The former Cambridge Federal Savings Bank was designed in 1937 by local architect William L. Galvin as was located at 38 Brattle Street in Harvard Square.
38 Brattle Street as it was constructed, photo taken circa 1939.
The limestone-faced bank was an excellent and rare example of Art Moderne architecture in Cambridge built at the tail-end of the Great Depression. At this time, banking institutions sought high-quality design in their facilities to provide a sense of wealth and security for existing and prospective members. The two-story bank was symmetrical in form and had a metal and glass storefront with glass blocks comprising most openings.
Drawing of Cambridge Federal Savings Bank from William L. Galvin Collection at CHC Archives.
At the entrance, a curved metal canopy was topped by a bold glass transom with an eagle etched into the glass by Galvin. Also designed by Galvin, two porthole windows showing a beaver and an owl respectively, were etched into glass. The beaver was included, likely for its industrious qualities and the owl for its wisdom.
Drawing of eagle design used in transom from William L. Galvin Collection at CHC Archives.
As the banking industry grew after the conclusion of World War II, the bank expanded, also hiring Galvin to design a one-story addition which blended seamlessly with the main structure.
Photo of 38 Brattle Street after merging with Watertown Federal Savings Bank, 1972.Photo showing one-story addition to the left of the main building at 38 Brattle Street, 1972.1966 Sanborn Map showing location and detail of 38 Brattle Street.
In 1967, the Cambridge Federal Savings and Loan Association merged with Watertown Federal Savings Association and was renamed as the Northeast Federal Savings Bank. The bank building at 38 Brattle Street was named a branch office of the bank and served that use for the remainder of its life.
A demolition application was submitted in 1987 for the building and it was demolished soon after to be replaced by One Brattle Square.
Staff photo of One Brattle Square, 2013.
Staff of the Cambridge Historical Commission was able to save the large transom with etched eagle design from the building just before it was demolished, the two porthole windows were already removed. The transom is now framed in the wall of our conference room at 831 Massachusetts Avenue.
For more information on the building or if you would like to schedule a visit to our office to review Galvin’s plans and drawings in the William L. Galvin Collection, please contact us at histcomm@cambridgema.gov.
We are happy to announce that we have recently processed and updated finding aids from several collections in our holdings. Scroll down for descriptions and sample images from the following collections: Patsy Baudoin Collection of Cambridge Prints and Photographs, Edwin Freeman Bowker Collection, Honors and Awards Collection, Alan McClennen Senior Collection, Cambridge Militia Records, City of Cambridge Veterans’ Graves Registration Cards Inventory, and William Lawrence Galvin Collection.
Patsy Baudoin Collection of Cambridge Prints and Photographs
This collection, sometimes known as an artificial collection, consists of photographs, drawings, and prints of historical houses and locations in Cambridge. Also included are several page clippings from various books including the Historic Guide to Cambridge, Ever New England, and other area guides to historic houses.
One (1) pencil sketch: Johnston Gate, Harvard Yard by W. Harry Smith (Artist)
Most of the houses depicted in the prints were built pre-Revolutionary War, from 1660-1763, and have a long history of famous residents, including Margaret Fuller, Henry Wadsworth Longfellow, and John White Webster. Additionally, many of the houses are listed as National Historic Landmarks including the seven houses that make up “Tory Row” on Brattle Street.
Longfellow in his study ca. 1870-1880. Photographer unknown.
Click here to view the finding aid for this collection.
Edwin Freeman Bowker Collection
This collection is composed of five boxes and two flat files containing Edwin F. Bowker’s professional correspondence as a civil engineer and surveyor. Included are surveyor’s notes and records, draft sketches, manual calculations, notes on markers, drawings, plans, transcripts regarding property boundaries from deeds, and correspondence from mid-1886 through 1919.
Documents related to property at Hasting and Monson Streets, 1920
Click here to view the finding aid for this collection.
Honors and Awards Collection
This collection contains certificates honoring the Cambridge Historical Commission and various Cambridge businesses and organizations for their service to the built environment of this community.
Plaque and pencil sketch for the City of Cambridge Ruth L. Barron Award for Outstanding Community Service, 2014.
Click here to view the finding aid for this collection.
Alan McClennen Senior Collection
Included in this collection are maps, development studies, town reports, and traffic studies for the City of Cambridge with the bulk of the materials dating from the 1950s to the 1970s. Alan McClennen served as the Planning Director for the City of Cambridge from 1958 until 1968. Researchers interested in viewing the Alan McClennen Senior Collection will be engaged by topics on community development in the City of Cambridge during the mid-twentieth century. We would like to give a special thanks to volunteer Steve Kaiser, for to his contribution to the spreadsheet and box list for this collection.
Booklet for Alewife Brook Park created by AD Little/Cambridge Corporation, 1968Memo on Railroad Grade Separations by the Cambridge Planning Board, 5 December 1950
Click here to view the finding aid for this collection.
Cambridge Militia Records
This collection contains nine record books detailing militia records for the City of Cambridge for the years 1846-1886. Each book contains lists of names recording those enrolled in the Cambridge Militia. At times these lists are accompanied by marginal notes.
Militia roll: 1877 (“Ward Two Book”)Cambridge Militia Ledger: 1846-1859
Click here to view the finding aid for this collection.
City of Cambridge Veterans’ Graves Registration Cards Inventory
This collection contains veterans’ graves registration cards, filed in alphabetical order, for graves in various cemeteries in Cambridge. A majority of the graves are registered at Mount Auburn Cemetery and Cambridge Cemetery, but also include others, such as the North Cambridge Catholic Cemetery and Belmont Town Cemetery.
Click here to view the finding aid for this collection.
William Lawrence Galvin Collection
The collection contains print and photographic materials of William L. Galvin’s professional records and architectural drawings. This collection consists of correspondence, writing, articles, government records, photographs and drawings that depict Galvin’s professional career. The core of the collection consists of drawings for over 1,000 architectural projects, of which about 530 projects in Cambridge have been cataloged.
Proposed Dormitory – Social and Recreational Center, Lesley College, undated
Over a 50-year career, 1927-1979, Galvin made a significant impact on the landscape of Cambridge through his numerous projects and constant support for progressive land use to fit a modernizing Cambridge community. This collection provides valuable insight into Galvin’s personality and professional work that has left a lasting mark on the landscape of the City of Cambridge.
Drawing of Shea Cleaning Plant and Showroom, undated
Click here to view the finding aid for this collection.
To view the above collections, please make an appointment with our archivist, Emily, at egonzalez@cambridgema.gov. Our research hours are: Monday: 4:00-7:00 pm | Tuesday: 2:00-4:00 pm | Wednesday – Thursday: 10-12 and 2-4 pm.
Stay tuned for more updates as we continue to process collections and make them available for research!
The Cambridge Recreation Department Collection is now processed and available for research! This collection was donated to the Cambridge Historical Commission in August 1995 by Curtis Gaines, an employee of Human Services.
The Collection
This collection includes scrapbooks, books, and photographs that once belonged to the Recreation Department, as well as photographs that were already in the possession of the CHC. Much of the materials consist of City Council orders concerning park maintenance and upkeep, as well as department financial matters. The collection also includes budget appropriations materials, planning materials for parks and playgrounds, and department reports.
Preliminary Design for the Proposed Observatory Hill Park, Cambridge Planning Board, March 1950. Courtesy of the Cambridge Historical Commission.
A Brief History of the Recreation Department
The Cambridge Recreation Department was established in 1892 as the Cambridge, Massachusetts Park Commission. The Board of Park Commissioners with chairman General E. W. Hincks were now tasked with providing Cambridge citizens with a worthy park system. Previously, Cambridge only had a few poorly planned and maintained public parks with no public programs.
Cambridge City Council Order March 29, 1892, ordering “…the Committee on Parks be directed to consider and report upon the advisability of purchasing a tract of land…”
The commissioners hired landscape architect Charles Eliot and his firm, Olmsted, Olmsted, & Eliot to improve the existing parks and plan new ones in poorer, more congested neighborhoods. In 1894, the city acquired Donnelly Field in East Cambridge, Rindge Field in North Cambridge, and the entire Cambridge frontage of the Charles River. The latter section gave the department 800 acres of mud flat and degraded salt marsh by eminent domain and by 1914 a park was created along the length of the city’s shoreline. In 1910, the city began to construct playgrounds and to operate recreation programs there, and these functions expanded after the riverfront park was transferred to the Metropolitan District Commission in 1921.
City Council Order asking that the Park Commissioners purchase “Jerry’s Pit” to create a swimming pool. Dated April 7, 1914.
Maypole events were organized by the Cambridge Park Commission in the 1920s and 1930s. After the crowning of a “May Queen,” the young and gaily attired girls of the city would dance around the Maypole. Following this ceremony, there would be music, baskets of flowers, and other spring-themed activities for the children.
This image depicts a scene from a May festival on the Cambridge Common c.1925. Courtesy of the Cambridge Historical Commission.
After World War II, the responsibilities of the Park Commission were divided between the Department of Public Works and the Human Services Department. DPW began to oversee the parks, while Human Services took over recreational programs.
A group of teenagers posing on the ice during the 1940s. Three are holding hockey sticks.
In today’s post, our archives assistant Emily shares some of her favorite drawings from an enormous architectural collection in our archives. While this collection is still undergoing conservation work, much of it is available for research.
William Lawrence Galvin was an architect prominent in Cambridge during the mid-twentieth century. A native of Roxbury, his family moved to Cambridge so Galvin could prepare for Harvard. He graduated with a BA in Fine Arts in 1925 and a master’s degree in architecture in 1931. Galvin’s interest in architecture began during his undergraduate education. He opened a real estate office while still at Harvard and launched his own architecture firm following his graduation from the Harvard School of Architecture. Over his 50 year career, Galvin deeply impacted the landscape of Cambridge, contributing several well-known buildings to the city, including the Cambridge Federal Savings and Loan building which is no longer standing.
Cambridge Federal Savings and Loan Ass’n front elevation, n.d. Negative photostat. William Lawrence Galvin Collection, CHC.
Over the last 6 months, I have worked extensively with this collection, reprocessing and cataloging Galvin’s architectural drawings. Many of the buildings he designed were never built, including his proposal for a high-density apartment building at 680 Huron Avenue overlooking the Fresh Pond golf course.
Apartments Overlooking Fresh Pond… Proposed apartment building at 680 Huron Ave, n.d. William Lawrence Galvin Collection, CHC.
My favorite drawings, however, are student work. As part of his degree program, Galvin created several large scale drawings of buildings, like this “Bank for a Small City” which includes a cross section, front elevation, and floor plan.
Bank for a Small City, n.d. Ink and watercolor on heavy paper. William Lawrence Galvin Collection, CHC.
This front elevation was submitted to the Boston Society Competition.
Boston Society Competition, n.d. Ink and watercolor on heavy paper. William Lawrence Galvin Collection, CHC.
Another front elevation is labeled “Municipal Employment Bureau” as part of the design of the building.
Municipal Employment Bureau, n.d. Ink and watercolor on paper. William Lawrence Galvin Collection, CHC.
Galvin’s thesis project was a design for a Cambridge Memorial Auditorium to be built in Cambridge Common. Several drawings exist of his design, which he later revised to submit to the mayor Cambridge.
Cambridge Memorial Theatre, ca. 1931. Ink on paper. William Lawrence Galvin Collection, CHC.Cambridge Memorial Theatre, ca. 1931. Photostat. William Lawrence Galvin Collection, CHC.Cambridge Memorial Theatre, ca. 1931. Photostat. William Lawrence Galvin Collection, CHC.Cambridge Memorial Auditorium, Expanded for Mayor Russell, n.d. Original drawing. William Lawrence Galvin Collection, CHC.
This unlabeled front elevation, probably of an apartment building, is a beautiful example of Galvin’s student work.
Unlabeled front elevation, n.d. Watercolor on paper. William Lawrence Galvin Collection, CHC.
My favorite of Galvin’s student works is this “Byzantine Church.” The detail is exquisite, especially the inclusion of frescoes in the dome of the church.
A Byzantine Church of the First Golden Age, n.d. Watercolor on paper. William Lawrence Galvin Collection, CHC.
Many of the drawings in this collection show evidence of damage due to the poor conditions they were found in. Galvin stored his drawings in rolls, and after his death in 1983 they were left untouched. The collection was donated by property developers Martin Hill and Lauren Harder who acquired the building from Galvin’s daughters in 2011. Several of the damaged drawings were in such poor condition that they couldn’t be restored, however efforts were made to restore many other drawings.
Processing and cataloging the collection has been a long process, and there is still more to be done. For more information, see the finding aid for this collection.
