first four British monarchs of the House of Hanover—George I, George II, George III, and George IV—who reigned in continuous succession from 1714 to 1830. It is in this time that Harvard, the oldest institution of higher learning in the United States, created its now iconic architectural identity. By the 19th century, other buildings in various styles were designed in the Yard, from University Hall (1815) in the Federal style, to Matthews Hall (1872) a Victorian Gothic dormitory, to Sever Hall (1880) one of the greatest examples of Richardsonian Romanesque architecture in the world; Harvard would later return to the Colonial-era Georgian style. Two great and lesser-known examples are Lionel Hall and Mower Hall.

 

Abbott Lawrence Lowell, Harvard University President (1909-1933) is responsible for the wide-scale revival of the Georgian style at Harvard through his massive building programs for the Harvard River Houses, dormitories in the Yard, and the new President’s House. Two of the smallest being Lionel Hall and Mower Hall.

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Circa 1925 image of Mower (left) and Lionel (right) Halls during construction from Peabody Street. Courtesy of Harvard Property Information Resource Center.
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Plans of Lionel Hall (identical to Mower Hall) published in Architectural Forum, Dec. 1925.

Lionel and Mower Halls were built in 1925 in the Georgian Revival style and sited to frame the Holden Chapel and enclose the western edge of the Yard. Appropriately nicknamed “The Holden Twins”, the two dormitory buildings were designed by the firm of Coolidge, Shepley, Bulfinch, and Abbott, who went on to design many later buildings for Harvard, including the River Houses (both the Georgian style and later Modern Houses). Both Lionel and Mower Halls were funded by a building campaign by President Lowell to expand the university and house additional students. They are constructed of red brick with stone trim. Both buildings are near-identical and rise 2 1/2 stories into a gambrel roof. Symmetrical facades and stone entries with fluted pilasters capped with Corinthian capitals over rusticated stone complete the Georgian Revival motif.

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Lionel Hall quadrangle facade. Photo by Ralph Lieberman (2012).
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Lionel Hall entry detail. Photo by Ralph Lieberman (2012).

Lionel Hall is named after Lionel de Jersey Harvard (class of 1915), an English descendent of John Harvard who was killed in World War I in France. Lionel was the first known relative of John Harvard to attend his namesake’s University. He descended from Thomas Harvard (1609–1637), brother of Harvard University founder John Harvard (1607–1638), who had died childless. Lionel Harvard in 1918 served as Commander of Number One Company, in the British Army and died from mortar fire in March of 1918, during the German Spring Offensive, leaving behind a widow and infant son.

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Undated photo of Lionel de Jersey Harvard, Creative Commons.

Mower Hall is named in honor of Thomas G. Mower, by a gift valued over $18,000 from Miss Sarah E. Mower as a memorial to her late father. Thomas Gardner Mower (1790-1853) graduated from Harvard College in 1810 and immediately began to study medicine, later enlisting in the army as a surgeon in the War of 1812. After the war, Mower settled in New York and became a head Surgeon and examiner for the US Army until his death.

While these two modest dormitories do not stand out for their size nor architectural grandeur among the iconic buildings in Harvard Yard, they together showcase how proper design, massing and siting can truly enhance the character of an area without diminishing the significance of nearby buildings.

Lewis Family Collection

The Commission has recently finished processing a small image collection titled the Lewis Family Collection. This collection chronicles a portion of the longstanding and prolific Lewis family of Cambridge, Mass. and it is part of a much larger set of subject records available concerning the Lewis family. Other records include the Lewis family and Lewisville segments of African American files in CHC people files. However, these other textual files mainly pertain to the family’s 19th century contributions and its efforts in various African American movements, including the Cambridge Liberian Emigrant Association. We highly recommend you visit us to see these incredibly rich records!

The Lewis Family Collection is unique because it is solely visual documentation and it covers a period of about 20 years (1900-1920) that is not often represented in historical accounts of the Lewis family. It also is a product of a larger effort conducted by the CHC primarily in 1980-1982 called the Cambridge Photo History Project. The Project was intended to bring together photographs of Cambridge taken before 1945. For this collection, the donor brought in five scrapbooks, which were photographed page-by-page and then returned to her. The CHC retained the surrogates and transformed them into negatives and copy prints so that the content of the scrapbook would be available to you.

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“Dad.” George W. Lewis Jr. ca. 1900-1920s

Within the collection are three generations of the Lewis family, immediate relatives, and close friends. The first generation shown is Nancy and George Washington Lewis (Jr.) George Washington Lewis (Jr.) was born in Cambridge in 1848 and he worked as a steward for the Harvard Porcellian Club for over 45 years and he replaced his father’s position in 1876.

Nancy Lewis as young woman
“Ma.” Nancy E. Lewis, ca. 1900-1920s

On October 11, 1872 George married Nancy E. Poole who was born ca. 1852 in Columbia, South Carolina. They had five children, Elizabeth E. Lewis, Jerome Theodore Lewis, Walter E. Lewis, George Colman Lewis, and Ethel A. Lewis. By 1897 the family purchased 47 Parker Street and were noted for hosting amateur theatrical productions and housing black Harvard undergraduates.

A.M. from Harvard, 1917
“A.M. Harvard. 1917”

Julia Harris, Dave Houston, Bob Morris, Ida Morris, and Tony Har
“[top left] Julia Harris, [Gordon David] Dave Houston, [top right] Bob Morris, [bottom left] Ida Morris, [bottom right] Tony Harris”, ca. 1900-1920s
These images exemplify some of the African American youth that would congregate at the Parker Street residence. Gordon David (Dave) Houston is the resident of “Houston’s Den” mentioned in this collection. He was born in Cambridge on May 6, 1880 and attended the Cambridge High and Latin School.  In 1900 he graduated from the high school, the same year as Anthony Harris– it is possible that they knew each other through sports. In 1904 he graduated from Harvard College cum laude and pursued an academic career as an English professor. He led English departments at Tuskegee Institute, Howard University, Dunbar High school, and Douglas High School. On August 20, 1907 he married Dora Mayo Lawrence and they had two daughters, Dorothy Maude and Ethel Augusta.

Anthony (Tony) Harris went to Sunday School at Christ Church in 1900– likely connecting him to Ethel Lewis. That same year he graduated from the Cambridge Manual Training School for Boys (CMTS) after attending and graduating from the Washington grammar school in 1895. During his time at CMTS, Anthony– or more popularly addressed as Tony– was known for his skills at football. He later coached football at CMTS until ca. 1906. The 1908 City Directory cites Anthony as a waiter boarding at 73 Howard Street.

The others in this image have speculative biographical histories available in the collection’s finding aid.

Vic Blackwell, Nora Wingfield, Elizabeth E. Lewis, Leila Stubbs,
“(left) Vic Blackwell, Nora Wingfield, Bessie Lewis, Leila Stubbs, (right) Maurice”, 1910

Along with hosting social gatherings for friends, Nancy and George had five children. The image on the left shows “Bessie” Lewis with her probable bridesmaids in 1910, the year she married Maurice Jefferson Brooks, who is in the right-side image. Bessie’s given name was Elizabeth Estelle Lewis but she went by various nicknames including Bessie, Birdie, Bess, and Aunt Lizzie. She was born in November 1880. After her family moved to Cambridge, she worked as a bookkeeper. She married Maurice (1879-1913), a porter from Washington D.C. living in Boston, on October 20, 1910. They had one son, Jerome Theodore Lewis, named after Elizabeth’s brother. When Maurice died in 1913, she moved back in with her parents.

Emille Bass and Ethel Lewis
“E.A. Lewis”

George and Nancy’s other daughter was Ethel A. Lewis who was born in October 1878. According to articles in the Cambridge Chronicle, she attended Sunday School at Christ Church and partook in the Girls’ Friendly Society in Cambridge– two organizations that connect her to other individuals in this collection. In the 1900 Census she is cited as working as a stenographer. She has been cited as graduating from Bryant & Stratton Commercial College ca. 1903 and by 1905 as working as a teacher for Simmons College, although no records of confirmation have been found. Nonetheless, a book was published by the Colored Citizens of Greater Boston and the Garrison Centenary Committee of the Suffrage League of Boston and Vicinity due to her efforts as stenographer. The book, The Celebration of the One Hundredth Anniversary of the Birth of William Lloyd Garrison was published in 1906 and it is available free as an online Google Book! Ethel moved to Baltimore, Maryland in 1906 to become a schoolteacher. She boarded at various residents including 1409 McCulloh St in 1920 and 1935 Druid Hill Ave in 1930 while being employed as a teacher and stenographer.

George Colman Lewis at 4 Wellington Ave
“G.C. Lewis”, ca. 1900-1920s

One of their sons, George Colman Lewis, was born in Columbia, South Carolina in 1875. By the 1890s he was a member of the Cambridge Social Union Debating Club and in 1892 he graduated from the Manual Training School. He also partook in the Riverside Cycle Club, an exclusively black club in Cambridge. At various points throughout his life George C. worked as a railroad worker but he attempted a career change ca. 1900 when he embarked on becoming a tailor at 29 Boylston Street. He soon returned to the railroad industry and became a porter. He died on August 19, 1906 at the Mt. Auburn Hospital of heart disease when he was 31 years old. He is here depicted at 4 Wellington Ave (now Somerville).

Nancy, George W. Lewis, family relations, and friends at home
“Ma Lewis, Pa Lewis, Nellie Sorrell, Anthony Harris, Benzina Reese, Henry Robbins, Ethel Lewis, Jerome Lewis”, ca. 1900-1920s

The Lewis’s eldest son, Jerome Theodore Lewis, was born on November 21, 1872. When the family moved to Cambridge, he worked as a laborer for Ford Motors at 400 Brookline Street. He also married Margaret A. Lewis. Another son, Walter E. Lewis was born in November 1876 and died August 23, 1880. Little is known about him.

Benzina Reese was Nancy Lewis’s niece. Born in October 1873 in South Carolina, Benzina came to Cambridge by 1900. The 1900 Census lists her as working as an office girl. In 1902 she married Frederick Sandford Gray– making her also the Mrs. Gray of this collection. At some point they moved to 10 Chestnut Street in Plymouth, MA, where Frederick worked as a chef. They had three children: Herman F., Helen E. and Leslie R. Gray. Herman is also present in this collection as a baby.

Anthony (Tony) Harris went to Sunday School at Christ Church in 1900– likely connecting him to Ethel Lewis. That same year he graduated from the Cambridge Manual Training School for Boys (CMTS) after attending and graduating from the Washington grammar school in 1895. During his time at CMTS, Anthony– or more popularly addressed as Tony– was known for his skills at football. He later coached football at CMTS until ca. 1906. The 1908 City Directory cites Anthony as a waiter boarding at 73 Howard Street. The biographies of Nellie Sorrell and Henry Robbins are currently unknown.

Washington Elm, Pa Lewis, and other photos
“(upper left) Pa Lewis, (upper middle) Kate, Sue [Harris], (bottom middle) Washington Elm, (bottom right): Andrew”, ca. 1900-1920s
There are so many others present in this collection we could only give a quick taste of what you can come see. We’ve also digitized a sampling of images for our Flickr page. Check them out here

To learn more about what is available in the Lewis Family Collection, our newly edited finding aid will be available here soon!