Getting to Know Your CHC Staff: Part 5

Welcome back to our ongoing series featuring the staff members who do wonderful work here at the CHC! This post introduces our new Survey Director, Eric Hill.

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Where did you grow up?
I grew up in Amherst, New Hampshire a quaint, historic New England village with an abundance of Colonial homes.

 

Where did you go to school? What was your degree?

I went to the University of New Hampshire and studied Geography with a focus on urban and human geography. Immediately after graduating, I moved half way across the country to Norman, Oklahoma and attended the University of Oklahoma’s College of Architecture where I studied Regional and City Planning.

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Amazing Collegiate Gothic architecture at OU.

 

What are your interests or hobbies?
My favorite thing to do is travel. My goal is to visit all major world regions by the time I am 30 years old (still have a couple years to go). Besides travelling, I enjoy watching documentaries, hiking, and photography.

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Photo from my most recent trip to Paris and London.

 

Name some fun facts about you.

  • I am a sports fanatic and follow all New England sports teams along with the Oklahoma Sooners Football program and Paris St. Germain for soccer.
  • During graduate school, I got the opportunity to spend a month in Lusaka, Zambia and worked with children, teachers and a non-profit to work on designs for new schools and it was an experience that I will never forget.
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Before I got beat in soccer by kids half my age in Zambia.

 

 

When did you start working at the CHC?
I started working at the CHC in September of 2018 and previously worked for the Boston Landmarks Commission as a Preservation Planner.

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Acorn Street in Beacon Hill Historic District. I was the Preservation Planner for the neighborhood while in Boston.

What do you like best about working at the CHC?
My favorite part (so far) about working at the CHC is learning about the rich history of Cambridge and the layers of development from the Native American settlements of the past to the high-rise mixed-use buildings and neighborhoods of today.
Do you have other professional pursuits?
I hope to dive deeper into the modern movement and post-war Cambridge and advocate for the preservation of the (in my opinion) underappreciated and less well-known architectural styles and typologies of the 1940s-1980s.

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My favorite building (Kimbell Art Museum) by my favorite architect (Louis I. Kahn). Sadly, Louis I. Kahn did not have any projects in Cambridge.

Give us a glimpse into your daily work or a current project.
Currently, I am giving myself a crash course on the centuries of people, events and places that make Cambridge, Cambridge. I am also reading up on the district guidelines for the Half Crown-Marsh Conservation District as I will be the planner in charge of design review for it.
What is your favorite photograph, artifact, or collection at CHC?
So far, my favorite collection is the W. L. Galvin Collection due to the quality and quantity of old plans and drawings of projects built, unbuilt and demolished.

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(Cambridge Memorial Theater drawing, 1931)

What do you like best about living or working in Cambridge?
Cambridge is a melting pot of not only architectural styles and history, but of people and cultures. It is a great place to work and during my lunch breaks, I always make an effort to walk around and enjoy the various cafes, shops and neighborhoods.

Cambridge Open Archives

This year marked the 10th anniversary of Open Archives, and for over 2 weeks in June, 15 libraries and archives in Cambridge opened their doors to the public to show off selected items from their collections – all for free.

Folks who were unable to attend Open Archives might wonder: what is Open Archives, and what does it mean?

Cambridge Open Archives, sometimes called the Cambridge archives crawl, is a free event in which members of the public are invited behind the scenes at various Cambridge archives, libraries, and collecting institutions. It is a fun way to promote the unique collections of our city’s wonderful archives, while also raising awareness of historic materials, larger historic themes, and preservation.

Open Archives is also based on the belief that archives and collections should be free and open to everyone. The idea that information be free and accessible, that you can find out about a community’s history, or simply explore the holdings of a unique archive, is often still seen as a radical idea. We always hope that after Open Archives is over, attendees go back and make research appointments with some of the sites they visited.

Several cities around the country also participate in similar programs, including much larger events like the Archives Bazaar in Austin, Texas and Los Angeles.

(Above: Previous Open Archives events)

Cambridge Open Archives was started in Cambridge in 2010 by the former Cambridge Historical Society Executive Director, Gavin Kleespies (now Director of Programs at the Massachusetts Historical Society). Here’s what Kleespies has to say about the early days of Open Archives:

When it started, I had just moved back to Cambridge from Chicago and [was] in the process of getting re-acclimated. CHS was an institution that had a low public profile so I was going around the city and introducing myself and the Historical Society to organizations and community leaders. As a part of this, I met with Jim Shea and Anita Israel at the Longfellow House and Bree Harvey and Meg Winslow at Mount Auburn Cemetery. In both cases they invited me into their archives and pulled amazing examples from their collections. I thought, the Cambridge Historical Society has a great collection, but very few people use it and many people aren’t even sure it is available to them. Longfellow House and Mount Auburn have huge visitation numbers and are known across the country, but many people are unaware of the great archival collections they hold. It just struck me that there are these three great collections, that people would be really excited about if they saw them, but they just don’t come in contact with them. Then I thought, well, we’re basically all on the same street [Brattle], let’s just have a tour.

The first year was a lot of fun, so I started reaching out. I think CHC was added in the second year, but that was a little odd, since it was just on its own and was not walking distance to CHS, Longfellow or Mount Auburn. So I worked with Kit [Rawlins] and Charlie [Sullivan] and we came up with a group of city departments that had collections and were close to CHC. After that we put together a group to help plan the tour each year. Working with Alyssa [Pacy], Kit, Charlie and a group of other folks, we reached out to Harvard, MIT, churches and masons etc. I think at its largest, we had 13 institutions participating one year.

After the first year or so, Cambridge Open Archives began to be planned around a specific theme. Some of those themes have included “Adventures in Gastronomy,” which highlighted cooking and food themed collections, such as the Julia Child collection at the Schlesinger Library; “Cambridge in the 1860s”;  “Spaces: Profane and Sacred”; “Living and Dying in Cambridge”; and “New Acquisitions & Old Treasures.”

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Asked about one of his favorite past Open Archives themes, Kleespies talked about the MIT Lewis Music Library’s take on “Adventures in Gastronomy.” Kleespies was very interested in seeing how the Music Library would incorporate gastronomy into their collection presentations — food and music? But according to Kleespies, the Music Library’s archivist took the creative route and set up a whole “dinner table” complete with candles, tablecloth, and a full menu featuring different musical compositions, including the German Vegetable Orchestra.

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Since 2015, the staff here at the Cambridge Historical Commission have served as the coordinators of Cambridge Open Archives. This year, the Open Archives theme was “Archivists’/Curators’ Choice.” Staff from participating archives were encouraged to choose collections items that they loved or that possessed special meaning; that fit a certain theme within that specific archive or museum; or some of the more unique, bizarre, or interesting materials in their collections.

If you attended any of the Cambridge Open Archives repositories this year, feel free to comment on this blog with your thoughts, or send us any pictures you may have taken.

We hope you enjoyed this quick history of Open Archives, and hope to see you at next year’s event!

MayDay in the Archives (a belated post)

May 1st has become known as MayDay in the archives world. Every year on May 1st, archivists and other cultural heritage professionals take time to assess the preservation needs of their collections and amend glaring problems.

In acknowledgement of MayDay, we would like to take this opportunity to communicate some quick tips for preserving your own archival materials at home. We will focus on relaying basic information for care and storage of the three most commonly saved items: scrapbooks, photographs, and documents.

Scrapbooks

Albums of photographs, newspaper clippings, and other ephemera weave a narrative of family history. However, the materials from which many scrapbooks are constructed can be harmful. Adhesives, dated plastic sheets, and newspaper accelerate deterioration of photographs and documents.

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This image of Harvard Square trolley workers show how over time, adhesive can cause document and photographs to pull and create ripples.

We recommend scanning your scrapbook pages to create a digital surrogate, or removing items in danger of damage. If you want to keep your scrapbooks intact, make sure to store them in a dark area with a lower temperature (at least below 75° and at 65° if possible) and a lower relative humidity (below 65%). Often, linen closets work well for this purpose! Store your scrapbooks in a box made of acid free-materials.

Photographs

Printed images communicate stories and are seen as proof of events and past existence. Yet, the people and places within these images can quickly fade if not taken care of properly.

Interior View: 33 Washington Avenue
This photograph has begun to yellow, likely due to the acidic paper to which it is mounted.

Photographs should be placed inside acid-free folders or archival plastic sleeves and kept inside in a dark room or closet with a lower temperature and relative humidity.

If your photographs have been rolled for a long period of time and are now stuck, consult a professional who can humidify and flatten your print safely. If you scan your photographs, you will be able to view it whenever you like, and lessen the effects of UV and humidity on your physical prints.

Documents

Documents such as letters, postcards, and paper records provide us with descriptions and evidence. Often, these items are unique and become more fragile over time. If you have paper in your family collection, separate pages from harmful materials such as newspaper or staples.

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The acidic paper of this Signet Hosiery Company membership book has begun to yellow, and the staples are in danger of rusting if not kept in a cool, dry place.

Like scrapbooks and photographs, make sure to store your documents in a cool and dry location (not an attic or basement). Store documents in acid-free containers, ideally inside folders and a box.

If you would like to learn more about how to preserve documents, photographs, scrapbooks, or other materials you may have, contact our archivist, Emily at egonzalez@cambridgema.gov or 617.349.4683.

Notes On Discovery: Brief Archival Thoughts From A Recent Intern

As a Simmons student, one of the requirements for the Library & Information Sciences program, regardless of where you fall on the dual-major spectrum, is a minimum 60-hour internship at an archival institution located either in or around Boston, Mass.  I honestly didn’t know what to expect when I was assigned a post at the Cambridge Historical Commission: although I’ve been living in the Cambridge area for a little over a year, I have to admit that I don’t necessarily know much about the actual history of it beyond some superficial knowledge. I’m from Western New York! Cambridge, to me, was where Harvard and MIT had their campuses, the backdrop of The Handmaid’s Tale, and literally nothing beyond that. What could Cambridge possibly have in their local history archives that could interest me at all?

The answer? A whole lot.

Continue reading “Notes On Discovery: Brief Archival Thoughts From A Recent Intern”

Preservation at CHC

Recently, the staff here at the Commission performed some summer cleaning in our archives and library storage. After relocating a few boxes, our archives assistants assessed the physical states of some of the materials. Among the collections were a collection of Civil War memorabilia, photographs, an oversize atlas, documents, and an oversize volume of architectural plans.

Many of the items had already been stabilized and were properly housed. Others were in need of repairs or other types of preservation. Two items were in need of immediate preservation work: a volume of architectural plans and a photograph.

The architectural plans are bound in a volume measuring around 24 x 20 inches. This volume represents personal collection of plans of an engineer at the Cambridge Water Board, and the plans date ca. 1860s-1870s.

Our digitization assistant, Meta, dry-cleaned the area, and repaired the tear using Japanese tissue and wheat starch paste.

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Before the tear is repaired
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Wheat starch paste
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Weighting the pasted tissue until dry
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After the tissue has dried
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Trimming the excess
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The final product

The photograph, titled “Survivors of the First Company Raised in the United States for Suppression of the Rebellion” comes from the George H. Hastings Civil War Memorabilia Collection and was taken ca. 1880.

The photograph had been held to a mat frame with adhesive. Glues manufactured during this era were often made from animal products and rubber. These products are now known to congeal and harden over time.

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Emily removing hardened adhesive from the back of a photograph

Our archives assistant, Emily, carefully removed the hardened glue from the verso of the photograph with a micro-spatula, thus protecting this photograph from any chemical or physical damage.

In the archives field, professionals and students are always working hard to provide access to our materials, both physically and digitally. Our work here at the Cambridge Historical Commission is no different.

New! Boston Globe Donation

Last week, we received a special visit from Richard Pennington, a former librarian for the Boston Globe. Mr. Pennington and Lisa Tuite, the Globe’s Head of Library, donated seven boxes of newspaper clippings from the Globe’s newspaper clipping morgue. The clippings date from 1900 to around 1977 (with some from the 1980s) and include interesting news stories and information pertaining to Cambridge. The stories come not only from the Boston Globe, but from other newspapers and publications, including the Boston Herald and the Transcript.

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The newspaper clippings are arranged by subject, and they run the gamut of topics related to Cambridge history: from specific Cambridge buildings (of particular interest to the Commission), to local politics, to schools, historic riots, and Cambridge businesses.

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According to Pennington, “The Globe was clipped from around 1900 until it went electronic in 1977 – it was  the first newspaper to store its content in a computer for retrieval.” The content of the clipped, indexed and filed newspaper clippings often depended on the preference of the librarian at the time.  Pennington also added that, “The city desk also had a decades-long policy of sending ephemera to the library to be added to the clipping files, and this included small photographs. Occasionally odd book chapters and magazine articles were added to the files.”

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Pennington helped with the recent and ongoing transition of the Boston Globe Library’s collections to new institutions, as the Globe relocates from their Morrissey Boulevard location back to downtown Boston. Pennington was assistant librarian at the Globe when he left in 2007. The large majority of the Boston Globe clippings collection was transferred to Northeastern University — however, the Cambridge Historical Commission was fortunate enough to receive a great portion of this collection for our research files.

The newspaper clippings will be processed, cross-indexed with our architectural inventory files, and a finding aid will be created for researchers. The collection is currently not open for research.

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Researching Your Building at the CHC

May is Preservation Month, and over the next few weeks we will be posting about a couple of preservation-related archival projects that we are working on over here at the Commission.


Here at the Cambridge Historical Commission, our holdings are centered on the built environment of the city, with strong collections on the social, business, and industrial history of Cambridge. Formats include photographs, manuscripts, architectural plans, and books, among other mediums. The most valuable intellectual asset of the Commission is our collection of architectural survey files, documenting the history of every building (over 13,000) in Cambridge.

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An example of an architectural survey form from CHC’s files. Between 1964 and 1977, the commission surveyed and photographed every building in Cambridge.

As our largest collection, the architectural survey files contain architectural survey forms, photographs, news clippings, and like materials for buildings in Cambridge.

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The Executive Director of the CHC, Charles M. Sullivan, documented interior and exterior conditions before this home underwent renovations in the early 1980s.

Each file holds documents on every current building in Cambridge as well as records of many demolished buildings. An address may contain one sheet or boast an entire file folder depending on its history in the community.

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Many files contain a history of the address from its original purchase. These documents contain valuable information including dates and prices of sale or taxes, and a description of the building.

These files are used quite frequently by architects, building managers, or homeowners, and are open for research.

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Included in some files are newspaper clippings regarding the building’s history or current projects. This clipping from 1983 details a renovation project at this home on Otis Street.

As these files currently exist only in physical format, a patron must perform any research with our survey files in-person. The Commission is currently embarking on a pilot digitization project to improve access. This project will facilitate the creation of a searchable and browsable database, which will allow us to upload and share our survey files online.

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Taken by Alex Beatty in 1988, this image depicts the finished renovation of 67-69 Otis Street. Image courtesy of the Cambridge Historical Commission.

Please feel free to contact the Cambridge Historical Commission to explore the history of your property. Our research hours are Mondays 4:00-7:00pm, and Tuesday through Thursday 9:30-11:30am and 2:00-4:00pm. Check our blog often for updates on our other projects, and for news on when our digital files will be accessible!