architectural design – Page 2 – The Cambridge Historical Commission Blog

Modern Monday: Cambridge Federal Savings Bank, 38 Brattle Street

Posted on March 25, 2019May 14, 2020 by cambridgehistoricalcommission

The former Cambridge Federal Savings Bank was designed in 1937 by local architect William L. Galvin as was located at 38 Brattle Street in Harvard Square.

Brattle St 38 historic photo — 38 Brattle Street as it was constructed, photo taken circa 1939.

The limestone-faced bank was an excellent and rare example of Art Moderne architecture in Cambridge built at the tail-end of the Great Depression. At this time, banking institutions sought high-quality design in their facilities to provide a sense of wealth and security for existing and prospective members. The two-story bank was symmetrical in form and had a metal and glass storefront with glass blocks comprising most openings.

Brattle St 38 rendering DSC_4221 — Drawing of Cambridge Federal Savings Bank from William L. Galvin Collection at CHC Archives.

At the entrance, a curved metal canopy was topped by a bold glass transom with an eagle etched into the glass by Galvin. Also designed by Galvin, two porthole windows showing a beaver and an owl respectively, were etched into glass. The beaver was included, likely for its industrious qualities and the owl for its wisdom.

P0364_TransomDetail_FlatFile — Drawing of eagle design used in transom from William L. Galvin Collection at CHC Archives.

As the banking industry grew after the conclusion of World War II, the bank expanded, also hiring Galvin to design a one-story addition which blended seamlessly with the main structure.

Brattle St 38_Cambridge Federal Savings_0001 — Photo of 38 Brattle Street after merging with Watertown Federal Savings Bank, 1972.

Brattle St 38_Cambridge Federal Savings_0002 — Photo showing one-story addition to the left of the main building at 38 Brattle Street, 1972.

Brattle St 38_Cambridge Federal Savings_1966 Sanborn — 1966 Sanborn Map showing location and detail of 38 Brattle Street.

In 1967, the Cambridge Federal Savings and Loan Association merged with Watertown Federal Savings Association and was renamed as the Northeast Federal Savings Bank. The bank building at 38 Brattle Street was named a branch office of the bank and served that use for the remainder of its life.
A demolition application was submitted in 1987 for the building and it was demolished soon after to be replaced by One Brattle Square.

Brattle Sq One DSC_4296 — Staff photo of One Brattle Square, 2013.

Staff of the Cambridge Historical Commission was able to save the large transom with etched eagle design from the building just before it was demolished, the two porthole windows were already removed. The transom is now framed in the wall of our conference room at 831 Massachusetts Avenue.

For more information on the building or if you would like to schedule a visit to our office to review Galvin’s plans and drawings in the William L. Galvin Collection, please contact us at histcomm@cambridgema.gov.

Modern Monday: Loeb Drama Center, 64 Brattle Street

Posted on February 11, 2019May 14, 2020 by cambridgehistoricalcommission

Exterior of Loeb Drama Center_Radcliffe College Archives

Completed in 1960, the Loeb Drama Center at 64 Brattle Street stands as one of Cambridge’s greatest examples of Modern Architecture. The structure is human-scaled, made of regional materials and is a sensitive addition to its residential and commercial neighbors along Brattle Street. The scale of the building was reduced to blend in with adjacent heights and the use of New England waterstruck brick is a nod to the Harvard and Radcliffe buildings nearby. Exposed concrete serves as a sort of frame to the delicate ornamental grille which provides a lace-like effect, enhanced further at night when the light from inside the building shines through.

Exterior View of Loeb Drama Center_night_Radcliffe College Archives Exterior View: Harvard - Loeb Drama Center, 29 Brattle Street

Architect Hugh Stubbins wanted the theater to be architecturally exciting, while still serving as a backdrop to the purpose of the building, the arts. Stubbins was quoted as saying, “the auditorium should please the imagination in such a way as to release it, not captivate it” and later went on to reference examples of recent museums and art galleries erected by architects to overshadow the art within them.

Interior View of Loeb Drama Center_Radcliffe College Archives View of Loeb Drama Center setbuilding_Radcliffe College Archives

The building opens right off the sidewalk of Brattle Street by the way of deep setbacks off the first floor, forming a porch-like or arcade feeling. The sides of the building open to a garden court on one side and a spacious terrace on the other. The travertine flooring in the lobby extends gracefully to the brick-paved courtyard, contained by a red brick serpentine wall.

Exterior courtyard Loeb Drama Center_Radcliffe College Archives Exterior View of Loeb Drama Center (2)_Radcliffe College Archives

The theater was unveiled as a mechanical marvel as the first fully-automatic and flexible theatre in the United States. The audience’s position in relation to the stage, along with the position and shape of the stage itself could be altered between three main configurations: theater-in-the-round, proscenium, and arena seating, all possibly during the same performance. Yale’s noted stage technician and theater design engineer, George C. Izenour worked with Stubbins to integrate lighting, rigging and staging into an automated and hydraulic lift system, which could be altered and staged by just two people in mere minutes.

Courtesy of Architectural Forum, 10-1960.

The Loeb Drama Center is now home to The American Repertory Theater (A.R.T.) at Harvard University, which collaborates with artists around the world to develop and create work in new ways. To learn more about A.R.T. and their upcoming shows and events, check out their website at: https://americanrepertorytheater.org/

1960 color photo_CHC_LOEB — Color slide courtesy of CHC Staff.

Historic photos courtesy of Radcliffe College Archives and CHC slides.

Modern Monday: Esplanade Condominiums

Posted on December 17, 2018May 14, 2020 by cambridgehistoricalcommission

41300_Esplanade_Condos — The Esplanade from the Charles River. Courtesy of Safdie Architects.

#ModernMonday is featuring the Esplanade Condominiums (1989) at 75-83 Cambridge Parkway in East Cambridge. Designed by architect Moshe Safdie with Safdie Architects, the building could be classified as “structuralism” with its cubist features and grid-like design. The building was the final structure completed in “The Front” which is bounded by Cambridge Parkway and Edwin Land Boulevard.

41300_Esplanade_Condos Entrance night — Edwin Land Boulevard entrance. Courtesy of Safdie Architects.

41300_Esplanade_Condos Entrance — Edwin Land Boulevard façade. Courtesy of Safdie Architects.

The building, which is comprised of 206 units, had to comply with strict urban design guidelines laid out as part of the East Cambridge Urban Design Plan. This plan limited height, required brick as the main material for construction, and required building on the street edge. Given the high water table, the parking for the structure is above-grade, and the design minimizes the impact of the parking base by encasing the riverfront (east) elevation with housing units and a community garden on the parking roof at the fourth floor.

41300_Esplanade exterior — Cambridge Parkway façade, facing north. Courtesy of Safdie Architects.

The structure takes cues from Safdie’s 1967 project, Habitat 67 in Montreal, Canada with the repetition of cube projections with terraces and use of public spaces incorporated into the building’s design. In the real estate sales brochure for the building, the building’s form was said to have been inspired by the homes on the cliffs of the Amalfi Coast in Italy. Upon its completion, The Esplanade building was known to have the highest value units in the city. The design, coupled with the sweeping views of the river and Boston skyline created a huge draw for investors and homeowners alike.

Thanks to Safdie Architects for the original photographs and floor plans.

Modern Monday: William James Hall

Posted on December 10, 2018May 14, 2020 by cambridgehistoricalcommission

Today’s #ModernMonday post is highlighting William James Hall, built in 1964 and designed by famed architect Minoru Yamasaki. Harvard University hired Yamasaki to design a new building to house the new Behavioral Science Department, including: offices, laboratories, animal quarters, classrooms and a library for the growing department. The new building was constructed largely of precast concrete panels, set inside slender columns which were poured in place concrete. The building features an observation deck at the top floor which is screened from the street to allow researchers to study passersby on the street below without them knowing.

Full height_Radcliffe Archives — Image courtesy of Radcliffe Archives.

The 15-story structure was designed in the New-Formalism style which Yamasaki perfected. He is known today as being one of the two masters (Edward Durell Stone being the other) of the architectural style, which typically exemplified symmetrical facades, columnar arched supports and smooth-finished and un-adorned wall materials, commonly in a white color. Yamasaki is likely most well-known for his 1970 design of the World Trade Center towers in Manhattan. Yamasaki also designed Harvard’s Engineering Science Lab at 40 Oxford Street in 1962.

William James Hall_Model_Photograph — Photograph of Model by Sebastian Korab.

The $5.8 million dollar building was named for William James, a philosopher, whose pioneer work was undertaken at Harvard. Initially trained in painting, James abandoned the arts and enrolled in Harvard in 1861 to study chemistry and anatomy. In 1875 James taught one of the university’s first courses in psychology, “The Relations between Physiology and Psychology,” for which he established the first experimental psychology demonstration laboratory. In 1890 James published a highly influential, two-volume synthesis and summary of psychology, Principles of Psychology. The books were widely read in North America and Europe, gaining attention and praise from Sigmund Freud and Carl Jung in Vienna. James then moved away from experimental psychology to produce more philosophical works (he is credited as one of the founders of the school of American Pragmatism), although he continued to teach psychology until he retired from Harvard in 1907.

Building and Structure Documentation Collection: Wolcott Gibbs Memorial Laboratory

Posted on December 7, 2018 by Meta Partenheimer

Today, we are highlighting a building from our Building and Structure Documentation Collection. This collection documents buildings and structures in Cambridge that were either demolished or significantly altered. In this case, the materials were compiled as a condition of approval by the Cambridge Planning Board for a proposed replacement project.

Wolcott Gibbs Memorial Laboratory - Exterior — Close-up view of south facade of Gibbs Memorial Laboratory, Naito Chemistry Complex is under construction at the left of the photograph, 1999-2000.

For each building or structure, the corresponding box often includes an architectural description of the building or buildings, a narrative history, and archival photographs, negatives, photograph key(s), and/or electronic copies of the files and photographs. Today we are featuring the documentation of the Wolcott Gibbs Memorial Laboratory.

Wolcott Gibbs circa 1895 (copy) — Copy photograph of Wolcott Gibbs circa 1895. Original in Harvard University Archives.

The Wolcott Gibbs Memorial Laboratory, named to honor Harvard University Rumford professor Oliver Wolcott Gibbs, was originally constructed in 1913 to address issues of limited laboratory space at Harvard.

Wolcott Gibbs Memorial Laboratory - 1913 Exterior (copy)

View northwest, perspective view of Wolcott Gibbs Memorial Laboratory in 1913. Original in Harvard University Archives.

Located at the head of Frisbie Place, the building was designed by architect and 1876 Harvard graduate Alexander Wadsworth Longfellow Jr., nephew of Henry Wadsworth Longfellow, for research in physical and inorganic chemistry.

Wolcott Gibbs Memorial Laboratory - Cold storage room and labora — View into cold storage room and laboratory, second floor, Gibbs Memorial Laboratory, 1999-2000. This room was not part of the original building plan.

Wolcott Gibbs Memorial Laboratory - Basement interior — View west from east side entrance into Gibbs Memorial Laboratory basement, 1999-2000. Note autoclave in center of photograph.

The laboratory cost $85,000 to build. During its construction in 1912, the Harvard Crimson noted that “The Wolcott Gibbs Laboratory will be unique in this country, and in fact will be the foremost institution of its kind in the world. The proposed group of buildings, which will cost a million dollars, would give the University an unrivaled place in the field of chemical science.”

Wolcott Gibbs Memorial Laboratory - Vestibule — View of vestibule from front hall, first floor of Gibbs Memorial Laboratory, 1999-2000. Note the six light transom set above the doors. An arch at the top frames the individual lights and mullions delimit them. The frame around each light resembles a pier arch.

The building was constructed with a high degree of integrity of design including elements derived from classical, Roman, medieval, late Gothic and Corinthian architecture. In the 1960s, the laboratory was remodeled for inclusion of biochemistry laboratories, and in the early 2000s, the building was demolished.

Look for more building and structure documentation in future posts!