Tag: torn down

Torn Down Tuesday: 188 Prospect Street

Posted on by Meta Partenheimer
188 Prospect Street, photographed by CHC staff (2006)

The one-story commercial building that once stood at 188 Prospect Street was designed in 1912 by the architect Nathan Douglas and constructed by its owner Thomas A. Gannon. Douglas was a prolific local architect with an office on Harvard Street, who designed dozens of three-deckers, apartment houses, and stores between 1901 and 1927. His larger commissions included the Beth Israel Synagogue at 238 Columbia Street (1901) and the Swedish Evangelical Church at 146 Hampshire Street (1902). The façade of 188 was arranged as a single storefront, with a recessed center entrance and two large plate glass windows that angled in to meet the entry door. The façade was detailed with ornamental rafter tails and dentils across the front that wrapped around the corners. A large quarter-round molding decorated the cornice. In 1946 red asphalt shingle siding was added , covering the original clapboards.

Notice of building permit for Gannon’s store, as it appeared in The Cambridge Sentinel (6 April 1912)

The first business to occupy the building was Thomas A. Gannon’s ice cream shop. Gannon manufactured his ice cream in the basement of the house at #190 and sold it at the store next door. Gannon died in 1914 and was succeeded by H.L. Fowler. His advertisement in the 1914 city directory includes offerings of ice cream, baked goods, and homemade candies. Fowler kept the store until 1918 and was followed by the Cambridge Funeral Company operated by Daniel L. Shea, a Somerville resident. (There must have been a good freezer in the building.) Later shops included another confectionery, furniture sales and refinishing, tire sales and service, bicycle seat covers and upholstery, and a photographic gallery.

Detail of Fowler’s advertisement in the 1914 Cambridge City Directory

Infill development on Prospect Street related to garaging and repair of automobiles began in the 1920s and 1930s. Even 188 Prospect Street had an automobile related use for a time: a Sanborn atlas lists a tire sales and service business there in the late 1940s or early 1950s. Occupants in the 1960s included Hamilton Television Service and New England Bicycle Cover Co.

188 Prospect photographed by Edward Jacoby (November 1969)

In 1969, the storefront became the first home of a school called Trout Fishing in America, which took its name from Richard Brautigan’s 1967 best-selling countercultural novel. William Hjortsberg wrote in his 2012 biography of Brautigan, Jubilee Hitchhiker: The Life and Times of Richard Brautigan, that the school comprised eight different storefronts. For a fee of $10, students could enroll in courses such as English, theories of revolution, math, science, and motorcycle repair. Trout Fishing in America served as both an educational space and a gathering spot for those who wished to listen, socialize, and plan their peaceful revolutionary future.

Richard Brautigan in 1959. Collection: California Faces: Selections from The Bancroft Library Portrait Collection at UC Berkeley, Bancroft Library. via https://calisphere.org/item/ark:/13030/tf9v19p3wd/

In 1969, Brautigan came to the Boston area to promote the release of a collection of three works, Trout Fishing in America, The Pill versus The Springhill Mine Disaster, and In Watermelon Sugar, and visited the Prospect Street school. With him was the reporter John Stickney, who was on assignment for LIFE magazine; his piece, “A Gentle Poet of the Young”, appeared in the August 14, 1970, issue. (Stickney later volunteered as the school’s journalism teacher.) The LIFE photographer Steve Hansen captured this image of Brautigan seated on the curb in front of the school surrounded by teachers and students. During his visit to Cambridge, Brautigan also participated in a Trout Fishing for America parade that began at 188 Prospect and wound through Central and Harvard squares to the northern end of Cambridge Common.

Richard Brautigan and the Trout Fishing in America School at 188 Prospect St, photographed by Steve Hansen (1969)

The Trout Fishing in America was based at 188 Prospect only for a short time before moving to 353 Broadway where it shared space with the Cambridge chapter of Vocations for Social Change.

188 Prospect St in 1978 (Community Development Department sign survey)

By 1971 The People’s Gallery, a photographers collective, occupied the space at 188 with a storefront gallery and dark room below. They soon shared space with Boston Area Ecology Action, an organic bulk foods store, and another photography studio came in the 1980s. Eventually the building fell into disuse. An application to demolish the commercial building and garage at 188 Prospect Street was filed in early July 2006, and the building was razed later that month. Today, the site is occupied by condominiums.

View of former location of 188 Prospect St via Google Street View (2007)

Sources

brautigan.net

Cambridge Public Library historic newspaper database

CHC architectural survey files

Jubilee Hitchhiker: The Life and Times of Richard Brautigan by William Hjortsberg (2012)

“Mapping Out Utopia, Vol. 1: Cambridge” by Tim Devin (2017)

Torn Down Tuesday: 42 & 48 Quincy Street

Posted on by Brittany F.

It’s #TornDownTuesday (or is it #TransferredTuesday)! Today’s Gund Hall is located on the site of multiple buildings on Quincy Street, with the original 48 Quincy Street structure being relocated in 1968. 

Images from Dudley Borland Card Collection, no date

42 Quincy Street

To start, 42 Quincy Street was a wood-shingled square house with a rear ell that was built in 1844. In July 1844, the President and Fellows of Harvard College granted Henry Greenough the land known as the “Delta”.

Daniel Reiff image, before fire, ca. 1968

Henry Greenough of Boston (1807-1883) was a merchant and amateur architect who was brother to Horatio and Richard Saltonstall Greenough, both sculptors. Henry attended Harvard from 1823-1826 and then studied architecture in Italy. 42 Quincy St, also known as the Greenough House, was built by Greenough for his mother, Mrs. David Greenough (Eliza Ingersoll). This pattern-book Italianate style house is the earliest known house designed by Greenough. He also designed the First Church in Cambridge (1830) and the Cambridge Athenaeum (1851). After his Italianate on Quincy St, he made houses in 1854-1856 with low mansard roofs. Greenough designed his mother’s home with a brick basement, 4 wooden risers for the front stoop, and an unusual canopy with arched openings. It was originally painted brown.

Daniel Reiff images, 42 Quincy Street after fire and demolition, ca. 1968

Greenough House was passed down through the family until 1891 when it was sold to the Corporation of the New Church Theological School, who used it as offices. In 1966 it was obtained by Harvard for its Economics Department offices. Unfortunately, on January 8, 1968 the house was destroyed by a major fire likely caused by a defective boiler. The house was scheduled for demolition later that year to make way for Gund Hall.

48 Quincy Street

Next door was 48 Quincy Street, which has a more pleasant conclusion. Built in 1838 by William Saunders for Prof Daniel Tredwell, 48 Quincy was a Regency Greek Revival style house. It featured wide, flat pilasters on flush boarded walls and a square, hip roof. In 1847, it was bought by Jared Sparks who started living at the address in 1849 when he became president of Harvard. Sparks is considered one of the earliest modern historians. Subsequently known as the Jared Sparks House, it was purchased by the New Church Theological School and in 1901 was moved on the site to make room for the Swedenborg Chapel. However, in October 1968 it was again moved, but around the corner to 21 Kirkland Street, to make way for Gund Hall. You can still see the home today at its new address!

Daniel Reiff image, 48 Quincy Street, now 21 Kirkland Street (“Sparks House”), undated

Many of the images from this post come from our newly available Dudley Borland Card Collection. Keep an eye out for future posts featuring this collection! Would you like us to make it a weekly or biweekly feature?

For more information on these buildings, email us at histcomm@cambridgema.gov.

Torn Down Tuesday: Newtowne Club

Posted on by Meta Partenheimer

Formed on December 6, 1893, the Rindge Club, named for real estate developer and major City benefactor Frederick H. Rindge, first met in the Odd Fellows Hall building in North Cambridge on December 27, 1893. To accommodate the club’s athletic classes and activities, leaders leased a gymnasium building at 9 Beech Street (now the Kingdom Hall of Jehovah’s Witnesses) from Samuel F. Woodbridge. At the behest of Mr. Rindge, the group changed its name to the Newtowne Club in June 1895.

Exterior of the Rindge Club House when located at the Samuel Woodbridge gym, 9 Beech Street. Cambridge Chronicle, 20 January 1894

Earlier that year, plans for a new and larger clubhouse were prepared by Boston-based architect J. Chandler Fowler. In June, Mr. Adams, a member of the club’s governing board, purchased land for the purpose of erecting the new building at the corner of Davenport Street and Massachusetts Avenue, about one block southeast of the Woodbridge gym. With a bid of around $30,000, a contract to construct the building was awarded to Wellington Fillmore & Co. and ground was broken towards the end of June.

Drawing of Newtowne Club by architect J. Chandler Fowler, published in the Cambridge Chronicle, 19 January 1895

The club officially opened on January 29, 1896 and nearly 2,000 invitations to the open house were distributed to the community. The new club house was described as “one of the handsomest and most substantial buildings in ward 5.”

Exterior of the Newtowne Club, ca. 1895. Historic New England

Designed in the colonial style, the building was “square and grand, with a wide porch, generous windows and dormers on the roof.” The exterior was painted bright red and finished with white trimmings and green blinds. (Semi-Centennial)

A corner of the library and glimpses of front hall and ladies parlor, drawn by L.F. Grant for the Cambridge Chronicle, 1 February 1896

“The house contains a fine gymnasium, with stage, six of the best bowling alleys in the state, shower baths, billiard and pool room, ladies parlor, lounging room, ample lockers for a 500 [person] membership, and, all the appurtenance to a first class clubhouse.” (Semi-Centennial)

Detail of the corner of Davenport St and Mass Ave from Cambridge Bromley Atlases, 1903 and 1930

Over the years, the parlors, gymnasium, and other facilities were rented by area groups, clubs, and committees for events ranging from charity parties to film screenings. In 1916, the Newtowne Theatre opened as a tenant of the club on the north end of the building, offering matinee picture shows and small concerts.

Clipping from the Cambridge Chronicle, 9 December 1916

Although the Newtowne Club had been prosperous for many years, it soon found difficulty maintaining memberships and meeting the expenses of the building. In 1917, the building was purchased by the Ozanam Council, Knights of Columbus through a foreclosure sale. The K of C also purchased the club’s furnishings and acquired the moving picture accoutrements for the club’s private use. The club was then renamed Newtowne Hall. In 1924, the Mass Ave frontage was sold and a block of stores were built on the clubhouse lawn. The building was subsequently divided and rented to local organizations.

5 Davenport St, ca. 1975. CHC staff photo

In 1960, Stephen and James Zaglakas remodeled Newtowne Hall and opened Stephen James House, an 800-seat function hall and restaurant that was a popular site for social and political functions until it closed in 1991. Several rounds of interior and exterior repairs, alterations, and additions throughout the mid-twentieth century left the building nearly unrecognizable. By the 1970s, the only features from the original 1896 building were the the hip roof and right side dormer. The building was sold and demolished in 1994 to make way for a condominium development.

Sources
Cambridge Chronicle, 19 January 1895
The Cambridge Chronicle Semi-Centennial Souvenir, 1 February 1896
CHC survey files
“Newtowne Club” by the Cambridge Historical Commission and North Cambridge Neighborhood Stabilization Committee, 2000

Torn Down Tuesday: 329 Harvard Street

Posted on by cambridgehistoricalcommission

Welcome back to our Torn Down Tuesday series! Today, we are featuring the house that once stood at 329 Harvard Street in Mid-Cambridge.

Detail of 1886 Cambridge Hopkins Atlas

In December 1848, George Washington Whittemore (1812-1870) purchased a lot from the Francis Dana estate. The lot was situated on the north side of Harvard Street between Cotton (now Hancock) and Dana Streets and backed on Hastings (now Chatham) street. The Whittemore family was prominent in the business and cultural life of Boston and Cambridge: George W. had many business ventures and was most notably a Boston hotel proprietor. After the home was finished, George W. moved in with his wife, Synia H. (Richardson), on July 8, 1850.

Photograph c. 1865 showing house, stable, and grounds

Originally richly ornamented, this suburban house blended Italianate, Greek Revival, and Gothic details in an eclectic but picturesque and singularly harmonious manner. The house typified a trend away from the strict neo-classicism of around 1850. The house was originally remarkable for extensive use of exterior papier mâché ornament. The front and side eaves of the main block, and the cupola (measuring 8′ in diameter) were trimmed with molded papier mâché “gingerbread” mounted on wooden barge boards, until they were destroyed in an accidental fire from painter’s blow-torch in 1931. The cupola retained its trim at least as late as 1951. In its eclectic design, the house was typical of suburban residences built on Dana Hill c. 1850, when formal Greek Revival tradition was yielding to freer Italianate forms and more picturesque massing.

329 Harvard St photographed by Walker Evans, ca. 1930-31. © Walker Evans Archive, The Metropolitan Museum of Art

To enter the home from Harvard Street, one would approach the front steps: five granite risers flanked by granite plinths led to a granite stoop recessed within an open rectangular front entrance. A round-arched front doorway was deeply recessed within the stoop and sheltered by a balcony.

Entrance photographed by Jack E. Baucher (August 1964)

Inside, single-paneled pilasters with 1′-high plinths and gessoed papier mâché Greek Corinthian capitals flanked all drawing room openings and “supported” plaster entabulature.

Interior pilaster detail photographed by Jack E. Baucher (August 1964)

The original interior of the home was highly lavish and Victorian. Red flocked drawing room wallpaper with cream and gilt ground dated from 1850 and remained to the end of the Whittemore occupancy. The drawing room also had original richly-colored imported carpet, red velvet lambrequins with gilded cornices, and a set of very elaborate neo-rococo furniture inspired by Louis XV forms.

Interior of 329 Harvard St photographed by Richard Ruggles, 1937 (for D.P. Myer)

The set included two white marble-topped tables, a mirrored étagère with a low marble-topped console, and chairs, sofa and footstool upholstered in original red velvet. According to family records, the curtain cornices and furniture were made by a group of travelling Swiss artisans skilled in comp work and frame making.

Interior of 329 Harvard St photographed by Richard Ruggles, 1937 (for D.P. Myer)

Marble busts of Hiram Powers’ Persephone and the Apollo Belvedere, a plaster bust of Washington, two oval family portraits of young girls ca. 1850, an oil copy of Guido Reni’s Aurora, alabaster vases, parian ware figurines, and a multitude of bibelots (a small, decorative ornament or trinket) completed the lavish drawing room ensemble, which remained intact until 1949.

Interior of 329 Harvard St photographed by Richard Ruggles, 1937 (for D.P. Myer)

A significant modernization of the house was undertaken in 1922-23 where a coal-fired hot air heating replaced the oil-fired steam system, the flooring was updated, electric lights and a laundry room were installed, among many other amenities. The home continued to be passed down to successive Whittemores until is was sold out of family in June 1951. The house changed hands several times from 1962-1964, by which time the structure had badly deteriorated. Finally, the house was demolished in 1965 to clear site for the Dana Hill Apartments. To learn more about this building, check out yesterday’s Modern Monday Instagram post!

329 Harvard St photographed by Roger Gilman, ca. 1930s

Source: Historic American Buildings Survey (HABS) report by Dr. Bainbridge Bunting (1964)