Architect Spotlight: Happy Birthday Benjamin Thompson

Today marks the birthday of a locally influential architect, Benjamin Thompson (1918-2002) who was a founding member of The Architects Collaborative (TAC). In operation from 1945 to 1995, TAC was an architectural firm of eight architects who specialized in post-war modernism design. Thompson left TAC in 1966 due to creative differences and he established Benjamin Thompson and Associates (BTA) a year later. He also embarked on an interior design company, Design Research (D/R), which he owned from 1953 to 1970 when it then changed ownership. Thompson’s original store was located at 57 Brattle Street.

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Thompson, Benjamin. “Let’s Make it Real.” Architectural Record. January 1966.

To celebrate Thompson’s birthday, we want to highlight one of his many projects. We’ve chosen his renovation work on a historic building here in Cambridge since it marks his efforts to combine his modernist sentiments with a conscious effort to retain older architectural design. The choice was further bolstered by Thompson’s personal connection with his client, Harvard University. Thompson was an instructor for the Harvard Graduate School of Design and from 1964 to 1968 he presided as Chair of the Architectural Department. Furthermore, the CHC possesses the Benjamin Thompson Associates Collection (CHC051), which contains booklets, images, and other formats concerning the work of the architecture firm and Thompson’s designs.

So what is the building? Boylston Hall, located at the southwest side of the Harvard Yard. But before we get into Thompson’s renovation, we’d like to give some historical background of the building.

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CHC digital image. Ca. 1870

Boylston Hall was designed and built by Paul Schulze (1828-1897) in 1858. Schulze was a German immigrant who moved to America in 1849. He had previously planned and constructed Appleton Chapel (built 1858) for Harvard University and the success of that venture motivated members of the Harvard faculty to advocate for his continued employment. One spokesperson was Erving Professor Josiah P. Cooke, Jr. who wrote a letter of encouragement to Harvard’s President Rev. James Walker. As part of the Chemistry Department, Cooke’s letter explained how his department was being inadequately serviced in the University Hall.

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Items from CHC051 collection. Featuring Boylston Hall and Design Research building

For some time, the Chemistry Department was held in University Hall’s basement. Conversations had begun the spring and summer of 1856 to search for alternative accommodations and it was decided that a purpose-built chemistry laboratory facility was the solution. It would be the first building of its kind in America whose construction was specifically dedicated to chemistry. Schulze completed and submitted his description of Boylston Hall on January 15, 1857.

Boylston Hall received financial patronage from Ward Nicholas Boylston (1747-1828) who posthumously donated a large sum to the University under the agreement that the new construction would adhere to his stipulations. Boylston required that the building would house an Anatomical Museum, a Mineralogical Cabinet, a Cabinet of Apparatus, lecture rooms, and a chemistry lab — the final component aligning smoothly with the University’s needs. To speed up the construction process, a subscription was raised to increase the building fund to $40,000.

Schulze, as part of Schulze & Schoen, constructed the 117’ x 70’ Boylston Hall. Designed in the Renaissance style, Boylston Hall has been labeled as part of the Boston Granite Style and this style became highly influential in Boston’s mercantile buildings and wharf structures, such as Mercantile Wharf, the Custom House Block, and Quincy Market. Boylston Hall has likewise been equated to Schulze’s contemporary and prolific Bostonian architect, Gridley J.F. Bryant, by architectural historians due to their similar material use.

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Items from CHC051 collection. Featuring Benjamin Thompson’s interior designs

Nonetheless, Boylston Hall exterior was of Rockport granite set in rough large blocks almost 2 feet thick. The building held curved windows with Italianate tracery and its entrance was centered. Contracted skilled workers included Ebenezer Johnson, master mason; Jonas Fitch, carpentry; Smith and Felton, ironwork; Thomas Haviland, plastering; and John Bates, painting and glazing. The interior was lined with brick and plaster and it was split into two stories of 17ft and 23ft tall. The first floor held the Public Laboratory, the library, the Anatomical Laboratory, and lecture and recitation rooms, which were connected by a central hall. The Anatomical Museum, the Mineralogical Cabinet, the Cabinet of Apparatus, and more lecture rooms were located on the second floor. At the time, the items in these exhibits were under the stewardship of Professor Jeffries Wyman but presently some are now housed at the Peabody Museum of Archaeology and Ethnology.

Boylston Hall was part of a Harvard trend where buildings were situated in relation to the Yard. The front facade faced inwardly instead of toward Massachusetts Avenue or even University Hall, which was once the center of a campus design plan. Douglas Shand-Tucci states in Harvard University: An Architectural Tour,  “Boylston Hall’s original role as one of the heralds of the New Yard” helped bolster this variant campus nucleus that countered the Old Yard” (151). It also became the site of great expansion to the Chemistry Department under the direction of Erving Professor Josiah P. Cooke, Jr., Professor Charles Loring Jackson, and Professor Henry Barker Hill.

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Notman & Son image. 1874

By 1870, the Chemistry Department required more space, and so a mansard roof, incorporating a new third story, was added to accommodate a new laboratory. Peabody and Stearns facilitated the extension and the work was completed in 1871. However, after another twenty years, in 1895 there were again remarks about the space being too cramped for the department’s growing needs. In 1902, a 85’ x 35’ laboratory was adjoined to the basement. According to a Harvard Crimson article, the addition included 8 double benches, 2 single benches, and 14 sinks. Boylston Hall served the Chemistry Department for another twenty years.

In 1929, the Hall was remodeled to house the Harvard-Yenching Institute, an independent public charitable trust founded in 1928 by the Charles M. Hall estate. Still active today, the institute is committed to advancing higher education in Asia in the humanities and social sciences. However, it is no longer headquartered in Boylston Hall; the Institute left in 1958 before another renovation.

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CHC survey image. 1976
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1959 Renovation. Interior views. Image from CHC Thompson collection
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1959 Renovation. Interior Elevation. Image from CHC Thompson collection.

The 1959 renovation to Boylston Hall has been lauded repeatedly. It was the work of the TAC with Benjamin Thompson as principal-in-charge. As mentioned earlier, Thompson was concerned with “adapting spaces to conserve the best qualities of traditional architecture,” as quoted from a booklet available in our CHC051 collection. Coined as “recycling” and cited as the first of its kind in the area, Thompson’s design took great pains to retain the original Boylston Hall. For instance, the new arrangement placed fixed glass sheets in the curved windows. This was intended to improve the visual appeal priorly inhibited by wooden mullions. The new version of glass set in bronze would offset the granite and impose fewer interruptions. Additionally, Bainbridge Bunting stated in Harvard : an architectural history that “the detailing of other new elements, such as the arched metal vestibule at the main entrance, enhances the sense of strength conveyed by the granite masonry” (51). However, the fixity of the windows would prove to be a problem in the future.

Nevertheless, Thompson’s main task for the renovation was to accommodate more office spaces. Over the course of the project, Boylston Hall went from 39,206 sq ft to 53,300 sq ft, allotting 40% more floor space. This was achieved by remodeling the interior by adding a mezzanine between the first and second floors and another floor, making 5 levels total. The project cost about $880,000. Additional interior images can be seen in the items of the CHC051 collection.

Years later, in 1992 upgrades were issued to the exterior granite and six years after, a major renovation occurred. The 1998 project cost $8.3 million and was completed by Robert Olson and Associates, who were tasked with updating Boylston Hall for its current inhabitants.

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Dan Reiff photo. CHC files

The space was now occupied by humanities departments as part of a larger strategic plan that made a Humanities Arc from Quincy Street to the Yard. Departments included Classics, Literature, Comparative Literature, Linguistics, and Romance Languages. Robert Olson and Associates addressed many of their particular concerns, including making the windows functional to improve air quality.

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Hollis image. Exterior. North Side [Ralph Lieberman photograph, 2012). Photographer: Ralph Lieberman, 2012. Image ID: olvsurrogate991681
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Hollis image. Interior view of lecture hall (2013). Photographer: Ralph Lieberman, 2013. Image ID: olvsurrogate1032227
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Hollis image. Interior view of reading room (2013). Photographer: Ralph Lieberman, 2013. Image ID: olvsurrogate1032221

The firm also achieved brighter, more open corridors by installing glass partitions. One of the most notable themes of the renovation was the emphasis on social spaces. Boylston Hall now sported a mezzanine cafeteria (C’est Bon cafe), common spaces and meeting rooms (Ticknor Lounge), and a 144 seat stadium-style auditorium (Fong Auditorium).

On the first floor, two prior large classrooms were split into three more usable classroom sizes. Although the redesign was applauded by most, not everyone praised the changes. News articles quoted people remarking on inferior workmanship and the loss of office space– it seems Ebenezer Johnson and the other contracted skilled workers of the first build were greatly missed! Additionally, as we’ve moved to the twenty-first century, the glass partitions between classrooms have caused logistical problems with audiovisual equipment due to the presence of glare. Nonetheless, Boylston Hall’s exterior has retained most of its visual integrity. Today, the building still serves the Departments of Classics and Linguistics but also Women, Gender & Sexuality.


Sources:

  • Bunting, Bainbridge. Harvard: An Architectural History. Cambridge, Mass.: Belknap Press of Harvard University Press, 1985.
  • Cambridge Chronicle. 24 August 1895.
  • Eliot, Charles W. Harvard Memories. Cambridge, 1923.
  • Harvard Crimson. 25 September 1902.
  • Harvard University. “About: Boylston Hall.” https://rll.fas.harvard.edu/pages/boylston-hall
  • Harvard University Gazette. 12 March 1998.
  • Henry, Stephen G. “A Brand New Boylston.” Harvard Crimson. 30 October 1998.
  • Powell, Alvin. “Boylston Hall Gets a Facelift.” Harvard University Gazette. 17 September 1998.
  • Shand-Tucci, Douglas. Harvard University: An Architectural Tour (The Campus Guide). Princeton Architectural Press, 2001.
  • Thirty-Second Annual Report of the President of Harvard College to the Overseers, Exhibiting the State of the Institution for the Academical Year 1856-1857.Letter of Professor Cooke to Rev. James Walker. December 24, 1857.” Cambridge: Metcalf and Co, 1856.
  • Image from Thompson, Benjamin. “Let’s Make it Real.” Available in CHC051 Collection.

 

Historic Buildings: Lionel Hall and Mower Hall at Harvard

It is hard to name an architecture style more identifiable with Harvard than the Georgian style. The oldest extant buildings in Harvard Yard include Massachusetts Hall (1720), the Wadsworth House (1726) and Holden Chapel (1744), just some of a larger group of Georgian buildings constructed before the American Revolution. The Georgian style is eponymous for the first four British monarchs of the House of Hanover—George I, George II, George III, and George IV—who reigned in continuous succession from 1714 to 1830. It is in this time that Harvard, the oldest institution of higher learning in the United States, created its now iconic architectural identity. By the 19th century, other buildings in various styles were designed in the Yard, from University Hall (1815) in the Federal style, to Matthews Hall (1872) a Victorian Gothic dormitory, to Sever Hall (1880) one of the greatest examples of Richardsonian Romanesque architecture in the world; Harvard would later return to the Colonial-era Georgian style. Two great and lesser-known examples are Lionel Hall and Mower Hall.

 

Abbott Lawrence Lowell, Harvard University President (1909-1933) is responsible for the wide-scale revival of the Georgian style at Harvard through his massive building programs for the Harvard River Houses, dormitories in the Yard, and the new President’s House. Two of the smallest being Lionel Hall and Mower Hall.

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Circa 1925 image of Mower (left) and Lionel (right) Halls during construction from Peabody Street. Courtesy of Harvard Property Information Resource Center.
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Plans of Lionel Hall (identical to Mower Hall) published in Architectural Forum, Dec. 1925.

Lionel and Mower Halls were built in 1925 in the Georgian Revival style and sited to frame the Holden Chapel and enclose the western edge of the Yard. Appropriately nicknamed “The Holden Twins”, the two dormitory buildings were designed by the firm of Coolidge, Shepley, Bulfinch, and Abbott, who went on to design many later buildings for Harvard, including the River Houses (both the Georgian style and later Modern Houses). Both Lionel and Mower Halls were funded by a building campaign by President Lowell to expand the university and house additional students. They are constructed of red brick with stone trim. Both buildings are near-identical and rise 2 1/2 stories into a gambrel roof. Symmetrical facades and stone entries with fluted pilasters capped with Corinthian capitals over rusticated stone complete the Georgian Revival motif.

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Lionel Hall quadrangle facade. Photo by Ralph Lieberman (2012).
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Lionel Hall entry detail. Photo by Ralph Lieberman (2012).

Lionel Hall is named after Lionel de Jersey Harvard (class of 1915), an English descendent of John Harvard who was killed in World War I in France. Lionel was the first known relative of John Harvard to attend his namesake’s University. He descended from Thomas Harvard (1609–1637), brother of Harvard University founder John Harvard (1607–1638), who had died childless. Lionel Harvard in 1918 served as Commander of Number One Company, in the British Army and died from mortar fire in March of 1918, during the German Spring Offensive, leaving behind a widow and infant son.

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Undated photo of Lionel de Jersey Harvard, Creative Commons.

Mower Hall is named in honor of Thomas G. Mower, by a gift valued over $18,000 from Miss Sarah E. Mower as a memorial to her late father. Thomas Gardner Mower (1790-1853) graduated from Harvard College in 1810 and immediately began to study medicine, later enlisting in the army as a surgeon in the War of 1812. After the war, Mower settled in New York and became a head Surgeon and examiner for the US Army until his death.

While these two modest dormitories do not stand out for their size nor architectural grandeur among the iconic buildings in Harvard Yard, they together showcase how proper design, massing and siting can truly enhance the character of an area without diminishing the significance of nearby buildings.

Modern Monday: Pusey Library at Harvard University

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1976 image included in Architectural Record 09-1976. Edward Jacoby photographer.
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Pusey Library as seen from Widener Library steps.

The Pusey Library in Harvard Yard was conceived from a 1960 report by Harvard, which outlined the needs for future expansion and growth for the university. The potential for expansion of facilities within Harvard Yard was surveyed between 1968 and 1970 by Hugh Stubbins, who examined the 22-acre area for circulation and the possibility for additional structures. Three years later, Stubbins was commissioned to design a new library in Harvard Yard.

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Harvard University: An Inventory for Planning, 1960. Copy in CHC Library.
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Pusey Library viewed from Harvard Yard.

The new library was to be named after Nathan Pusey, president of Harvard University from 1953-1971. President Pusey oversaw one of the largest building programs in Harvard’s history (second only to President Lowell). In 1957, Pusey announced the start of a program for Harvard College, a $82.5 million effort that raised $20 million more and resulted in three additions to the undergraduate House system: Quincy House (1959), Leverett Towers (1960), and Mather House (1970). During the 1960s, the Program for Harvard Medicine raised $58 million. In April 1965, the Harvard endowment exceeded $1 billion for the first time. Pusey left Harvard in June 1971 to become the second president of New York’s Andrew W. Mellon Foundation.

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1964 portrait of President Pusey. Courtesy of Radcliffe College Archives.

Hugh Stubbins believed that an above-ground library would be too constricted in the Yard and he began plans for a subterranean structure. From the beginning, the proposed library was envisioned as an interconnecting link among three existing libraries – Widener, Houghton and Lamont, all within close proximity. Its roof serves as a link as well, with paths and landscaping reinforcing the existing circulation network in the yard. From the exterior, the Pusey Library is a slanting grass-covered embankment only visible from some areas in Harvard Yard. Its roof is a stone-rimmed platform of earth containing a lawn, trees and shrubs.

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Plan of Pusey Library.
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Site plan and level one plan of Pusey Library.

The main entrance to the library is built into the slope of the hill with a broad band of brick paving at the ground level which forms a moat between the berm and the window wall. The moat allows for light to reach the interior on the perimeter walls without completely disrupting the landscape. Alexander Calder’s “The Onion” sculpture marks the main entry to the library.

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Current view of “The Onion” by Alexander Calder.
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1976 image included in Architectural Record 09-1976. Edward Jacoby photographer.


At the center, a two-story light well between Houghton and Lamont is apparent seemingly to only those who look for it. Sunk down two floors into the ground, the well is home to a Japanese Maple tree, which just peaks out from its subterranean home providing a clear statement of presence for the library.

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Interior sunken courtyard with large maple tree.

Stubbins even designed the interior spaces, using a very 70’s design aesthetic. Nylon carpeting was used throughout except in bookstack areas. Most of the furniture was made of oak, as was the trim work. Walls were covered with a textured vinyl fabric with a flat off-white, non-reflective surface to reduce sound reverberation and create a sense of warmth in the otherwise bunker-like building. The interior spaces have since been modernized to meet current needs for the library.

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Interior design by Hugh Stubbins’ office. Photographed by Edward Jacoby, 1976.

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While underground construction is not needed or desirable in every location, it was brilliantly executed at the Pusey Library. Former Director of the Cambridge Historical Commission and historian, Bainbridge Bunting has said, “No other building has added so much to Harvard Yard yet disturbed its integrity so little”. We could not agree more!

 

 

 

 

Sources:

Architectural Record. September 1976, pages 97-102.

HOLLIS Images http://id.lib.harvard.edu/images/olvsite32606/catalog

Nathan Marsh Pusey, Biography. Harvard University. https://www.harvard.edu/about-harvard/harvard-glance/history-presidency/nathan-marsh-pusey

Radcliffe Archives, Pusey Hall under construction. Images.