The Ashton Valve Company

Today’s post was written by guest author Rick Ashton and tells the story of the Ashton Valve Company, formerly located at 161 First Street, East Cambridge. 

The sound of a steam train whistle in the distance can stir your imagination. The Ashton Valve Company offered locomotive whistles in sizes up to 48″ tall. The beautiful brass gauges in the cab of a locomotive and the safety valves on the engine also could have been manufactured by Ashton Valve. For over 100 years the company was one of the leading manufacturers of railroad-related items.

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Courtesy Rick Ashton, https://newsm.org/manufacturers/ashton-valve-co/

One Ashton item was an innovation that saved lives. How? If the engine’s boiler happened to build up too much pressure, the Ashton “Pop” Safety Valve would activate or “pop” and let the excess steam blow off, preventing a possible boiler explosion. We have Henry G. Ashton to thank for that life-saving invention.

Henry G. Ashton was born in Norfolk, England in 1846 (Editor’s note: Henry G. Ashton is the great-great-grandfather of this post’s guest author, Rick Ashton). He attended public schools and took courses in mechanical engineering. In 1869 he arrived in Boston, Massachusetts with his wife Emma and infant son, Albert. He was first employed by the Hinkley Locomotive Works. In 1871 he invented his Lock-up “Pop” Safety Valve. It was the first effective safety valve to actually work and was an immediate success. He formed the Ashton’s Lock Safety Valve Company (Ashton Valve Company) and set up shop on Pearl Street in Boston with three other employees. In 1872 the company secured a contract with the United States Navy for safety valves, a contract they held for 76 years.

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Henry G. Ashton. Courtesy Rick Ashton.

The Great Boston Fire of 1872 destroyed the Pearl Street building, but the company persevered and by 1879 they relocated to 271 Franklin Street, a building they would occupy for 27 years. The building was four stories tall and business was so strong that in 1900 a fifth floor was added to keep up with the demand. In 1892 they purchased the Boston Steam Gauge company and began manufacturing steam gauges, a perfect compliment to the various steam related valves they were producing. The gauges were manufactured with the same assurance of quality as the valves were.

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After 24 years of managing the company, Henry Ashton, the company founder, died in 1895. His son Albert, who had attended engineering classes at MIT, took over many of the management responsibilities and ran the company for the next 27 years.

Ashton Valve outgrew the Franklin Street building and in 1907 they built a new facility at 161 First Street in East Cambridge. The building was 45,000 square feet and was built at a cost of $67,000. That’s $1,797,000 in 2018 dollars. A completely modern building, it had electricity on all floors and modern bathroom facilities. The building still stands today with the Ashton Valve name carved in granite over the front entrance.

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Credit: Cambridge Sentinel, 1921.

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161 First Street today. Credit: Google Maps.

By 1907 the company had sales offices all over the world. Ashton products were internationally known for their quality. As their advertisements stated, “higher in first cost but cheapest in the end.” The 1920’s and 1930’s were the peak years and the company employed up to 300 people. Their profits often were in the millions (in today’s dollars).

Ashton’s Railroad Division had been the backbone of the company since its inception in 1871 and was run as a separate entity until the 1950’s. They produced separate catalogs for the valves, whistles, and gauges used on trains. Some of the Ashton products produced for the train industry included: locomotive mufflers and open pop safety valves, steam gauges including the Ashton-Lane-Bourdon locomotive gauge, double spring steam locomotive gauges, duplex steam and heat gauges, air brake gauges, protected dial pressure gauges, air brake recording gauges, wheel press recording gauges, locomotive steam whistles and whistle valves.

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Ashton Valve pressure gauge, ca. 1923-1924. CHC Objects Collection. Photographed by John Dalterio.

With the advent of diesel locomotives, electricity, and gas engines, sales started to drop off in the late 1940’s. The peak years were over. In 1948 Ashton merged with the Crosby Valve and Gauge Company, but kept the Ashton name alive until sometime in the early 2000’s. Today one is liable to see the Ashton Valve name on gauges sold on eBay to collectors, and they demand a high price.

The next time you hear a train whistle in the distance, think of the Ashton Valve company – it could be an Ashton whistle!

 

Sources and Related Reading:

The Ashton Valve Company

https://steampunk-explorer.com/articles/family-history-steam

https://cambridgehistory.org/industry/ashtonvalve.html

https://www.steamlocomotive.com/appliances/safetyvalve.php

Modern Monday: Charter House Motor Hotel

Today’s Modern Monday posting is highlighting the Charter House Motor Hotel (now Royal Sonesta Boston). Completed in 1963, the first tower, with its zig-zag shape was developed by the Hotel Corporation of America, led by founder A.M. “Sonny” Sonnabend.

Charter House Survey photo

Sonnabend decided to locate the company’s first ever high-rise motor hotel in the United States in Cambridge due to its location near transportation routes, businesses, universities and proximity to the downtown Boston area. To stand out from competition, the motor hotel required high quality design, ample parking, and interior amenities including: televisions, radios, air-conditioning, and complete hotel services for all rooms. The word “Motel” was created as a blending of the words “motor” and “hotel” and has since served as a defining piece of roadside architectural history.

Viewed from boat

The Hotel Corporation of America was renamed Sonesta International Hotels Corporation in 1970. Due to the success and location of the Sonesta Hotel on Cambridge Parkway in East Cambridge, the Sonesta Corporation began planning for a renovation and addition to the hotel, doubling the amount of rooms and enhancing facilities for the modern traveler. Architect John T. Olson designed a Post-Modern tower to stand next to the 60’s Modernist hotel. Boston Globe’s architectural critic at the time, Robert Campbell called the original tower an “upended waffle” and noted that the later addition was the region’s first large-scale Post-Modern development.

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The Post-Modern tower addition features large expanses of brick and is distinguished by the gabled features at the roof. John Olson, the head architect explained the design and goal as wanting to make a hotel that would look house-like and more domestic than institutional. The triangular gable shape was seen as a symbol for the idea of a house and was repeated both inside and outside of the addition. The pediments over the slightly projecting wings, resemble the long expanses of rowhouses which are synonymous to Boston architecture. Besides red brick, the main cladding material on the building is a green tile, which was selected to resemble the patinaed green copper seen elsewhere in Cambridge and Beacon Hill, just over the Charles River.

Current Photo

The two towers stand proudly at the entrance of Cambridge from Boston and showcase how far architectural taste can change in a matter of 20 years. Globe writer, Campbell stated that “The new wing of the former Sonesta Hotel on the Charles River stands next to its predecessor as if the two were a pair of slides chosen by a professor of art history to illustrate just how far architectural taste can travel in a single generation”. Which wing do you prefer?

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Full view

Meigs Elevated Railway

An unusual and widely unknown transit experiment took place right here in Cambridge, known as the Meigs Elevated Railway. Born in Tennessee in 1840, Josiah Vincent Meigs was an inventor; spending most of his life inventing and patenting devices from furniture to guns. Throughout his life, he was interested in making public transportation better and more efficient and wanted to remove the “clutter” of elevated railways in cities. From this, he came up with his proposal, the Meigs Elevated Railway.

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With an emphasis on safety, comfort and convenience, the track structure consisted of two rails, one mounted above the other on a line of supports. The single post system would remove roughly four fifths of the structure that darkened streets under other elevated systems of the time. One pair of wheels were angled at 45 degrees and carried the weight of the train; while the other pair, mounted horizontally inside the locomotive, gripped the upper rail and provided driving power. The cars were designed cylindrical to diminish wind resistance and the interiors lined with fireproof material.

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In 1881, to encourage capital investment and fulfill terms of an earlier charter (which had over 64,000 signatures), Meigs and his friends headquartered at 225 Bridge Street (now Monsignor O’Brien Hwy) and raised $200,000 to build an experimental track. A 227’ line of elevated track was built parallel to Bridge Street with varied elevation changes and curves to test the new system. In 1886, engineers deemed the elevated system “practical and safe”.

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Sadly, it was neither capital nor legislation which finally sank the Meigs Elevated, it was the coming of electricity. While the Meigs system could be fitted to run on electrical power, Josiah believed that electric-powered trains were too expensive and could not provide the speed the system needed. Further setbacks occurred when vandalism and the West End Elevated Railway became direct competition and the Meigs took its final run in 1894. Meigs later sold his charter rights in 1896 and his dreams for were disbanded. In failing health from his Civil War injuries, Josiah Vincent Meigs died from a stroke on November 14, 1907 in Charlestown, Massachusetts.

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Much more information and photographs are in our collections!

 

Getting to Know Your CHC Staff: Part 5

Welcome back to our ongoing series featuring the staff members who do wonderful work here at the CHC! This post introduces our new Survey Director, Eric Hill.

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Where did you grow up?
I grew up in Amherst, New Hampshire a quaint, historic New England village with an abundance of Colonial homes.

 

Where did you go to school? What was your degree?

I went to the University of New Hampshire and studied Geography with a focus on urban and human geography. Immediately after graduating, I moved half way across the country to Norman, Oklahoma and attended the University of Oklahoma’s College of Architecture where I studied Regional and City Planning.

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Amazing Collegiate Gothic architecture at OU.

 

What are your interests or hobbies?
My favorite thing to do is travel. My goal is to visit all major world regions by the time I am 30 years old (still have a couple years to go). Besides travelling, I enjoy watching documentaries, hiking, and photography.

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Photo from my most recent trip to Paris and London.

 

Name some fun facts about you.

  • I am a sports fanatic and follow all New England sports teams along with the Oklahoma Sooners Football program and Paris St. Germain for soccer.
  • During graduate school, I got the opportunity to spend a month in Lusaka, Zambia and worked with children, teachers and a non-profit to work on designs for new schools and it was an experience that I will never forget.
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Before I got beat in soccer by kids half my age in Zambia.

 

 

When did you start working at the CHC?
I started working at the CHC in September of 2018 and previously worked for the Boston Landmarks Commission as a Preservation Planner.

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Acorn Street in Beacon Hill Historic District. I was the Preservation Planner for the neighborhood while in Boston.

What do you like best about working at the CHC?
My favorite part (so far) about working at the CHC is learning about the rich history of Cambridge and the layers of development from the Native American settlements of the past to the high-rise mixed-use buildings and neighborhoods of today.
Do you have other professional pursuits?
I hope to dive deeper into the modern movement and post-war Cambridge and advocate for the preservation of the (in my opinion) underappreciated and less well-known architectural styles and typologies of the 1940s-1980s.

Kimbell Art
My favorite building (Kimbell Art Museum) by my favorite architect (Louis I. Kahn). Sadly, Louis I. Kahn did not have any projects in Cambridge.

Give us a glimpse into your daily work or a current project.
Currently, I am giving myself a crash course on the centuries of people, events and places that make Cambridge, Cambridge. I am also reading up on the district guidelines for the Half Crown-Marsh Conservation District as I will be the planner in charge of design review for it.
What is your favorite photograph, artifact, or collection at CHC?
So far, my favorite collection is the W. L. Galvin Collection due to the quality and quantity of old plans and drawings of projects built, unbuilt and demolished.

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(Cambridge Memorial Theater drawing, 1931)

What do you like best about living or working in Cambridge?
Cambridge is a melting pot of not only architectural styles and history, but of people and cultures. It is a great place to work and during my lunch breaks, I always make an effort to walk around and enjoy the various cafes, shops and neighborhoods.