Modern Monday: Pusey Library at Harvard University

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1976 image included in Architectural Record 09-1976. Edward Jacoby photographer.
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Pusey Library as seen from Widener Library steps.

The Pusey Library in Harvard Yard was conceived from a 1960 report by Harvard, which outlined the needs for future expansion and growth for the university. The potential for expansion of facilities within Harvard Yard was surveyed between 1968 and 1970 by Hugh Stubbins, who examined the 22-acre area for circulation and the possibility for additional structures. Three years later, Stubbins was commissioned to design a new library in Harvard Yard.

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Harvard University: An Inventory for Planning, 1960. Copy in CHC Library.
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Pusey Library viewed from Harvard Yard.

The new library was to be named after Nathan Pusey, president of Harvard University from 1953-1971. President Pusey oversaw one of the largest building programs in Harvard’s history (second only to President Lowell). In 1957, Pusey announced the start of a program for Harvard College, a $82.5 million effort that raised $20 million more and resulted in three additions to the undergraduate House system: Quincy House (1959), Leverett Towers (1960), and Mather House (1970). During the 1960s, the Program for Harvard Medicine raised $58 million. In April 1965, the Harvard endowment exceeded $1 billion for the first time. Pusey left Harvard in June 1971 to become the second president of New York’s Andrew W. Mellon Foundation.

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1964 portrait of President Pusey. Courtesy of Radcliffe College Archives.

Hugh Stubbins believed that an above-ground library would be too constricted in the Yard and he began plans for a subterranean structure. From the beginning, the proposed library was envisioned as an interconnecting link among three existing libraries – Widener, Houghton and Lamont, all within close proximity. Its roof serves as a link as well, with paths and landscaping reinforcing the existing circulation network in the yard. From the exterior, the Pusey Library is a slanting grass-covered embankment only visible from some areas in Harvard Yard. Its roof is a stone-rimmed platform of earth containing a lawn, trees and shrubs.

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Plan of Pusey Library.
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Site plan and level one plan of Pusey Library.

The main entrance to the library is built into the slope of the hill with a broad band of brick paving at the ground level which forms a moat between the berm and the window wall. The moat allows for light to reach the interior on the perimeter walls without completely disrupting the landscape. Alexander Calder’s “The Onion” sculpture marks the main entry to the library.

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Current view of “The Onion” by Alexander Calder.
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1976 image included in Architectural Record 09-1976. Edward Jacoby photographer.


At the center, a two-story light well between Houghton and Lamont is apparent seemingly to only those who look for it. Sunk down two floors into the ground, the well is home to a Japanese Maple tree, which just peaks out from its subterranean home providing a clear statement of presence for the library.

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Interior sunken courtyard with large maple tree.

Stubbins even designed the interior spaces, using a very 70’s design aesthetic. Nylon carpeting was used throughout except in bookstack areas. Most of the furniture was made of oak, as was the trim work. Walls were covered with a textured vinyl fabric with a flat off-white, non-reflective surface to reduce sound reverberation and create a sense of warmth in the otherwise bunker-like building. The interior spaces have since been modernized to meet current needs for the library.

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Interior design by Hugh Stubbins’ office. Photographed by Edward Jacoby, 1976.

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While underground construction is not needed or desirable in every location, it was brilliantly executed at the Pusey Library. Former Director of the Cambridge Historical Commission and historian, Bainbridge Bunting has said, “No other building has added so much to Harvard Yard yet disturbed its integrity so little”. We could not agree more!

 

 

 

 

Sources:

Architectural Record. September 1976, pages 97-102.

HOLLIS Images http://id.lib.harvard.edu/images/olvsite32606/catalog

Nathan Marsh Pusey, Biography. Harvard University. https://www.harvard.edu/about-harvard/harvard-glance/history-presidency/nathan-marsh-pusey

Radcliffe Archives, Pusey Hall under construction. Images.

Longfellow Park

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View of lower garden and memorial with Longfellow’s house in the background

Across the street from Henry Wadsworth Longfellow’s House on Brattle Street is a 2-acre park extending down to the Charles River, established in memory of the great poet. The park includes an open lawn area off of Brattle Street bounded by several residences as well as the Friends Meeting House of Cambridge and the Church of Jesus Christ of Latter Day Saints, and descends to a lower garden and memorial on Mt. Auburn Street.

Soon after Longfellow’s passing in 1882, a group of his colleagues organized an association to create a memorial in his honor and formed the Longfellow Memorial Association. The Association sought to erect a monument and create a public park to be given to the City of Cambridge. Longfellow’s children donated two acres, consisting of the central portion of a meadow, in 1883. This donation of land came with a plan illustrating their desire for an open grass area to preserve the view of the river from the house, and a monument located in the northern section of the park. A horseshoe-shaped road was proposed to provide access to subdivided lots planned by the Longfellows.

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Proposed plan by Longfellow’s heirs with the monument located on the upper green space.

Maintaining the open meadow was a concern by all involved in the park. As Longfellow’s son, Ernest, wrote:

“Such a breathing space on the river in connection with the playing fields of
the College, which my father was so instrumental in securing, will one day
be a great boon to Cambridge when it becomes crowded, and would be a
better monument to my father and more in harmony than any graven image
that could be erected.”

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Plan by Charles Eliot, 1887  (National Park Service)

In 1887, Charles Eliot, a landscape architect who apprenticed with Frederick Law Olmsted, was commissioned to design the park. He envisioned a park with two distinct areas, an expanse of lawn surrounded by the horseshoe-shaped road and walks, and a garden in the lowland with paths and a playground. To mitigate poor drainage, Eliot recommended the upland be used to fill the area and create a brook. He also included shrubs to screen traffic on Mt. Auburn Street, and trees along the edges of the garden. Between the garden and the green, Eliot proposed an exedra, a semi-circular recessed seating area, facing south and on axis with the front door of Longfellow’s house. A proposed walk would lead to the highest point on the site, ending in a terrace and a set of stairs. Only a few elements of Eliot’s design were actually executed. Changes included a large stone stair case instead of the exedra, and fewer shrubs were installed. In addition, trees were not planted on the edges, and the brook was not created.

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View from Longfellow’s house to the river, ca. 1889 (Ellis Gray Loring Papers, Harvard University)

The design of the monument was given to the sculptor Daniel French. The siting of the statue was debated between the heirs who wanted it closer to Brattle Street, and the Association who agreed with Eliot’s original recommendation. The dispute was settled by Frederick Olmsted, Jr. who concurred with Eliot’s idea. Olmsted Jr. also recommended that the design of the monument integrate and redesign the existing steps. The staircase was replaced by a stone retaining wall, designed by the architect Henry Bacon, which forms the base of the sculpture. Two sets of stairs flank the wall, and at the base of the sculpture was a sunken memorial garden designed by Paul Frost.

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View of stone steps connecting the upper and lower levels of the park, ca. 1910 (Library of Congress)
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View of lower level of the park looking back to Longfellow’s house, ca. 1915 (Boston Public Library, Leon Abdalian photo)
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View of portrait bust of Longfellow with 6 characters from his poems depicted in bas-relief behind the sculpture

After 1914, pathways were repaved in concrete and narrowed. Houses and institutions were built around the park. In the 1930s and 1940s, several WPA projects repaired the drive and walkways, and planted shrubs and trees in the garden. Lighting was also installed during this time. By the 1970s, a mature canopy of trees had grown in the garden. In 1989, Carol R. Johnson and Associates was hired to address the deterioration of the lower park. Some trees were removed and re-planted, and others were pruned. The lawn was restored, and the area was regraded for erosion control. Granite cobbles were installed at the south gate, and stone dust paving was placed at the base of the monument.

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Sources
Evans, Catherine, Cultural Landscape Report for Longfellow National Historic Site, Volume I: Site History and Existing Conditions, National Park Service, 1993.

Osterby-Benson, Krisan, “Longfellow Park, A Room With A View,” May, 1983.

Maycock, Susan, and Charles Sullivan, Building Old Cambridge, MIT Press, 2016.

New Collections Available!

We are happy to announce that we have recently processed and updated finding aids from several collections in our holdings. Scroll down for descriptions and sample images from the following collections: Patsy Baudoin Collection of Cambridge Prints and Photographs, Edwin Freeman Bowker Collection, Honors and Awards Collection, Alan McClennen Senior Collection, Cambridge Militia Records, City of Cambridge Veterans’ Graves Registration Cards Inventory, and William Lawrence Galvin Collection.


Patsy Baudoin Collection of Cambridge Prints and Photographs

This collection, sometimes known as an artificial collection, consists of photographs, drawings, and prints of historical houses and locations in Cambridge.  Also included are several page clippings from various books including the Historic Guide to Cambridge, Ever New England, and other area guides to historic houses.

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One (1) pencil sketch: Johnston Gate, Harvard Yard by W. Harry Smith (Artist)

Most of the houses depicted in the prints were built pre-Revolutionary War, from 1660-1763, and have a long history of famous residents, including Margaret Fuller, Henry Wadsworth Longfellow, and John White Webster.  Additionally, many of the houses are listed as National Historic Landmarks including the seven houses that make up “Tory Row” on Brattle Street.

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Longfellow in his study ca. 1870-1880. Photographer unknown.

Click here to view the finding aid for this collection.

Edwin Freeman Bowker Collection

This collection is composed of five boxes and two flat files containing Edwin F. Bowker’s professional correspondence as a civil engineer and surveyor. Included are surveyor’s notes and records, draft sketches, manual calculations, notes on markers, drawings, plans, transcripts regarding property boundaries from deeds, and correspondence from mid-1886 through 1919.

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Documents related to property at Hasting and Monson Streets, 1920

Click here to view the finding aid for this collection.

Honors and Awards Collection

This collection contains certificates honoring the Cambridge Historical Commission and various Cambridge businesses and organizations for their service to the built environment of this community.

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Plaque and pencil sketch for the City of Cambridge Ruth L. Barron Award for Outstanding Community Service, 2014.

Click here to view the finding aid for this collection.

Alan McClennen Senior Collection

Included in this collection are maps, development studies, town reports, and traffic studies for the City of Cambridge with the bulk of the materials dating from the 1950s to the 1970s. Alan McClennen served as the Planning Director for the City of Cambridge from 1958 until 1968. Researchers interested in viewing the Alan McClennen Senior Collection will be engaged by topics on community development in the City of Cambridge during the mid-twentieth century. We would like to give a special thanks to volunteer Steve Kaiser, for to his contribution to the spreadsheet and box list for this collection.

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Booklet for Alewife Brook Park created by AD Little/Cambridge Corporation, 1968
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Memo on Railroad Grade Separations by the Cambridge Planning Board, 5 December 1950

Click here to view the finding aid for this collection.

Cambridge Militia Records

This collection contains nine record books detailing militia records for the City of Cambridge for the years 1846-1886. Each book contains lists of names recording those enrolled in the Cambridge Militia. At times these lists are accompanied by marginal notes.

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Militia roll: 1877 (“Ward Two Book”)
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Cambridge Militia Ledger: 1846-1859

Click here to view the finding aid for this collection.

City of Cambridge Veterans’ Graves Registration Cards Inventory

This collection contains veterans’ graves registration cards, filed in alphabetical order, for graves in various cemeteries in Cambridge. A majority of the graves are registered at Mount Auburn Cemetery and Cambridge Cemetery, but also include others, such as the North Cambridge Catholic Cemetery and Belmont Town Cemetery.

Click here to view the finding aid for this collection.

William Lawrence Galvin Collection

The collection contains print and photographic materials of William L. Galvin’s professional records and architectural drawings. This collection consists of correspondence, writing, articles, government records, photographs and drawings that depict Galvin’s professional career. The core of the collection consists of drawings for over 1,000 architectural projects, of which about 530 projects in Cambridge have been cataloged.

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Proposed Dormitory – Social and Recreational Center, Lesley College, undated

For the first time, indexes to photographs in the Galvin collection as well as rolled items not related to Cambridge are available. Follow the links above to view PDFs of these lists.

Over a 50-year career, 1927-1979, Galvin made a significant impact on the landscape of Cambridge through his numerous projects and constant support for progressive land use to fit a modernizing Cambridge community. This collection provides valuable insight into Galvin’s personality and professional work that has left a lasting mark on the landscape of the City of Cambridge.

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Drawing of Shea Cleaning Plant and Showroom, undated

Click here to view the finding aid for this collection.

To view the above collections, please make an appointment with our archivist, Emily, at egonzalez@cambridgema.gov. Our research hours are: Monday: 4:00-7:00 pm | Tuesday: 2:00-4:00 pm | Wednesday – Thursday: 10-12 and 2-4 pm.

Stay tuned for more updates as we continue to process collections and make them available for research!

 

Notes On Discovery: Brief Archival Thoughts From A Recent Intern

As a Simmons student, one of the requirements for the Library & Information Sciences program, regardless of where you fall on the dual-major spectrum, is a minimum 60-hour internship at an archival institution located either in or around Boston, Mass.  I honestly didn’t know what to expect when I was assigned a post at the Cambridge Historical Commission: although I’ve been living in the Cambridge area for a little over a year, I have to admit that I don’t necessarily know much about the actual history of it beyond some superficial knowledge. I’m from Western New York! Cambridge, to me, was where Harvard and MIT had their campuses, the backdrop of The Handmaid’s Tale, and literally nothing beyond that. What could Cambridge possibly have in their local history archives that could interest me at all?

The answer? A whole lot.

Continue reading “Notes On Discovery: Brief Archival Thoughts From A Recent Intern”

Preservation at CHC

Recently, the staff here at the Commission performed some summer cleaning in our archives and library storage. After relocating a few boxes, our archives assistants assessed the physical states of some of the materials. Among the collections were a collection of Civil War memorabilia, photographs, an oversize atlas, documents, and an oversize volume of architectural plans.

Many of the items had already been stabilized and were properly housed. Others were in need of repairs or other types of preservation. Two items were in need of immediate preservation work: a volume of architectural plans and a photograph.

The architectural plans are bound in a volume measuring around 24 x 20 inches. This volume represents personal collection of plans of an engineer at the Cambridge Water Board, and the plans date ca. 1860s-1870s.

Our digitization assistant, Meta, dry-cleaned the area, and repaired the tear using Japanese tissue and wheat starch paste.

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Before the tear is repaired
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Wheat starch paste
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Weighting the pasted tissue until dry
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After the tissue has dried
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Trimming the excess
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The final product

The photograph, titled “Survivors of the First Company Raised in the United States for Suppression of the Rebellion” comes from the George H. Hastings Civil War Memorabilia Collection and was taken ca. 1880.

The photograph had been held to a mat frame with adhesive. Glues manufactured during this era were often made from animal products and rubber. These products are now known to congeal and harden over time.

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Emily removing hardened adhesive from the back of a photograph

Our archives assistant, Emily, carefully removed the hardened glue from the verso of the photograph with a micro-spatula, thus protecting this photograph from any chemical or physical damage.

In the archives field, professionals and students are always working hard to provide access to our materials, both physically and digitally. Our work here at the Cambridge Historical Commission is no different.

Boston Elevated Railway (BERy) Photograph Collection

In July 1891, owing to dense streetcar traffic, a result of increasing populations and the industrial strides of the late nineteenth century, a Rapid Transit Commission was created to resolve the transportation dilemma of Boston and its neighboring communities.

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Proposed Location, Underground Structures for Main St., 19 May 1909

The commission researched traffic conditions in the city’s densest areas, namely Tremont Street, and presented a report recommending construction of an elevated railway system and a tunnel for streetcars to alleviate congested conditions in Boston and surrounding areas. Citing this report, the Massachusetts Legislature approved the Boston Elevated Railway Company (BERy) for incorporation on July 2, 1892.[1]

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Brattle Square Progress on Excavation, 15 November 1909

The Cambridge Historical Commission holds approximately 1,200 glass negatives taken by the Boston Elevated Railway between 1907 and 1912. These images primarily document the construction of the Cambridge Subway in 1909-1912.

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South Side of Mass. Ave. from Brookline to Pearl Street, 17 February 1909

The Commission also holds a collection of about 200 cyanotypes donated by Frank Cheney. These prints were made from negatives that are not held in the CHC collections. Many of the cyanotypes in the collection depict the construction of the Charles River dam and viaduct.

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Charles River dam, lower side looking toward Cambridge, 31 July 1907
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Charles River Bridge, Foundation #4, 1 December 1907

Others document the construction of the underground tunnel on Brattle Street.

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Brattle Street, 20 June 1910

General William A. Bancroft was president of the Boston Elevated Railway from 1899 to 1916 and proved a great influence in expanding the lines in Cambridge.[2] In the words of one writer at the Cambridge Chronicle, “No suburban city is more vitally interested in rapid transit than Cambridge.”[3]

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Looking down Mass. Ave. incline, 15 November 1911

The Commission holds several boxes of BERy cyanotypes in the archives as well as vertical research files in our main office. To research our BER-y photographs and related collections, please contact our archivist, Emily Gonzalez by e-mail at egonzalez@cambridgema.gov or by phone at 617.349.4683.

References

[1] Massachusetts Bay Transportation Authority, “The Rapid Transit Commission and the BERY,” MBTA > About the MBTA > History. Accessed May 15, 2017. http://www.mbta.com/about_the_mbta/history/?id=962.

[2] Susan E. Maycock and Charles M. Sullivan, Building Old Cambridge. Cambridge: MIT Press, 2016.

[3] “What it Means to Cambridge,” Cambridge Chronicle (Cambridge, MA), May 12, 1894. Retrieved from http://bit.ly/2r9KAyL.

Cambridge Recreation Department Collection

The Cambridge Recreation Department Collection is now processed and available for research! This collection was donated to the Cambridge Historical Commission in August 1995 by Curtis Gaines, an employee of Human Services.

The Collection

This collection includes scrapbooks, books, and photographs that once belonged to the Recreation Department, as well as photographs that were already in the possession of the CHC. Much of the materials consist of City Council orders concerning park maintenance and upkeep, as well as department financial matters. The collection also includes budget appropriations materials, planning materials for parks and playgrounds, and department reports.

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Preliminary Design for the Proposed Observatory Hill Park, Cambridge Planning Board, March 1950. Courtesy of the Cambridge Historical Commission.

A Brief History of the Recreation Department

The Cambridge Recreation Department was established in 1892 as the Cambridge, Massachusetts Park Commission. The Board of Park Commissioners with chairman General E. W. Hincks were now tasked with providing Cambridge citizens with a worthy park system. Previously, Cambridge only had a few poorly planned and maintained public parks with no public programs.

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Cambridge City Council Order March 29, 1892, ordering “…the Committee on Parks be directed to consider and report upon the advisability of purchasing a tract of land…”

The commissioners hired landscape architect Charles Eliot and his firm, Olmsted, Olmsted, & Eliot to improve the existing parks and plan new ones in poorer, more congested neighborhoods. In 1894, the city acquired Donnelly Field in East Cambridge, Rindge Field in North Cambridge, and the entire Cambridge frontage of the Charles River. The latter section gave the department 800 acres of mud flat and degraded salt marsh by eminent domain and by 1914 a park was created along the length of the city’s shoreline. In 1910, the city began to construct playgrounds and to operate recreation programs there, and these functions expanded after the riverfront park was transferred to the Metropolitan District Commission in 1921.

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City Council Order asking that the Park Commissioners purchase “Jerry’s Pit” to create a swimming pool. Dated April 7, 1914.

Maypole events were organized by the Cambridge Park Commission in the 1920s and 1930s. After the crowning of a “May Queen,” the young and gaily attired girls of the city would dance around the Maypole. Following this ceremony, there would be music, baskets of flowers, and other spring-themed activities for the children.

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This image depicts a scene from a May festival on the Cambridge Common c.1925. Courtesy of the Cambridge Historical Commission.

After World War II, the responsibilities of the Park Commission were divided between the Department of Public Works and the Human Services Department. DPW began to oversee the parks, while Human Services took over recreational programs.

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A group of teenagers posing on the ice during the 1940s. Three are holding hockey sticks.

We will soon be adding images from this collection to the Cambridge Recreation Department Collection on the Cambridge Historical Commission Flickr page. Follow us on Flickr and Instagram to stay up-to-date!