St. Augustine’s African Orthodox Church – Cambridge’s Newest Landmark

View of St. Augustine’s African Orthodox Church, 1964.

On February 22, the Cambridge City Council unanimously voted to designate St. Augustine’s African Orthodox Church a Cambridge Landmark. This designation recognizes only a select number of individual properties that are important to the City as a whole, protecting them so that their unique qualities are maintained for the benefit of all the residents of Cambridge.

Located at 137 Allston Street in Cambridgeport, St. Augustine’s African Orthodox Church is owned by the Trustees of The St. Augustine’s Mission. The church is also the home of Black History in Action for Cambridgeport (BHAC), a non-profit organization dedicated to promoting programs focused on sharing Black culture, arts, history, and education with  the general public. BHAC’s mission is to sustain and revitalize St. Augustine’s as a neighborhood center for assembly, empowerment, and outreach.

View of St. Augustine’s African Orthodox Church with recently completed new roof.

The property was originally part of the estate of Mrs. Washington Allston [Martha Remington Dana Allston] as drawn on a survey by William A. Mason and W. S. Barbour dated May 1, 1862 and filed in the Middlesex County (South District) Registry of Deeds, Plan Book 33, Plan 5. The rector of St. Peter’s Episcopal Church in Central Square, Rev. Edward M. Gushee, acquired the property in 1886 to construct a mission of St. Peter’s. Rev. Gushee died in 1917 and bequeathed the property to his son Richard, an Episcopal minister in California. A new priest was appointed by the Diocese of Massachusetts, but the congregation dwindled over the next few years and could not sustain the church financially even though Rev. Richard Gushee continued to own the property. In 1927 Rev. Gushee sold the property to Central Square furniture dealer Morris Bobrick, who may have intended to use the property for storage but who defaulted on his mortgage. The property was bought at auction by Nettie E. Fernandez who in turn sold it to individuals associated with the African Orthodox denomination in 1931. The St. Augustine’s property continues to be owned by the trustees of The St. Augustine’s Mission.

Allston Street was named for Washington Allston (1779-1843), an artist who pioneered America’s Romantic movement of landscape painting. He married Martha Remington Dana, the daughter of Chief Justice Francis Dana, who owned most of the property in this area. Allston Street is a through street parallel to Putnam Avenue and intersecting with the main thoroughfares in the neighborhood, including Magazine, Pearl, and Brookline streets. The neighborhood is characterized by dominant north-south streets, uniform intervals between the cross streets, and sustained setbacks. Only on four streets – Green, Franklin, Allston, and Putnam – can one traverse the entire area in an east-west direction. Early building locations appear to have been determined by land elevation or proximity to Central Square. In 1830 there were only three cross streets; in 1854 there were six; and by 1873 the current street layout was virtually complete. South of Allston Street is a slightly elevated and once heavily wooded area known in the 19th century as Pine Grove. In 1838 Edmund Trowbridge Hastings (1789-1861) and other Dana heirs laid out the Pine Grove subdivision with 131 house lots on Allston, Chestnut, Henry, Waverly, Sidney, Brookline and Pearl Streets. The original plan included a residential square around Fort Washington and another on Brookline Street that became today’s Hasting’s Square. Although some lots were sold, the area was too isolated to attract development even after the Cottage Farm (B.U.) Bridge was completed in 1851. Martha Allston’s land on the north side of Allston Street (including the site of St. Augustine’s Church) was subdivided in 1862 but remained substantially undeveloped until the 1880s, when the neighborhood began to fill up with one- and two-family houses. Construction of the Morse School in 1890 spurred development, and by 1910 the neighborhood was complete. It remains essentially unchanged today, although the school was demolished in 1957 and the site became a park.

From the founding of Cambridge in 1630 to the construction of the West Boston (now Longfellow) Bridge in 1793, only three families lived east of Quincy Street on “the Neck,” a marshy, wooded peninsula formed by the Charles and Millers rivers. The opening of the bridge spurred development. By this time two Cambridge men owned most of the land in Cambridgeport: William Jarvis controlled properties north of Massachusetts Avenue and Justice Francis Dana to the south. (Much of the rest – and all of East Cambridge – fell to Andrew Craigie.)

Jarvis was the U.S. Inspector of Revenue. Dana, who descended from an old Cambridge family and resided on a large estate on Dana Hill, served as Chief Justice of the Massachusetts Supreme Judicial Court from 1791 to 1806. The two men worked with the Proprietors of the West Boston Bridge to lay out Massachusetts Avenue and Main Street but did not otherwise develop a master plan for the area. Justice Dana developed his holdings slowly and carefully. In 1798 Jarvis was convicted of misappropriation of customs duties; the federal government seized his properties and sold them off to multiple owners.

Justice Dana died in 1811, and his heirs continued to develop Cambridgeport in the same careful pattern. What is now Allston Street was a part of Justice Dana’s estate left to his daughter, Martha Remington Dana Allston (Mrs. Washington Allston).

St. Augustine’s African Orthodox Church was built in 1886-87 as St. Philip’s, a mission of St. Peter’s Episcopal Church in Central Square. The remote site was chosen to attract parishioners from the surrounding neighborhood who found it difficult to get to church in Central Square. It was the first house of worship to open in the former Pine Grove neighborhood and attracted so many worshipers that it needed to be enlarged two years later.

St. Philip’s was designed by the New Bedford architect Robert Slack, who oversaw both the original construction and the 1888 expansion and worked with the local builders Kelley & McKinnon. Talented and prolific, Slack did not specialize in one style; he designed private homes, churches, and institutions, including a new wing at Harvard’s Peabody Museum.

The church is reminiscent of an English village chapel but is distinctly American in its wood construction and simple expression. The exterior was shingled and stained dark red with trimmings of dark blue. The 50-foot-tall tower was surmounted by a gilded cross and enclosed a bell made at the Meneely foundry in Troy, New York. The main entrance was through a foyer on the right front. The interior featured an open-timbered auditorium with rows of cane chairs with hassocks for the congregation, double-hung windows with colored lights, and five decorative chancel windows high above the altar. The 1888 expansion involved cutting off the chancel end and moving it back 31 feet and building a section between with a transept on the south side, making the inserted section 31 feet by 34 feet. This increased the overall length from 60 to 90 feet and doubled the seating capacity to about 400. The basement was finished for use as Sunday School and guild rooms.

Image of church after expansion. Note the original side entrance. Cambridge Chronicle, Sept. 15, 1888.

St. Philip’s was a personal project of Rev. Edward M. Gushee, who served at St. Peter’s Episcopal in Central Square until Easter 1888, when he became rector of St. Philip’s. A wealthy, generous man, Rev. Gushee owned the building, presided at services, and was the parish’s sole financial benefactor. Gushee died in 1917, leaving a small allowance to the parish but bequeathing the building to his son Richard, an Episcopal minister in California who apparently had no wish to return to Cambridge. The diocese supplied the parish with a priest for a few years, but the congregation dwindled and could no longer support either a rector or the building. In 1927 Richard put the building up for sale, advertising it as suitable for “storage, church or remodeled for dwelling” (Cambridge Chronicle, August 26, 1927).

In August 1928 Richard Gushee sold the property to Morris Bobrick, a furniture dealer in Central Square who may have used it for storage. Two years later Bobrick sold it to the trustees of a new church, identified in the newspapers as the African Orthodox Society. In 1932 the Cambridge assessors gave the trustees as George Alexander McGuire, Rev. Gladstone St. Clair Nurse, and Elvira Headley.

Historic plaque located on the site.

Bishop George A. McGuire (1866-1934) established the African Orthodox Church in 1921. McGuire was born, raised, and educated on Antigua; he came to the U.S. in 1894 and two years later was ordained an Episcopal priest. He served in numerous parishes and was praised for both his preaching and his organizational skills. In 1910 he attended Boston University’s medical school, but in 1913 he went back to Antigua to nurse his mother.

In 1918 McGuire returned to the U.S. and began to move in a new direction. He campaigned for equal rights for Black Americans and severed his ties with the Episcopal Church to protest its systemic racism and discrimination against Black clergy. McGuire became an associate of Marcus Garvey and worked with Garvey’s Universal Negro Improvement Association (UNIA); Garvey in turn endorsed McGuire’s idea that true equality and spiritual freedom could only be achieved by an all-Black religious denomination – a church attended by people of color and administered by Black clergy. The bishop broke with Garvey in 1924, probably over the latter’s increasingly radical ideas on racial nationalism.

In the fall of 1921, St. Luke’s African Orthodox Church opened at 252 Green Street (now the site of the Green Street Garage). In 1931 the denomination took possession of the dilapidated St. Philip’s and renamed it St. Augustine’s African Orthodox Pro-Cathedral, with Bishop McGuire at its head. (A pro-cathedral is a church named by a bishop to serve as his seat but which remains under the governance of the vestry.) When Bishop McGuire died in 1934 the African Orthodox Church could claim approximately 30,000 members in thirty congregations in the United States, the West Indies, South America, and Africa.

General Sources

Cambridge Chronicle, June 6, 1887; September15, 1888; January 17, 1930.

Cambridge Sentinel, January 13, 1940.

Cambridge Tribune, June 18, 1887; January 28, 1888.

Survey of Architectural History in Cambridge, Cambridgeport. Cambridge Historical Commission, 1971.

Harvard Square Library, https://www.harvardsquarelibrary.org/cambridge-harvard/washington-allston/

Black History in Action For Cambridgeport, https://www.bhacambridge.org/history

Wikipedia entries for Rev. George A. Maguire and the African Orthodox Church

Archives

Cambridge Historical Commission. Survey file on 137 Allston Street

Cambridge Historical Commission. Biographical files on Rev. Richard Gushee Sr. and Rev. George A. Maguire

Middlesex County Registry of Deeds

Maps and Atlases

Bromley, George W. and Walter S. Atlas of the City of Cambridge, Massachusetts. Philadelphia, 1894, 1903, 1916, 1930.

City of Cambridge GIS

50 Quincy Street – Swedenborg Chapel

The following is an excerpt from Swedenborg Chapel Planning Study by Mark Careaga, AIA.

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View of the Chapel from Kirkland Street, near the Quincy Street intersection. CHC Collection.

The Cambridge Society of the New Jerusalem – the formal name of the congregation that worships at Swedenborg Chapel – was formed in 1888. The following year, the New Church Theological School purchased the Treadwell-Sparks house at 48 Quincy Street, directly south of the site where the chapel would later be built in 1901. Named for Jared Sparks, professor of ancient and modern history and president of Harvard University (1849-53), the Treadwell-Sparks house would become the home for the theological school for nearly 70 years. Ten years after the school moved into Sparks House, planning commenced for the chapel, which would serve both the congregation and the school.(26)

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Original exterior details of the Chapel for the New Church Theological School by Warren, Smith and Biscoe Architects, ca. 1901. Cambridge Society of the New Jerusalem Archives.

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Drawing of the Chapel by the architect, ca. 1900. CHC Collection.

The chapel’s architect was Herbert Langford Warren (1857-1917), a prominent Boston architect among whose many accomplishments include being a founder and president of the Society of Arts and Crafts, Boston. He was also the first “dean of the School of Architecture at Harvard, having taught there continuously since offering the first course in architecture in 1893.”(27) Warren was a lifelong practicing Swedenborgian, influenced by his father’s commitment to the faith. As an architect, Warren had distinct preferences for English styles,(29) which may stem from his roots (he was born, reared, and educated in Manchester, England (30), from Swedenborgianism’s roots (the church was founded in England in 1787 by devotees of Emanuel Swedenborg’s distinctive Christian theology (31), or both. The chapel’s design reflects the English gothic style consistent with Warren’s deeply felt affection for the medieval English parish church, which he expressed to his students in his lectures.

Below is a description of the Chapel published by the Cambridge Society of the New Jerusalem.

cambridge society desc full 2

chapel and sparks house
View of Sparks House to the right of the Chapel, later moved to Kirkland Street. Undated photograph, CHC Collection.

In the 1960s, the school decided to relocate to Newton, Massachusetts and sold the Sparks House property to Harvard. Given the historical significance of the house, Harvard relocated it a short distance away on Kirkland Street, where it remains today as the home for the minister of Harvard Memorial Church. As Robert Kiven observed in 1968, this was in fact the second time that Sparks House had been moved.(32) As City of Cambridge preservation planner Sally Zimmerman notes, “in 1901, the house was turned 90 degrees and moved south on its lot to make room for the chapel’s construction.”(33)

The New Church Theological School’s establishment at Sparks House marked the beginning of a century-long transformation of Quincy Street. Starting in the 1840s, Quincy Street began to unseat “Professor’s Row” (Kirkland Street) “as a prime residential location for those connected to [Harvard College], and it remained so up to the end of the nineteenth century, as a cosmopolitan group of noted academics settled along the street’s length.”(34) This can be seen in the 1865 map below, which shows five faculty houses on the west side of Quincy Street, in Harvard Yard, eventually replaced by expansion of academic facilities – in particular, Robinson Hall, Sever Hall, and Emerson Hall.

1865 map 2
Map of Cambridge from 1865 showing faculty housing on Quincy Street. The Chapel would be built where “Prof Lovering” is located, just below “Kirkland St.” City of Cambridge GIS.

1916 Bromley map 3
Map from 1916 showing the Church of the New Jerusalem, now known as the Swedenborg Chapel. Bromley 1916 atlas, CHC Collection.

The transformation began with the Fogg Museum, designed by architects Coolidge, Shepley, Bullfinch, and Abbott of Boston and built in 1927, taking over 28-36 Quincy Street. In 1963, the Le Corbusier-designed Carpenter Center was completed, with its iconic ramp structurally integrated with a basement library book-stacks facility that was added to the back of the Fogg in 1961 to expand the Fine Arts Library.(35) In 1963, the Minoru Yamasaki-designed William James Hall was completed to house Harvard’s Department of Psychology, which William James was instrumental in establishing.(36) James’ father, Henry James, Sr., was deeply influenced by the writings of Emanuel Swedenborg.(37) Six years later work began at 48 Quincy Street to construct Gund Hall for the Harvard Graduate School of Design (“GSD”), bringing the school that Herbert Langford Warren had founded in the late 1800s directly next door to the chapel he designed for his fellow Swedenborgians and affiliated theological school. Lastly, the Sackler Museum was constructed in 1985, replacing the 1951 Allston Burr Lecture Hall,(38) an outdated science building that had supplanted two smaller residential buildings for Harvard College.

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View of lancet window with hand carved detailing. Photo courtesy of M. Careaga.

By the time it relocated to Newton in the 1960s, the New Church Theological School had changed its name to the Swedenborg School of Religion (SSR), and the school constructed an annex on the north side of the chapel, facing Kirkland Street. Designed by Cambridge architect Arthur Brooks, it provided fellowship space and other ancillary functions to support the Cambridge Society congregation, which continued to hold services at the chapel after the school’s departure. By the late 1990s, SSR announced its intentions to sell the chapel property to raise much-needed capital to support its operations. Concerned about the potential loss of a significant work of architecture, the local community and the Cambridge Historical Commission lobbied successfully to obtain City of Cambridge landmark status for the chapel in 1999, paving the way for the Massachusetts New Church Union and the Cambridge Society of the New Jerusalem to purchase the property from SSR in 2001. The chapel site is the only parcel of land that the university does not own on the city block bounded by Quincy Street, Kirkland Street, Sumner Road, and Cambridge Street. Regardless of its status as private property separate from the university, the chapel and its land are intimately connected to Harvard, woven into the physical fabric of the university’s campus as well as through the intersecting histories of Harvard University and the Cambridge Society of the New Jerusalem.

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View of reredos and alter. Photo courtesy of M. Careaga.

Today, along with its own congregation, the Swedenborg Chapel hosts two other worshipping communities as well as a monthly Taize candlelight service.

Mark Careaga is Principal and Founder of Mark Careaga Architect LLC, in Cambridge MA. He can be found online at http://www.mcarq.co and on Twitter and Instagram @mcarqco

References

26. Maureen Meister, Architecture and the Arts and Crafts Movement in Boston: Harvard’s H. Langford Warren (Lebanon, NH: University Press of New England, 2003), 110.
27. Meister, 1.
28. Meister, 7-8.
29. cf. Meister, 5, 110.
30. Meister, 8.
31. Meister, 8.
32. Robert H. Kiven, “Letter from the Editor,” The Messenger 188, no.10 (October 1968): 142-143.
34. Sally Zimmerman, “Church of the New Jerusalem / Swedenborg Chapel, 50 Quincy Street, Landmark Designation Study Report,” prepared for the Cambridge Historical Commission, March 5, 1999, 8. This report can be accessed online at: https://www.cambridgema.gov/~/media/Files/historicalcommission/pdf/Landmark_reports/lm_quincy_50.pdf.
35. Zimmerman, “Landmark Designation Study Report,” 8.

36. Natalie Moravek, “William James Hall,” in “William James’ Cambridge,” website designed and hosted by the Cambridge Historical Society, accessed February 7, 2019, https://cambridgehistory.org/james/James 5.html.
37. “Famous Swedenborgians,” part of the website of the Swedenborgian Church of North America, accessed February 7, 2019, https://swedenborg.org/famous-swedenborgians/henry-james-sr/. The web page cites the following source: Alfred Halbegger, The Father: A Life of Henry James, Sr. (New York: Frrar, Straus and Giroux, 1994).
38. Susan E. Maycock and Charles M. Sullivan, Building Old Cambridge: Architecture and Development (Cambridge MA: The MIT Press, 2016), 817. Allston Burr was designed by architect Jean-Paul Carlihan of Coolidge, Shepley, Bullfinch & Abbott.

Society of St. John the Evangelist, 980 Memorial Drive

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View of chapel from the street with bell tower in the back

Located along Memorial Drive across from the Charles River is the Society of Saint John the Evangelist monastery and chapel  designed by Ralph Adams Cram (1863-1942). Completed in 1936, the complex includes a monastery with a two-tiered bell tower, a chapel, and a guest house. A proponent of Gothic Revival and Collegiate Gothic architecture, Cram was inspired by Gothic architecture in England and furthered those ideas in his designs of numerous churches in the U.S., including St. John the Divine in New York, as well as libraries and academic buildings. Isabella Stewart Gardner, the great philanthropist and patron of the arts in Boston, helped select the site and provided financial support for the purchase of the property.

1024px-Monastery_Chapel,_980_Memorial_Drive,_Cambridge,_MA_-_IMG_4353
View of courtyard and brick arcade

Dedicated to St. Mary and St. John, the chapel’s exterior is constructed of seam-face granite block with buff limestone trim, and an arcaded brick cloister supporting the stucco monastery.

Pages from AR June 1941-3
Plan of the chapel published in Architectural Record, June 1941

 

The interior features Indiana limestone pillars and arches, marble floors in the choir and sanctuary, green slate floor in the ante-chapel, and stained glass windows designed by Charles J. Connick. The trussed roof beams were originally part of a wooden bridge over the Mystic River that was removed at the same time the chapel was being built. Cram’s meticulous attention to detail extended to the design of the crucifix and candlesticks for the high altar.

SSJE 26AUG11 - 010
View of Chapel interior with slate floor in foreground, photo by C. Ripman and L. Sturm

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View of limestone arches and stained glass windows, photo by C. Ripman and L. Sturm

The chapel is open to the public for prayer services, and the monastery hosts retreats.

Monastery_Chapel,_980_Memorial_Drive,_Cambridge,_MA_-_IMG_4364
View of stained glass windows including the rose window above which depicts heaven

us-mission-house
Vintage postcard

Sources

Society of St. John the Evangelist, http://www.ssje.org

Architectural Record, June 1941, pp 54-56.

Davis, Karen, “The Society of Saint John the Evangelist Monastery and Chapel, Architectural Tour,” May 10, 1998.

Chapel interior images courtesy of Lumen Studio Architectural Lighting Design, Lowell, Massachusetts, http://www.lumen-studio.net

Exterior images and stained glass window image, http://www.wikipedia.org

postcard from http://www.thecowleyproject.wordpress.com/2015/01/13/rediscovering-the-cowley-fathers

 

 

 

Event: Cambridgeport Walking Tour

On Saturday October 27th at 1:30pm, the Cambridgeport Neighborhood Association will lead a walking tour of the 12 religious buildings nestled into the neighborhood of Cambridgeport. The tour will meet at the intersection of Magazine Street and Green Street (at the area in front of the First Baptist Church) at 1:30pm and proceed from there, lasting about 2 hours. The event is co-sponsored by the Cambridge Historical Commission and the Cambridge Peace Commission, as well as C-port’s own Gallery 263.

flyer

The tour will end at the gallery (263 Pearl St, Cambridge MA) for some refreshments and an exhibition of architectural drawings of these buildings. During the tour, we will have the privilege of going inside some of these buildings, and we will be joined by representatives from several of the churches along the way. For questions about accessibility or to request accommodations please contact GABE@MIT.EDU

map

Now Open: Xonnabel Clark Collection

This post was authored by our Simmons 438 Archives intern, Jacky Martin.

You may have heard of the Clarks before. Emory J. Clark Square sits at Fern Street and Concord Avenue.  Emory’s Pharmacy was the first Black-owned and operated pharmacy in Cambridge.

But this collection is about Xonnabel.

Xonnabel Clark was a teacher and counselor for various area schools over the years.  She received a Masters of Education from Harvard University.  She raised five children.  She was a very active member of her church, Grace Vision United Methodist.  And I think  – because I’ve not met her – that she is curious and passionate about learning and likes piecing puzzles together.

It’s the last two sentences that are important for this collection.

Clark became the unofficial historian for her church back in the 2000s, when the congregation needed to find the official deed for the church building.  She traveled to the Cambridge Registry of Deeds and successfully located the document.  That adventure sparked an interest in records and the history of her church that led to her working with the CHC to make the church into a historical landmark, and writing a report called The History of Grace Vision United Methodist 1871-2009: 138 Years of Christian Service (yes, we have a copy and yes, I’ve read it).

After spending two weeks with this collection, I understand her interest.

Grace M.E. Church Postcard
A colored postcard of the church

The Grace Vision United Methodist Church was built in 1887.  Its original congregation was an outgrowth of a Sunday School-type program called the Sabbath School, which was run by Baptist, Congregational, and Methodist churches including the Harvard Street Church.  The original congregation was called the Cottage Street Methodist Episcopal Church, due to its location on Cottage Street, before it moved to the Magazine Street building and renamed itself Grace Methodist Episcopal Church.  Since then it’s gone through four name changes (from Grace M.E. to Grace Methodist to Grace United to finally Grace Vision United).  That’s five different names for one enduring congregation.

And by all accounts, the congregation’s focus on community and outreach that started with the Sabbath School didn’t change.  The church sponsored Scout Troops, ran arts programs, and remained an active part of the community.  From the original Sabbath School to Grace Academy, the Grace Vision UMC strove to always contribute to the local community.

Grace U.M.C. Scout Troop 17
One of the many Boy Scout Troops the church sponsored

The collection itself is an interesting mix of official documents and informal photographs.

Grace Church Herald, October 1903
An old church newsletter; note the baseball statistics

The largest part of the collection (aside from the History) are the church programs that Clark kept over the years.  From Martin Luther King Day celebrations to joint Easter Sunday services with other churches to Anniversary services and banquets, these programs run the gamut of the various events that are a constant part of a church’s life.

MLK_Program001
One of the multiple programs for Martin Luther King, Jr. celebrations

More interesting – to me at least –  are the newsletters and correspondence in the collection.  Much of the collection consists of formal minutes from the multiple inter-church organizations that Grace United Methodist was a part of, but the rest includes church newsletters and messages to the congregation.  My favorite is the “Cakeless Cake Sale” letter, which is written almost entirely in rhyme.

Grace U.M.C. Cakeless Cake Sale
A Cakeless Cake Sale, a novel new way to do bake sales

The collection is a unique snapshot of the life of a church, taken by someone who clearly cares greatly for this church and its history.

Grace U.M.C. Service
A photograph of Sunday service

View the finding aid for this collection here. If you would like to learn more about this collection, please call us at 617.349.4683 or e-mail our archivist, Emily, at egonzalez@cambridgema.gov to make a research appointment.

Ella Jepson Nylander Photograph Collection

In this post, our archives assistant Meta shares highlights and images from the recently processed and digitized Ella Jepson Nylander Photograph Collection. This collection is open for research at the CHC.


This collection consists of photographs found in a trunk that belonged to Ella Jepson Nylander. Mrs. Nylander was born Rozella Josephine Jepson in New Sweden, Maine in 1883 to Swedish immigrants Mons and Elna Jepson. Ella and her husband Olof Conrad Nylander lived within the closely-knit Swedish-American community in Cambridge for many years, and a number of the photographs in this collection were taken by photographers in Cambridge and across the water in Boston. Members of the Nylander and related families are represented in the images, in addition to friends and fellow church-goers of the Swedish Baptist Church located at the corner of Washington and Columbia streets.

nylander_1
Portrait of Anna Nyman (left) and Ella Jepson Nylander (right), c. 1890-1905.

Cambridge began seeing a rise in Swedish immigrants during the late-nineteenth century, and by 1905 the population had reached 1,645. Many Swedes were employed in trades and as craftsmen, but quite a few members of the younger generation began working in a more professional capacity. The Swedish and Swedish-American community in Cambridge was a close-knit and religious group during this time, and many of their activities centered on their religion.

nylander_2
Portrait of Olof Conrad Nylander (left) and Otto H. Anderson (right), c. 1900-1910.

Ella Jepson married Olof Conrad Nylander in Cambridge, Massachusetts on May 30, 1908, and the ceremony was performed by Reverend C. (Carl) E. Johnson, the couple’s first pastor in Cambridge. Reverend Johnson became the pastor for this congregation in 1899. During his time in Cambridge, Reverend Johnson performed wedding ceremonies for various friends of the Nylanders and was very active in organizing church social events.

nylander_3
Portrait of Reverend Carl E. Johnson, c. 1900. 

By 1902, the Swedish Baptist congregation in Cambridge had expanded to over 100 members and began taking bids to create a new church. Many members of the congregation were said to be poor or working class immigrants, and the surrounding community of Cambridge was encouraged to aid in fund contributions to the new church. Construction began in late 1902, and during this time the congregation worshiped in the YMCA building. The cornerstone for the new church was laid on March 8, 1903 and dedicated the following May in 1904. As it stands today, the building at 77 Columbia Street is a substantial improvement to its predecessor and embodies the spirit of community and fellowship of the Swedish community in Cambridge.

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Swedish Baptist Church at 77 Columbia Street, Cambridge, c. 1903-1915.

For a more in-depth history of this collection and the individuals photographed, click the following text to open the Ella Jepson Nylander Photograph Collection finding aid.

To view the full collection of digitized images, visit the Cambridge Historical Commission Flickr page.

References:
“Ancestry,” Retrieved from http://www.ancestry.com/.
“Death of Iowa Rev. Olof Lindh.” Cambridge Chronicle, October 12, 1912. Accessed October 7, 2016. http://cambridge.dlconsulting.com/cgi-bin/cambridge?a=d&d=Chronicle19121012-01.2.117&e=——-en-20–1–txt-txIN——.
“Harvard Square.” Cambridge Tribune, June 15, 1907. Accessed October 11, 2016. http://cambridge.dlconsulting.com/cgi-bin/cambridge?a=d&d=Tribune19070615-01.2.44&e=——-en-20–1–txt-txIN——.
“Midsummer Festival.” Cambridge Chronicle, June 29, 1918, Accessed October 11, 2016. http://cambridge.dlconsulting.com/cgi-bin/cambridge?a=d&d=Chronicle19180629-01.2.59&e=——-en-20–1–txt-txIN——.
“Midsummer Festival by Swedish Church.” Cambridge Chronicle, June 28, 1919. Accessed October 11, 2016. http://cambridge.dlconsulting.com/cgi-bin/cambridge?a=d&d=Chronicle19190628-01.2.54&e=——-en-20–1–txt-txIN——.
“New Swedish Baptist Church.” Cambridge Chronicle, July 19, 1902. Accessed October 7, 2016. http://cambridge.dlconsulting.com/cgi-bin/cambridge?a=d&d=Chronicle19020719-01.2.157&e=——-en-20–1–txt-txIN——.
“Over 600 Present at Annual Swedish Night.” Cambridge Chronicle, March 10, 1923. Accessed October 11, 2016. http://cambridge.dlconsulting.com/cgi-bin/cambridge?a=d&d=Chronicle19230310-01.2.75&e=——-en-20–1–txt-txIN——.
“Proposed Swedish Baptist Church.” Cambridge Tribune, March 7, 1903. Accessed October 7, 2016. http://cambridge.dlconsulting.com/cgi-bin/cambridge?a=d&d=Tribune19030307-01.2.109.3&srpos=9&e=–1846—1935–en-20–1-byDA-txt-txIN-%22swedish+baptist+church%22+columbia—–#.
“Prospect Union.” Cambridge Sentinel, January 7, 1911. Accessed October 11, 2016. http://cambridge.dlconsulting.com/cgi-bin/cambridge?a=d&d=Sentinel19110107-01.2.58&e=——-en-20–1–txt-txIN——.
“Swedish Baptist Church.” Cambridge Tribune, June 13, 1896. Accessed October 7, 2016. http://cambridge.dlconsulting.com/cgi-bin/cambridge?a=d&d=Tribune18960613-01.2.51&e=——-en-20–1–txt-txIN——.
Woods, Robert A. and Albert J. Kennedy, The Zone of Emergence: Observations of the Lower Middle and Upper Working Class Communities of Boston, 1905-1914. Abridged and Edited with a Preface by Sam Bass Warner, Jr., 70-74, Cambridge: The M.I.T. Press, 1962.